Time Media And Visuality In Post Revolutionary France
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Author | : Iris Moon |
Publisher | : |
Total Pages | : 256 |
Release | : 2021 |
Genre | : Art |
ISBN | : 9781501348426 |
"The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the multiple points of view and refracted forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be ?post-revolutionary.?."--
Author | : Iris Moon |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 313 |
Release | : 2021-07-01 |
Genre | : Art |
ISBN | : 1501348418 |
The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”
Author | : Iris Moon |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 403 |
Release | : 2021-07-01 |
Genre | : Art |
ISBN | : 150134840X |
The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”
Author | : Pamela Buck |
Publisher | : Rutgers University Press |
Total Pages | : 137 |
Release | : 2024-03-15 |
Genre | : Literary Criticism |
ISBN | : 1644533340 |
Objects of Liberty explores the prevalence of souvenirs in British women’s writing during the French Revolution and Napoleonic era. It argues that women writers employed the material and memorial object of the souvenir to circulate revolutionary ideas and engage in the masculine realm of political debate. While souvenir collecting was a standard practice of privileged men on the eighteenth-century Grand Tour, women began to partake in this endeavor as political events in France heightened interest in travel to the Continent. Looking at travel accounts by Helen Maria Williams, Mary Wollstonecraft, Catherine and Martha Wilmot, Charlotte Eaton, and Mary Shelley, this study reveals how they used souvenirs to affect political thought in Britain and contribute to conversations about individual and national identity. At a time when gendered beliefs precluded women from full citizenship, they used souvenirs to redefine themselves as legitimate political actors. Objects of Liberty is a story about the ways that women established political power and agency through material culture.
Author | : Iris Moon |
Publisher | : Penn State Press |
Total Pages | : 239 |
Release | : 2022-03-25 |
Genre | : Art |
ISBN | : 0271093099 |
When Louis XVI was guillotined on January 21, 1793, vast networks of production that had provided splendor and sophistication to the royal court were severed. Although the king’s royal possessions—from drapery and tableware to clocks and furniture suites—were scattered and destroyed, many of the artists who made them found ways to survive. This book explores the fabrication, circulation, and survival of French luxury after the death of the king. Spanning the final years of the ancien régime from the 1790s to the first two decades of the nineteenth century, this richly illustrated book positions luxury within the turbulent politics of dispersal, disinheritance, and dispossession. Exploring exceptional works created from silver, silk, wood, and porcelain as well as unrealized architectural projects, Iris Moon presents new perspectives on the changing meanings of luxury in the revolutionary and Napoleonic periods, a time when artists were forced into hiding, exile, or emigration. Moon draws on her expertise as a curator to revise conventional accounts of the so-called Louis XVI style, arguing that it was only after the revolutionary auctions liquidated the king’s collections that their provenance accrued deeper cultural meanings as objects with both a royal imprimatur and a threatening reactionary potential. Lively and accessible, this thought-provoking study will be of interest to curators, art historians, scholars, and students of the decorative arts as well as specialists in the French Revolution.
Author | : Peter McPhee |
Publisher | : Bloomsbury Publishing |
Total Pages | : 181 |
Release | : 2024-11-14 |
Genre | : History |
ISBN | : 1350267813 |
The French countryside is as beloved by the many millions of tourists who visit it each year as it is of French people themselves. But it has not always looked like it does today. An Environmental History of France instead presents the countryside in which people live and work and through which they travel as a human creation across 250 years of economic and cultural change, war and revolution. It is a book about the 'making' of the French landscape and an engrossing story linking human geography, history, agriculture and culture. Showing an awareness of the origins and nature of current ecological and social challenges, Peter McPhee uses a blend of environmental and cultural approaches to paint a vivid picture of rural France's modern history. From the aristocratic control of agrarian resources in the 1770s, to widespread mechanisation in the 19th century, through to the impact of the World Wars and an intriguing discussion about the uncertain future of French rural communities, McPhee provides a nuanced, detailed and absorbing account of a distinctive version of France that is essential to the country's identity.
Author | : Katie Hornstein |
Publisher | : Yale University Press |
Total Pages | : 273 |
Release | : 2024 |
Genre | : Art |
ISBN | : 0300253206 |
An innovative examination of encounters between humans and lions and representations of these charismatic animals in the visual culture of postrevolutionary France In artistic traditions that stretch back to antiquity, lions have been associated with strength and authority. The figure of the lion in nineteenth-century France stood at a crossroads between these historical meanings and contemporary developments that recast the animal's significance, such as the literal presence of lions in public menageries. In this highly original study, Katie Hornstein explores the relationships among animals, spectatorship, and visual production. She examines the fascinating encounters between artists, viewers, and lions that took place--in menageries and circuses, on canvases, and on the pages of books--and out of which, she argues, new perceptions of power, empire, and the natural world emerged. Myth and Menagerie considers a range of visual objects, bringing into dialogue photographs of circus animals, hunting manuals, and zoo guidebooks with sculptures, drawings, and paintings by artists such as Théodore Géricault, Eugène Delacroix, Édouard Manet, and Rosa Bonheur. Illuminating the lives of individual lions against the backdrop of societal change and colonial expansion, Hornstein constructs a fresh theoretical framework for thinking about animals as more than symbols or passive subjects and for acknowledging a history in which both humans and animals had a stake.
Author | : Steven Adams |
Publisher | : Routledge |
Total Pages | : 155 |
Release | : 2019-09-25 |
Genre | : Art |
ISBN | : 1351859064 |
The French Revolution had a marked impact on the ways in which citizens saw the newly liberated spaces in which they now lived. Painting, gardening, cinematic displays of landscape, travel guides, public festivals, and tales of space flight and devilabduction each shaped citizens’ understanding of space. Through an exploration of landscape painting over some 40 years, Steven Adams examines the work of artists, critics and contemporary observers who have largely escaped art historical attention to show the importance of landscape as a means of crystallising national identity in a period of unprecedented political and social change.
Author | : Alan R. H. Baker |
Publisher | : Bloomsbury Publishing |
Total Pages | : 248 |
Release | : 2021-01-28 |
Genre | : History |
ISBN | : 1350252654 |
What was the personality of 19th-century Paris? To answer that question, this book eschews the conventional narrative and chronological route taken by most histories of Paris. Instead, it thematically analyses the complex personality traits of Paris from the onset of the Revolution of 1789 to the beginning of the Great War. Starting with the topographical and cultural legacies that late 18th-century Paris inherited from its foundation in pre-Roman and Roman times and from its medieval infancy and early-modern adolescence, The Personality of Paris unpacks the social and material complexity of the 19th-century city. It considers the role of immigration in the making of Parisians and in the city's growth from half a million in 1801 to almost three million in 1911. It examines the making of its distinctive landscape through the construction of monuments and architectural icons, through its massive re-modelling by Napoléon III and Baron Haussmann, through its five world exhibitions, through its emphasis on food, fashion and leisure, and through the ways in which Parisians sought rural release from urban pressure. Finally, the book considers the self-harm done to the person of 19th-century Paris by revolutions and wars and the damage inflicted on it by 20th-century hubristic politicians and architects.
Author | : Niv Allon |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 52 |
Release | : 2024-05-06 |
Genre | : Art |
ISBN | : |
This timely issue of the Bulletin brings together fourteen voices from across curatorial departments and Met Trustees to consider how artists and cultures throughout history have explored the nature of leadership, interrogated the workings of society, and redefined the ideals of freedom and democracy. The essays in this issue center around one of three different themes: the ways societies are formed through collective collaboration, the symbols of leadership and civilization, and the images of leaders that commemorate, mythologize, or even obscure those who govern. By expanding worldviews and building bridges among disparate experiences, The Met plays a vital part in considering the definition of leadership and what it means to build a society. This volume asserts museums’ roles as keepers of histories and places of reflection and learning. As stewards of five thousand years of art from around the globe, The Met is privileged to preserve, share, and reevaluate the countless stories told by the objects in its collection while connecting them to the present day.