Three Tragedies By Renaissance Women
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Author | : Diane Purkiss |
Publisher | : |
Total Pages | : 0 |
Release | : 1998 |
Genre | : Drama |
ISBN | : 9780140436105 |
Clearly intended for private production, these three tragedies are able to address contentious political issues - such as the nature of the good ruler and resistance to unjust authority - which were seldom permitted on the public stage.
Author | : Alison Findlay |
Publisher | : Cambridge University Press |
Total Pages | : 210 |
Release | : 2006-10-19 |
Genre | : Drama |
ISBN | : 0521839564 |
This study examines the playing spaces for early modern women's drama.
Author | : Tanya Pollard |
Publisher | : Oxford University Press |
Total Pages | : 342 |
Release | : 2017-09-15 |
Genre | : Literary Criticism |
ISBN | : 0192511610 |
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Author | : Allyna E. Ward |
Publisher | : Fairleigh Dickinson |
Total Pages | : 207 |
Release | : 2013-03-22 |
Genre | : Literary Criticism |
ISBN | : 161147602X |
The role of women as writers, literary and dramatic characters, and real queens in early modern Europe was central to the development of Tudor ideas about gender and women’s place in society. Women and Tudor Tragedy investigates the link between gender and genre, identifying the relation between cultural history and mid-Tudor drama. This book establishes a way for reading women in early modern history, drama, and poetry by fusing discussions of gender in literature with historical analysis of tyranny and martyrdom in mid-Tudor culture. It considers the disparities between the representation of women in historical, political, and religious treatises by examining the complex portrayal of women, female speeches, and the rhetoric of good counsel. The author provides a discussion of the role of women in early English tragedies and in a variety of texts by women. Throughout the book, Allyna E. Ward asks in what ways these different ways of writing the Tudor women can help scholars better understand the place of women in English culture at the end of the sixteenth century. Furthermore, Ward traces the feminization of the rhetoric of counsel that takes place with the last Tudor monarchs as a way of accommodating female rule.
Author | : Aemilia Lanyer |
Publisher | : Penguin UK |
Total Pages | : 549 |
Release | : 2001-01-25 |
Genre | : Literary Criticism |
ISBN | : 0141958936 |
Whitney's two volumes of verse miscellany, 'Sweet Nosegay' (1573) and 'The Copy of a Letter' (1567), were part of a literary trend of combining classical and Biblical references with popular and vernacular sources, and reflect the growing literary appetites of the urban population. As well a selection of her original poetry, this volume includes Sidney's version of the Psalms of David and Petrach's 'Triumph of Death'. Lanyer's poetry is devotional and is the most single-minded and explicit inits advocacy of female spirituality and virtue. Included here are 'Salve Deus Rex Judaeorum' and 'The Description of Cooke-ham'.
Author | : Patricia Demers |
Publisher | : University of Toronto Press |
Total Pages | : 376 |
Release | : 2005-12-15 |
Genre | : Literary Criticism |
ISBN | : 144265810X |
In this introduction to the diversity and scope of the writing by women in England from the beginning of the sixteenth century to the restoration of the monarchy in 1660, Patricia Demers discusses the creative realities of women writers' accomplishments and the cultural conditions under which they wrote. There were deep suspicions and restrictions surrounding the education of women during this period, and thus the contributions of women to literature, and to the print industry itself, are largely unknown. This wide-ranging examination of the genres of early modern women's writing embraces translation (from Latin, Greek, and French) in the fields of theological discourse, romance and classical tragedy, original meditations and prayers, letters and diaries, poetry, closet drama, advice manuals, and prophecies and polemics. A close study of six major authors – Mary Sidney, Aemilia Lanyer, Elizabeth Tanfield Cary, Lady Mary Wroth, Margaret Cavendish, and Katherine Philips – explores their work as poets, dramatists, and romantic fiction writers. Demers invites readers to savour the subtlety and daring with which these women authors made writing an expressly social craft.
Author | : Danielle Clarke |
Publisher | : Routledge |
Total Pages | : 467 |
Release | : 2014-06-11 |
Genre | : Literary Criticism |
ISBN | : 1317883810 |
The Politics of Early Modern Women's Writing provides an introduction to the ever-expanding field of early modern women's writing by reading texts in their historical and social contexts. Covering a wide range of forms and genres, the author shows that rather than women conforming to the conventional 'chaste, silent and obedient' model, or merely working from the 'margins' of Renaissance culture, they in fact engaged centrally with many of the major ideas and controversies of their time. The book discusses many previously neglected texts and authors, as well as more familiar figures such as Mary Sidney, Countess of Pembroke, Isabella Whitney and Lady Mary Wroth, and draws attention to the importance of genre and forms of circulation in the production of meaning. The Politics of Early Modern Women will be of interest both to those encountering this material for the first time, and to students and scholars working in the fields of women's writing, gender studies, history and literature.
Author | : Book Builders LLC. |
Publisher | : Infobase Publishing |
Total Pages | : 817 |
Release | : 2014-05-14 |
Genre | : Authors, English |
ISBN | : 1438108699 |
Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.
Author | : Patrick Cheney |
Publisher | : Oxford University Press |
Total Pages | : 752 |
Release | : 2015-10-29 |
Genre | : Literary Criticism |
ISBN | : 0191077798 |
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author | : Robert S. Miola |
Publisher | : Oxford University Press |
Total Pages | : 537 |
Release | : 2007-06-28 |
Genre | : History |
ISBN | : 0199259852 |
Early Modern Catholicism makes available in modern spelling and punctuation substantial Catholic contributions to literature, history, political thought, devotion, and theology in the sixteenth and early seventeenth centuries. Rather than perpetuate the usual stereotypes and misinformation, it provides a fresh look at Catholic writing long suppressed, marginalized, and ignored. The anthology gives back voices to those silenced by prejudice, exile, persecution, or martyrdomwhile attention to actual texts challenges conventional beliefs about the period.The anthology is divided into eight sections entitled Controversies, Lives and Deaths, Poetry, Instructions and Devotions, Drama, Histories, Fiction, and Documents, and includes sixteen black and white illustrations from a variety of Early Modern sources. Amongst the selections are texts which illuminate the role of women in recusant community and in the Church; the rich traditions of prayer and mysticism; the theology and politics of martyrdom; the emergence of the Catholic Baroque inliterature and art; and the polemical battles fought within the Church and against its enemies. Early Modern Catholicism also provides a context that redefines the established canons of Early Modern England, including such figures as Edmund Spenser, John Donne, John Milton, William Shakespeare, and BenJonson.