Shades of Black
Author | : Nathalie Etoke |
Publisher | : Quilombola |
Total Pages | : 144 |
Release | : 2021-03-15 |
Genre | : Social Science |
ISBN | : 9780857428530 |
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Author | : Nathalie Etoke |
Publisher | : Quilombola |
Total Pages | : 144 |
Release | : 2021-03-15 |
Genre | : Social Science |
ISBN | : 9780857428530 |
Author | : Sandra L. Pinkney |
Publisher | : Cartwheel Books |
Total Pages | : 24 |
Release | : 2006-01-01 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780439802512 |
Photographs and poetic text celebrate the beauty and diversity of African American children. On board pages.
Author | : Ronald Bogue |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 200 |
Release | : 2007-01-01 |
Genre | : Philosophy |
ISBN | : 9780754660323 |
Addressing the essential question of the relationship between ethics and aesthetics in Deleuze's philosophy this book provides clear indications of the practical implications of Deleuze's approach to the arts through detailed analyses of the ethical dimension of artistic activity in literature, music, and film.
Author | : Jonathan Shuerger |
Publisher | : Creative Grumbles LLC |
Total Pages | : 488 |
Release | : 2020-09-18 |
Genre | : |
ISBN | : 9781735282404 |
On the world of Sinai, the last walls of the last kingdoms of Man crumble before the demonic armies of the East. Hope fades as casualties mount before the relentless onslaught of a trifecta of fallen angels. Gideon Halcyon is fearless and idealistic, but he lacks the training to truly make a difference. He believes his dreams of heroism unattainable, until he meets Ashkelon. Coming from the Void beyond the world, Ashkelon alone survives the ruined world of Avalon. Cynical and ruthless, he is a sorcerer of the Everlasting Dark, seething with millennia of bitterness, and his black sword shrieks with the last screams of a thousand failed heroes. Having failed to find a worthy champion of the Light, Ashkelon vows to forge Gideon into the hero Sinai needs, and the adversary he craves. As the last of mankind's strength drains away, a hero is born in Darkness.
Author | : William E. Cross |
Publisher | : |
Total Pages | : 296 |
Release | : 1991-12-01 |
Genre | : Psychology |
ISBN | : 9780877229490 |
In this controversial and path-breaking book, William E. Cross, Jr., presents the diversity and texture that have always been the hallmark of Black psychology. Shades of Black explodes the myth that self-hatred is the dominant theme in Black identity. With a thorough review of social scientific literature on Negro identity conducted between 1936 and 1967, Cross demonstrates that important themes of mental health and adaptive strength have been frequently overlooked by scholars, both Black and White, obsessed with proving Black pathology. He examines the Black Power Movement and critics who credit this era with a comprehensive change in Black self-esteem. Allowing for a considerable gain in group identity among Black people during this period, Cross shows how, before this, working and middle class, and even many poor Black families were able to offer their progeny a legacy of mental health and personal strength that sustained them in their struggles for political and cultural consensus. Author note: William E. Cross, Jr., is a psychologist and Associate Professor in the Africana Studies and Research Center of Cornell University.
Author | : Kenneth Wishnia |
Publisher | : PM Press |
Total Pages | : 288 |
Release | : 2012-06-01 |
Genre | : Fiction |
ISBN | : 1604867051 |
23 Shades of Black is socially conscious crime fiction. It takes place in New York City in the early 1980s, i.e., the Reagan years, and was written partly in response to the reactionary discourse of the time, when the current thirty-year assault on the rights of working people began in earnest, and the divide between rich and poor deepened with the blessing of the political and corporate elites. But it is not a political tract, it’s a kick-ass novel that was nominated for the Edgar and the Anthony Awards, and made Booklist’s Best First Mysteries of the Year. The heroine, Filomena Buscarsela, is an immigrant who experienced tremendous poverty and injustice in her native Ecuador, and who grew up determined to devote her life to helping others. She tells us that she really should have been a priest, but since that avenue was closed to her, she chose to become a cop instead. The problem is that as one of the first Latinas on the NYPD, she is not just a woman in a man’s world, she is a woman of color in a white man’s world. And it’s hell. Filomena is mistreated and betrayed by her fellow officers, which leads her to pursue a case independently in the hopes of being promoted to detective for the Rape Crisis Unit. Along the way, she is required to enforce unjust drug laws that she disagrees with, and to betray her own community (which ostracizes her as a result) in an undercover operation to round up undocumented immigrants. Several scenes are set in the East Village art and punk rock scene of the time, and the murder case eventually turns into an investigation of corporate environmental crime from a working class perspective that is all-too-rare in the genre. And yet this thing is damn funny, too.
Author | : Lori L. Tharps |
Publisher | : Beacon Press |
Total Pages | : 218 |
Release | : 2016-10-04 |
Genre | : Family & Relationships |
ISBN | : 0807076791 |
Weaving together personal stories, history, and analysis, Same Family, Different Colors explores the myriad ways skin-color politics affect family dynamics in the United States. Colorism and color bias—the preference for or presumed superiority of people based on the color of their skin—is a pervasive and damaging but rarely openly discussed phenomenon. In this unprecedented book, Lori L. Tharps explores the issue in African American, Latino, Asian American, and mixed-race families and communities by weaving together personal stories, history, and analysis. The result is a compelling portrait of the myriad ways skin-color politics affect family dynamics in the United States. Tharps, the mother of three mixed-race children with three distinct skin colors, uses her own family as a starting point to investigate how skin-color difference is dealt with. Her journey takes her across the country and into the lives of dozens of diverse individuals, all of whom have grappled with skin-color politics and speak candidly about experiences that sometimes scarred them. From a Latina woman who was told she couldn’t be in her best friend’s wedding photos because her dark skin would “spoil” the pictures, to a light-skinned African American man who spent his entire childhood “trying to be Black,” Tharps illuminates the complex and multifaceted ways that colorism affects our self-esteem and shapes our lives and relationships. Along with intimate and revealing stories, Tharps adds a historical overview and a contemporary cultural critique to contextualize how various communities and individuals navigate skin-color politics. Groundbreaking and urgent, Same Family, Different Colors is a solution-seeking journey to the heart of identity politics, so that this more subtle “cousin to racism,” in the author’s words, will be exposed and confronted.
Author | : Sonia Boyce |
Publisher | : |
Total Pages | : 388 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
In the 1980s--at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities--the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement--particularly given that "black" in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin. In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today's artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource. Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson
Author | : Touré |
Publisher | : Simon and Schuster |
Total Pages | : 274 |
Release | : 2011-09-13 |
Genre | : Social Science |
ISBN | : 1439177554 |
How do we make sense of what it means to be Black in a world with room for both Michelle Obama and Precious? Tour , an iconic commentator and journalist, defines and demystifies modern Blackness with wit, authority, and irreverent humor. In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Americans are searching for new ways of understanding Blackness, partly inspired by a President who is unlike any Black man ever seen on our national stage. This book aims to destroy the notion that there is a correct or even definable way of being Black. It’s a discussion mixing the personal and the intellectual. It gives us intimate and painful stories of how race and racial expectations have shaped Tour ’s life as well as a look at how the concept of Post-Blackness functions in politics, psychology, the Black visual arts world, Chappelle’s Show, and more. For research Tour has turned to some of the most important luminaries of our time for frank and thought-provoking opinions, including Rev. Jesse Jackson, Henry Louis Gates Jr., Cornel West, Michael Eric Dyson, Melissa Harris-Lacewell, Malcolm Gladwell, Harold Ford, Jr., Kara Walker, Kehinde Wiley, Chuck D, and many others. Their comments and disagreements with one another may come as a surprise to many readers. Of special interest is a personal racial memoir by the author in which he depicts defining moments in his life when he confronts the question of race head-on. In another chapter—sure to be controversial—he explains why he no longer uses the word “nigga.” Who’s Afraid of Post-Blackness? is a complex conversation on modern America that aims to change how we perceive race in ways that are as nuanced and spirited as the nation itself.