Three Intermezzi
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Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 18 |
Release | : 1996-02-01 |
Genre | : Music |
ISBN | : 1457472902 |
The piano intermezzi by Brahms, some of his last compositions, are sets of independent character. Stylistically, they are lyrical and melodic, have an extremely wide emotional range, and are often considered some of the finest character pieces written in the 19th century. Titles * No. 1 in E-flat major * No. 2 in B-flat minor * No. 3 in C-sharp minor
Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 20 |
Release | : |
Genre | : Music |
ISBN | : 9781457422188 |
Composed in 1892, these three pieces are a fine representation of Brahms' compositional mastery. Op. 117 is full of serenity, simplicity, thematic transformations and sensitivity to tonal coloring. The music is maintained in its most original form, providing students with an accurate model from which to make a stylistically informed performance.
Author | : Maurice Hinson |
Publisher | : Indiana University Press |
Total Pages | : 986 |
Release | : 2001-05-22 |
Genre | : Music |
ISBN | : 9780253109088 |
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.
Author | : Paul Berry |
Publisher | : Oxford University Press |
Total Pages | : 400 |
Release | : 2014-07-18 |
Genre | : Music |
ISBN | : 0199982651 |
Brahms Among Friends identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny.
Author | : Johannes Brahms |
Publisher | : Courier Corporation |
Total Pages | : 193 |
Release | : 1971-01-01 |
Genre | : Music |
ISBN | : 0486226514 |
All solo music not in other two volumes. Waltzes, Scherzo in E Flat Minor, Eight Pieces, Rhapsodies, Fantasies, Intermezzi, etc. Vienna Gesellschaft der Musikfreunde.
Author | : Nicole Grimes |
Publisher | : Oxford University Press |
Total Pages | : 585 |
Release | : 2022 |
Genre | : Music |
ISBN | : 0197541739 |
As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.
Author | : Jeremy Dibble |
Publisher | : Oxford University Press, USA |
Total Pages | : 584 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9780198163831 |
'Jeremy Dibble has written a book which adds substantially to Stanford's reputation and which greatly enriches both British and Irish musical scholarship. It is brilliantly done.' -Irish TimesJeremy Dibble presents the first authoritative, comprehensive study of the life and works of Charles Villiers Stanford (1852-1924), one of the most gifted and influential composers. Dibble reveals how, although perhaps best known for his church music, Stanford was also an eminent symphonist, songwriter, and author of many fine choral works. Cosmopolitan, ambitious, and pragmatic, he was untiring in his efforts to advance the cause of British music during its renaissance at the end of the nineteenth century, promoting the music of his contemporaries, and the many pupils he taught at Cambridge and the Royal College of Music, including Vaughan Williams, Ireland, Howells, Bliss, Holst, and Gurney.
Author | : Walter Frisch |
Publisher | : Univ of California Press |
Total Pages | : 453 |
Release | : 2023-11-10 |
Genre | : |
ISBN | : 0520322371 |
Author | : Tomaso Albinoni |
Publisher | : A-R Editions, Inc. |
Total Pages | : 112 |
Release | : 1983-01-01 |
Genre | : Opera |
ISBN | : 0895791692 |
Author | : Richard D. P. Jones |
Publisher | : |
Total Pages | : 450 |
Release | : 2007 |
Genre | : Biography & Autobiography |
ISBN | : 0199696284 |
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at CĂ°then and Leipzig.