Common Threads
Author | : Sally Dwyer-McNulty |
Publisher | : UNC Press Books |
Total Pages | : 272 |
Release | : 2014 |
Genre | : Design |
ISBN | : 146961409X |
Common Threads: A Cultural History of Clothing in American Catholicism
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Author | : Sally Dwyer-McNulty |
Publisher | : UNC Press Books |
Total Pages | : 272 |
Release | : 2014 |
Genre | : Design |
ISBN | : 146961409X |
Common Threads: A Cultural History of Clothing in American Catholicism
Author | : Jessica Hemmings |
Publisher | : Bloomsbury Visual Arts |
Total Pages | : 256 |
Release | : 2020-11-12 |
Genre | : Design |
ISBN | : 9781350171756 |
Cultural Threads considers contemporary artists and designers who work at the intersection of cultures and use textiles as their vehicle. Ideas about belonging to multiple cultures, which can result in a sense of connection to everywhere and nowhere, are more pertinent to society today than ever. So too are the layers of history – often overlooked – behind the objects that make up our material world. The roots of postcolonial theory lie in literature and have, in the past, been communicated through dense academic jargon. Cultural Threads breaks with what can read as impenetrable rhetoric to show the rich visual diversity of craft and art that engages with multiple cultural influences. Many of these objects exist in an in-between world of their own, not wholly embraced by the establishments of art, nor functional objects in the conventional sense of craft. Cultural Threads is an exploration of contemporary textiles and their relationship with postcolonial culture. However, the postcolonial thinking examined here shares with craft an interest in the lived, rather than the purely theoretical, giving a very human account of the interactions in between craft and culture.
Author | : Tanisha C. Ford |
Publisher | : UNC Press Books |
Total Pages | : 273 |
Release | : 2015-09-14 |
Genre | : Social Science |
ISBN | : 1469625164 |
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion.
Author | : Dolores Bausum |
Publisher | : TCU Press |
Total Pages | : 268 |
Release | : 2001 |
Genre | : Crafts & Hobbies |
ISBN | : 9780875652412 |
Publisher Fact Sheet The author uses a generic conception of threadwork--all kinds of work done with thread, fiber & yarn--to explore the essential link between the human spirit & the art of connecting threads, relying primarily on art & literature sources.
Author | : April Liu |
Publisher | : |
Total Pages | : 208 |
Release | : 2019-01-07 |
Genre | : Art |
ISBN | : 9781773270234 |
For more than 100 years, Vancouver has been home to a vibrant and thriving Cantonese opera scene. As a performance art carried out by transient troupes, it is an ephemeral medium that rarely leaves a trace in the historic records. However, an extraordinary treasure trove of early 20th-century Cantonese opera costumes, props, and stage dressings made its way to the Museum of Anthropology in Vancouver, BC. In the first book-length study of this little known collection, April Liu retraces the arduous journeys of early Cantonese opera troupes who began arriving along the west coast of North America during the mid-19th century. A close examination of the costumes and props reveal the moving songs, stories, performances, and ritual practices of early Chinese migrant communities who struggled to make a home in a foreign and often hostile land.
Author | : Adrian Holliday |
Publisher | : Routledge |
Total Pages | : 152 |
Release | : 2019-11-27 |
Genre | : |
ISBN | : 9781138482036 |
In this book we wish to find a new way of talking about, connecting and operationalising the third space, narratives, positioning, and interculturality. Our purpose is to shake established views in what we consider to be an urgent quest for dealing with prejudice. We therefore seek to draw attention to the following: How Centre structures and large culture boundaries are sources of prejudice How deCentred intercultural threads address prejudice by dissolving these boundaries How, in everyday small culture formation on the go, the cultural and the intercultural are observable and become indistinguishable How agency, personal and grand narratives, discourses, and positioning become visible in unexpected ways How we researchers also bring competing narratives in making sense of the intercultural How third spaces are discordant and uncomfortable places in which all of us must struggle to achieve interculturality This book is therefore a journey of discovery with each chapter building on the previous ones. While throughout there are particular empirical events (interviews, reconstructed ethnographic accounts and research diary entries) with their own detailed analyses and insights, they connect back to discussion in previous chapters.
Author | : Clare Hunter |
Publisher | : Abrams |
Total Pages | : 352 |
Release | : 2019-10-15 |
Genre | : History |
ISBN | : 168335771X |
This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.
Author | : Adrian Holliday |
Publisher | : Routledge |
Total Pages | : 122 |
Release | : 2019-11-19 |
Genre | : Language Arts & Disciplines |
ISBN | : 1351059173 |
In this book we wish to find a new way of talking about, connecting and operationalising the third space, narratives, positioning, and interculturality. Our purpose is to shake established views in what we consider to be an urgent quest for dealing with prejudice. We therefore seek to draw attention to the following: How Centre structures and large culture boundaries are sources of prejudice How deCentred intercultural threads address prejudice by dissolving these boundaries How, in everyday small culture formation on the go, the cultural and the intercultural are observable and become indistinguishable How agency, personal and grand narratives, discourses, and positioning become visible in unexpected ways How we researchers also bring competing narratives in making sense of the intercultural How third spaces are discordant and uncomfortable places in which all of us must struggle to achieve interculturality This book is therefore a journey of discovery with each chapter building on the previous ones. While throughout there are particular empirical events (interviews, reconstructed ethnographic accounts and research diary entries) with their own detailed analyses and insights, they connect back to discussion in previous chapters.
Author | : Mark Pagel |
Publisher | : W. W. Norton & Company |
Total Pages | : 431 |
Release | : 2012-02-07 |
Genre | : Science |
ISBN | : 0393065871 |
A fascinating, far-reaching study of how our species' innate capacity for culture altered the course of our social and evolutionary history. A unique trait of the human species is that our personalities, lifestyles, and worldviews are shaped by an accident of birth—namely, the culture into which we are born. It is our cultures and not our genes that determine which foods we eat, which languages we speak, which people we love and marry, and which people we kill in war. But how did our species develop a mind that is hardwired for culture—and why? Evolutionary biologist Mark Pagel tracks this intriguing question through the last 80,000 years of human evolution, revealing how an innate propensity to contribute and conform to the culture of our birth not only enabled human survival and progress in the past but also continues to influence our behavior today. Shedding light on our species’ defining attributes—from art, morality, and altruism to self-interest, deception, and prejudice—Wired for Culture offers surprising new insights into what it means to be human.