Thomas Stothard

Thomas Stothard
Author: Shelley M. Bennett
Publisher:
Total Pages: 136
Release: 1988
Genre: Art
ISBN:

Thomas Stothard (1755-1834) was probably the most prolific illustrator of his times, executing designs for everything from landscape, sculpture, and history painting to ceramics, silverwork, and book illustration. The resounding popularity of his art attests to the extent to which his decorative style and sentimental subject matter appealed to a wide range of his contemporaries. The general spread of his fame and the rise of his prices must be measured against this background. His sentimental art is a challenge to the accepted notion that political artists produce only" tough" art. An account of Stothard's life, in particular of the special nature of his relation to his employers, reveals the increasingly complex role of the artist in an industrial society.

R. H. Cromek, Engraver, Editor, and Entrepreneur

R. H. Cromek, Engraver, Editor, and Entrepreneur
Author: Dennis M. Read
Publisher: Routledge
Total Pages: 181
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351907069

Based on meticulous archival research, Dennis M. Read's study offers the most accurate and thorough account to date of the engraver, editor, and arts enthusiast R. H. Cromek. Though he is best known today as William Blake's nemesis, Cromek made significant contributions to the vitality of the arts in nineteenth-century Britain. Read traces Cromek's early years as an accomplished engraver, his collaborations and falling out with Blake, and his editing and publishing ventures, showing him to be a pioneer who recognized the opportunities of the emerging market economy. Read's descriptions of Cromek's disastrous associations with the Chalcographic Society, his publication of Robert Burns's unpublished works, and his duping by the perpetrator of a literary hoax make for fascinating reading and tell us much about the commercial art and publishing scenes in England and Scotland. Perhaps most important, Read salvages Cromek's reputation as an unscrupulous exploiter of Blake and others. A fuller and more balanced portrait emerges that shows Cromek's efforts to bring the arts to emerging cities of the midlands and beyond, describes his friendships and associations with luminaries of the fine arts and literature such as Leigh Hunt and Benjamin West, and challenges more biased reports of his successes and failures as an entrepreneur.