Thomas Gardner
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Author | : Thomas Gardner |
Publisher | : U of Nebraska Press |
Total Pages | : 342 |
Release | : 1999-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780803221765 |
In Regions of Unlikeness Thomas Gardner explores the ways a number of quite different twentieth-century American poets, including Elizabeth Bishop, John Ashbery, Robert Hass, Jorie Graham, and Michael Palmer, frame their work as taking place within, and being brought to life by, an acknowledgment of the limits of language. Gardner approaches their poetry in light of philosopher Stanley Cavell?s remarkably similar engagement with the issues of skepticism and linguistic finitude. The skeptic?s refusal to settle for anything less than perfect knowledge of the world, Cavell maintains, amounts to a refusal to accept the fact of human finitude. Gardner argues that both Cavell and the poets he discusses reject skepticism?s world-erasing conclusions but nonetheless honor the truth about the limits of knowledge that skepticism keeps alive. In calling attention to the limits of such acts as describing or remembering, the poets Gardner examines attempt to renew language by teasing a charged drama out of their inability to grasp with certainty. ø Juxtaposed with Gardner?s readings of the work of the younger poets are his interviews with them. In many ways, these conversations are at the core of Gardner?s book, demonstrating the wide-ranging implications of the struggles and mappings enacted in the poems. The interviews are themselves examples of the charged intimacy Gardner deals with in his readings.
Author | : Thomas Gardner |
Publisher | : Tupelo Press |
Total Pages | : 64 |
Release | : 2022-12-28 |
Genre | : Sports & Recreation |
ISBN | : 1946482870 |
“The achievement of ‘Poverty Creek Journal’ is precisely that it does retrace that kind of wandering—and, in so doing, makes something lovely and meaningful of a difficult year. Gardner does not go in for pat analogies; he does not claim, as Camus once did about soccer, that running taught him everything about death. Nor does he go in for pat consolation. His journal does not so much end as stop, as if he has simply not yet risen for the next morning’s run.” — Kathryn Schulz, New Yorker “This is one of the most beautifully rendered pieces about running I’ve encountered under fifty pages. On the surface, Poverty Creek Journal is a daily running log in lyric prose, but it soon offers a meditation on the articulable nature of the human experience. After the narrator suddenly loses his brother, we follow his thoughts through nature, his mind wandering to integrate the strength and frailty of the body as he runs. Gardner’s luminous insights on running are often breathtaking. He likens running to ‘half sleep, when you’re awake in a way, but aware of dreams passing in a kind of un-retraceable wandering….the turning colors passing through me… no real way to put any of this into numbers, mile after mile streaming through me.’ We escape with Gardner away, from the finitude of miles and the illusion of stasis through his will to observe and gradually integrate loss into his body.” — Jaclyn Gilbert, LitHub “[E]ach year I turned my attention again to Poverty Creek Journal, listening closely to Gardner’s prose to understand better what I was striving for in my own work. Only recently did I start to realize that what he’d achieved in his writing didn’t mean I was an inadequate writer, but rather that I’d found a partner of sorts, someone whose work I could converse with through my own work.” —Joe Demes, Meter Magazine Thomas Gardner lives and teaches in Blacksburg, Virginia, on the edge of the Jefferson National Forest.
Author | : Thomas Gardner |
Publisher | : Tupelo Press |
Total Pages | : 68 |
Release | : 2020-11 |
Genre | : Literary Collections |
ISBN | : 9781946482358 |
Poetry. Continuing the work begun in 2014's POVERTY CREEK JOURNAL, the lyric essays in Thomas Gardner's SUNDAYS focus on moments in our ordinary lives when something within us breaks and we are cast out to wander and sing, "feeling [our] way toward something [in the invisible] that will press back." "Deep within us is a river, under it all, where everything comes undone," Gardner writes, and over a year's-worth of Sundays, in an improvisatory prose that "holds its breath at its [own] undoing," he takes us there, urging us each to find that same space opening within. Twenty turkeys in the backyard, a walk with friends from overseas to a plunging waterfall, moments in the dark when flashes across the eye become a boat in rising wind tugging against its mooring--these lyric pieces, much like the sentences from Marilynne Robinson's novel Housekeeping Gardner discovers one morning pasted on the doors and windows and staircases of the building he works in, offer us pieces of the ordinary set apart, "tiny squares of print, unfixed from narrative," so carefully tied together under the surface that the everyday world, like Gardner's building, seems everywhere "ringed and veined with thought."
Author | : Erica E. Hirshler |
Publisher | : Yale University Press |
Total Pages | : 257 |
Release | : 2020-01-01 |
Genre | : Art |
ISBN | : 0300249861 |
In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962) a young African American elevator attendant at Boston's Hotel Vendome. McKeller became the principal model for Sargent's murals in the new wing of the Boston's Museum of Fine Arts, among the painter's most ambitious works. Sargent's nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent's iconic American paintings. Essays offer the first biography of Thomas McKeller and a window into African America life in early 20th century Roxbury. They address the artist's sexuality, his models, and consider questions of race and gender.
Author | : Thomas Gardner |
Publisher | : |
Total Pages | : 183 |
Release | : 2018-11-09 |
Genre | : |
ISBN | : 9781726659109 |
The purpose of this work The Butler Wore Guccis is to share with you the unique events that I, a middle-class young American male experienced over a ten-year period. It began with my choice of an unusual summer job when at nineteen, I entered the world of 'service.' From Newport to Westchester to Palm Beach I worked for several of the richest and most idiosyncratic people in America. For better or worse, the stories of my employers and my fellow staff members weave a fascinating and unique insight as to what it meant and means to be rich in America, then and now. Magnificent homes like Marjorie Merriweather Post's Mar-a-Lago in Palm Beach and Mrs. Robert R. Young's homes in Newport and Palm Beach (where the duke and duchess of Windsor were frequent guests) add to the flow and texture of my story. Thank you for sharing my journey.
Author | : Thomas Gardner |
Publisher | : Oxford University Press |
Total Pages | : 282 |
Release | : 2006-08-17 |
Genre | : Literary Criticism |
ISBN | : 9780199721214 |
Thomas Gardner argues in this original study that we are just beginning, as a culture, to understand the far-reaching implications of Emily Dickinson's work. Looking at the way quite different writers have enacted and fleshed-out crucial aspects of her poetry, Gardner gives us a Dickinson for our times. Beginning with the work of Lucie Brock-Broido, Alice Fulton, Kathleen Fraser, and Robert Hass, Gardner moves on to analytical chapters and fully developed conversations with four writers in whose work he finds the fullest extension of Dickinson's legacy. The interviews with these four--Marilynne Robinson, Charles Wright, Susan Howe, and Jorie Graham--provide a particularly intimate look at writers at work. In returning to Dickinson's work, Gardner observes, contemporary writers have powerfully extended what he calls her poetics of broken responsiveness in which an acknowledgment of limits leads, paradoxically, to a deep engagement with a world beyond our capacity to master or possess. In the hands of our most important poets and novelists, Dickinson's "emptying of the articulate self" has become a potent means of addressing some of our culture's fundamental erotic, religious, philosophical, and social questions. A Door Ajar makes visible the Dickinson that will matter to writers and readers over the next several decades.
Author | : Judy Jacobson |
Publisher | : Genealogical Publishing Com |
Total Pages | : 180 |
Release | : 2009-06 |
Genre | : Cities and towns |
ISBN | : 0806313307 |
This work commences with the settlement of Massachusetts by John Winthrop, followed by succinct accounts of the founding and the founders of the towns along the Bay. The bulk of this volume, however, consists of genealogical essays on the following Massachusetts Bay families: Aspinwall, Baker, Balch, Collins, Gardner, Hull, Lobdell, Maverick, Nash, Palfrey, Payne/Paine, Porter, Preston, Russell, Sharp, Stone, Stubbs, Talmadge, Ward, and Weston.
Author | : Tom Bevel |
Publisher | : CRC Press |
Total Pages | : 420 |
Release | : 2001-09-26 |
Genre | : Law |
ISBN | : 1420041258 |
Bloodstain pattern analysis helps establish events associated with violent crimes. It is a critical bridge between forensics and the definition of a precise crime reconstruction. The second edition of this bestselling book is thoroughly updated to employ recent protocols, including the application of scientific method, the use of flow charts, and the inter-relationship of crime scene analysis to criminal profiling. It provides more illustrations, including color photographs, and explains the use of computer programs to create demonstrative evidence for court.
Author | : Thane Plambeck |
Publisher | : American Mathematical Soc. |
Total Pages | : 236 |
Release | : 2020-03-06 |
Genre | : Education |
ISBN | : 147044870X |
The Gathering 4 Gardner is a biannual conference founded—and for many years organized—by Tom Rodgers to celebrate the spirit of Martin Gardner. While primarily concerned with recreational mathematics, most of Gardner's intellectual interests are featured, including magic, literature, philosophy, puzzles, art, and rationality. Gardner's writing inspired several generations of mathematicians by introducing us to the joy of discovery and exploration, and the Gathering's aim is to continue that tradition of inspiration. This volume, a tribute to Rodgers and Gardner, consists of papers originally presented at the Gathering 4 Gardner meetings. Recreational mathematics is strongly prominent with contributions from Neil Sloane, Richard Guy, Solomon Golomb, Barry Cipra, Erik Demaine, and many others. There are games and puzzles, including new Nim-like games, chess puzzles, coin weighings, coin flippings, and contributions that combine art and puzzles or magic and puzzles. Two historical articles present the stories of combinatorial game theory and the search for God's number for Rubik's Cube. Anyone who finds pleasure in clever and intriguing intellectual puzzles will find much to enjoy in Barrycades and Septoku.
Author | : Thomas Gardner |
Publisher | : John Hunt Publishing |
Total Pages | : 220 |
Release | : 2016-09-30 |
Genre | : Music |
ISBN | : 1782798943 |
In 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled "Music - Sound Art: Historical Continuum and Mimetic Fissures", at the London College of Communication, University of the Arts London. This colloquium dealt with the current fervent debate concerning the relationship between sound art and music. This book proposes the opening of the colloquium to a wider readership through the publication of a decisive range of the material that defined the event.