There A Petal Silently Falls
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| Author | : Yun Ch'oe |
| Publisher | : Columbia University Press |
| Total Pages | : 199 |
| Release | : 2008 |
| Genre | : Fiction |
| ISBN | : 023114296X |
At once experimental, polyvocal, and politically engaged, the stories collected in There a Petal Silently Falls offer a rich, evocative exploration of violence, trauma, and loss in divided Korea. Ch'oe's stories take us well beyond previous literary representations of national division and the 1980 Kwangju Massacre by probing the relationship among desire, fantasy, and memory, all the while locating gender at the center of the making of history.
| Author | : Eunjung Kim |
| Publisher | : Duke University Press |
| Total Pages | : 305 |
| Release | : 2017-01-06 |
| Genre | : Social Science |
| ISBN | : 0822373513 |
In Curative Violence Eunjung Kim examines what the social and material investment in curing illnesses and disabilities tells us about the relationship between disability and Korean nationalism. Kim uses the concept of curative violence to question the representation of cure as a universal good and to understand how nonmedical and medical cures come with violent effects that are not only symbolic but also physical. Writing disability theory in a transnational context, Kim tracks the shifts from the 1930s to the present in the ways that disabled bodies and narratives of cure have been represented in Korean folktales, novels, visual culture, media accounts, policies, and activism. Whether analyzing eugenics, the management of Hansen's disease, discourses on disabled people's sexuality, violence against disabled women, or rethinking the use of disabled people as a metaphor for life under Japanese colonial rule or under the U.S. military occupation, Kim shows how the possibility of life with disability that is free from violence depends on the creation of a space and time where cure is seen as a negotiation rather than a necessity.
| Author | : Linda S. Lewis |
| Publisher | : University of Hawaii Press |
| Total Pages | : 220 |
| Release | : 2002-04-30 |
| Genre | : History |
| ISBN | : 9780824825430 |
The Kwangju Uprising--"Korea's Tiananmen"--is one of the most important political events in late twentieth-century Korean history. What began as a peaceful demonstration against the imposition of military rule in the southwestern city of Kwangju in May 1980 turned into a bloody people's revolt. In the two decades since, memories of the Kwangju Uprising have lived on, assuming symbolic importance in the Korean democracy movement, underlying the rise in anti-American sentiment in South Korea, and shaping the nation's transition to a civil society. Nonetheless it remains a contested event, the subject still of controversy, confusion, international debate, and competing claims. As one of the few Western eyewitnesses to the Uprising, Linda Lewis is uniquely positioned to write about the event. In this innovative work on commemoration politics, social representation, and memory, Lewis draws on her fieldwork notes from May 1980, writings from the 1980s, and ethnographic research she conducted in the late 1990s on the memorialization of Kwangju and its relationship to changes in the national political culture. Throughout, the chronological organization of the text is crisscrossed with commentary that provocatively disrupts the narrative flow and engages the reader in the reflexive process of remembering Kwangju over two decades. Highly original in its method and approach, Laying Claim to the Memory of May situates this seminal event in a broad historical and scholarly context. The result is not only the definitive history of the Kwangju Uprising, but also a sweeping overview of Korean studies over the last few decades.
| Author | : T’ien-wen Chu |
| Publisher | : Columbia University Press |
| Total Pages | : 184 |
| Release | : 1999-05-06 |
| Genre | : Literary Criticism |
| ISBN | : 9780231500081 |
Winner of the coveted China Times Novel Prize, this postmodern, first-person tale of a contemporary Taiwanese gay man reflecting on his life, loves, and intellectual influences is among the most important recent novels in Taiwan. The narrator, Xiao Shao, recollects a series of friends and lovers, as he watches his childhood friend, Ah Yao, succumb to complications from AIDS. The brute fact of Ah Yao's death focuses Shao's simultaneously erudite and erotic reflections magnetically on the core theme of mortality. By turns humorous and despondent, the narrator struggles to come to terms with Ah Yao's risky lifestyle, radical political activism, and eventual death; the fragility of romantic love; the awesome power of eros; the solace of writing; the cold ennui of a younger generation enthralled only by video games; and life on the edge of mainstream Taiwanese society. His feverish journey through forests of metaphor and allusion—from Fellini and Lévi-Strauss to classical Chinese poetry—serves as a litany protecting him from the ravages of time and finitude. Impressive in scope and detail, Notes of a Desolate Man employs the motif of its characters' marginalized sexuality to highlight Taiwan's vivid and fragile existence on the periphery of mainland China. Howard Goldblatt and Sylvia Li-chun Lin's masterful translation brings Chu T'ien-wen's lyrical and inventive pastiche of political, poetic, and sexual desire to the English-speaking world.
| Author | : Sun-wŏn Hwang |
| Publisher | : Columbia University Press |
| Total Pages | : 362 |
| Release | : 2010 |
| Genre | : Education |
| ISBN | : 0231149689 |
These captivating short stories portray three major periods in modern Korean history: the forces of colonial modernity during the late 1930s; the postcolonial struggle to rebuild society after four decades of oppression, emasculation, and cultural exile (1945 to 1950); and the attempt to reconstruct a shattered land and a traumatized nation after the Korean War. Lost Souls echoes the exceptional work of China's Shen Congwen and Japan's Kawabata Yasunari. Modernist narratives set in the metropolises of Tokyo and Pyongyang alternate with starkly realistic portraits of rural life. Surrealist tales suggest the unsettling sensation of colonial domination, while stories of the outcast embody the thrill and terror of independence and survival in a land dominated by tradition and devastated by war. Written during the chaos of 1945, "Booze" recounts a fight between Koreans for control of a former Japanese-owned distillery. "Toad" relates the suffering created by hundreds of thousands of returning refugees, and stories from the 1950s confront the catastrophes of the Korean War and the problematic desire for autonomy. Visceral and versatile, Lost Souls is a classic work on the possibilities of transition that showcases the innovation and craftsmanship of a consummate--and widely celebrated--storyteller.
| Author | : Christopher P. Hanscom |
| Publisher | : Columbia University Press |
| Total Pages | : 134 |
| Release | : 2024-03-26 |
| Genre | : Literary Criticism |
| ISBN | : 0231557450 |
In what ways can or should art engage with its social context? Authors, readers, and critics have been preoccupied with this question since the dawn of modern literature in Korea. Advocates of social engagement have typically focused on realist texts, seeing such works as best suited to represent injustices and inequalities by describing them as if they were before our very eyes. Christopher P. Hanscom questions this understanding of political art by examining four figures central to recent Korean fiction, film, and public discourse: the migrant laborer, the witness to or survivor of state violence, the refugee, and the socially excluded urban precariat. Instead of making these marginalized figures intelligible to common sense, this book reveals the capacity of art to address the “impossible speech” of those who are not asked, expected, or allowed to put forward their thoughts, yet who in so doing expand the limits of the possible. Impossible Speech proposes a new approach to literature and film that foregrounds ostensibly “nonpolitical” or nonsensical moments, challenging assumptions about the relationship between politics and art that locate the “politics” of the work in the representation of content understood in advance as being political. Recasting the political as a struggle over the possibility or impossibility of speech itself, this book finds the politics of a work of art in its power to confront the boundaries of what is sayable.
| Author | : Chŏnghŭi O |
| Publisher | : Columbia University Press |
| Total Pages | : 222 |
| Release | : 2012-07-03 |
| Genre | : Literary Collections |
| ISBN | : 023150411X |
O Chonghui crafts historically-rooted yet timeless tales imagining core human experiences from a female point of view. Since her debut in 1968, she has formed a powerful challenge to the patriarchal literary establishment in Korea, and her work has invited rich comparisons with the achievements of Joyce Carol Oates, Alice Munro, and Virginia Woolf. These nine stories range from O Chonghui's first published work, in 1968, to one of her last publications, in 1994. Her early stories are compact, often chilling accounts of family dysfunction, reflecting the decline of traditional, agrarian economics and the rise of urban, industrial living. Later stories are more expansive, weaving eloquent, occasionally wistful reflections on lost love and tradition together with provocative explorations of sexuality and gender. O Chonghui makes use of flashbacks, interior monologues, and stream-of-consciousness in her narratives, developing themes of abandonment and loneliness in a carefully cultivated, dispassionate tone. O Chonghui's narrators stand in for the average individual, struggling to cope with emotional rootlessness and a yearning for permanence in family and society. Arguably the first female Korean fiction writer to follow Woolf's dictum to do away with the egoless, self-sacrificing "angel in the house," O Chonghui is a crucial figure in the history of modern Korean literature, one of the most astute observers of Korean society and the place of tradition within it.
| Author | : Ch'oe Yun |
| Publisher | : Columbia University Press |
| Total Pages | : 199 |
| Release | : 2008-05-22 |
| Genre | : Fiction |
| ISBN | : 0231512422 |
Ch'oe Yun is a Korean author known for her breathtaking versatility, subversion of authority, and bold exploration of the inner life. Readers celebrate her creative play with fantasy and admire her deep engagement with trauma, history, and the vagaries of remembrance. In this collection's title work, There a Petal Silently Falls, Ch'oe explores both the genesis and the aftershocks of historical outrages such as the Kwangju Massacre of 1980, in which a reported 2,000 civilians were killed for protesting government military rule. The novella follows the wanderings of a girl traumatized by her mother's murder and strikes home the injustice of state-sanctioned violence against men and especially women. "Whisper Yet" illuminates the harsh treatment of leftist intellectuals during the years of national division, at the same time offering the hope of reconciliation between ideological enemies. The third story, "The Thirteen-Scent Flower," satirizes consumerism and academic rivalries by focusing on a young man and woman who engender an exotic flower that is coveted far and wide for its various fragrances. Elegantly crafted and quietly moving, Ch'oe Yun's stories are among the most incisive portrayals of the psychological and spiritual reality of post-World War II Korea. Her fiction, which began to appear in the late 1980s, represents a turn toward a more experimental, deconstructionist, and postmodern Korean style of writing, and offers a new focus on the role of gender in the making of Korean history.
| Author | : Kyung-Sook Shin |
| Publisher | : Vintage |
| Total Pages | : 238 |
| Release | : 2011-04-05 |
| Genre | : Fiction |
| ISBN | : 0307595498 |
NATIONAL BESTSELLER • WINNER OF THE MAN ASIAN LITERARY PRIZE • When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mom? “A terrific novel that stayed with me long after I’d finished its final, haunting pages.” —Abraham Verghese, bestselling author of The Covenant of Water “A raw tribute to the mysteries of motherhood.” —The New York Times Book Review Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love. “A suspenseful, haunting, achingly lovely novel about the hidden lives, wishes, struggles and dreams of those we think we know best.” —The Seattle Times
| Author | : Kōjin Karatani |
| Publisher | : Columbia University Press |
| Total Pages | : 274 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 0231157290 |
Kojin Karatani wrote the essays in History and Repetition during a time of radical historical change, triggered by the collapse of the Cold War and the death of the Showa emperor in 1989. Reading Karl Marx in an original way, Karatani developed a theory of history based on the repetitive cycle of crises attending the expansion and transformation of capital. His work led to a rigorous analysis of political, economic, and literary forms of representation that recast historical events as a series of repeated forms forged in the transitional moments of global capitalism. History and Repetition cemented Karatani's reputation as one of Japan's premier thinkers, capable of traversing the fields of philosophy, political economy, history, and literature in his work. The first complete translation of History and Repetition into English, undertaken with the cooperation of Karatani himself, this volume opens with his innovative reading of The Eighteenth Brumaire of Louis Bonaparte, tracing Marx's early theoretical formulation of the state. Karatani follows with a study of violent crises as they recur after major transitions of power, developing his theory of historical repetition and introducing a groundbreaking interpretation of fascism (in both Europe and Japan) as the spectral return of the absolutist monarch in the midst of a crisis of representative democracy. For Karatani, fascism represents the most violent materialization of the repetitive mechanism of history. Yet he also seeks out singularities that operate outside the brutal inevitability of historical repetition, whether represented in literature or, more precisely, in the process of literature's demise. Closely reading the works of Oe Kenzaburo, Mishima Yukio, Nakagami Kenji, and Murakami Haruki, Karatani compares the recurrent and universal with the singular and unrepeatable, while advancing a compelling theory of the decline of modern literature. Merging theoretical arguments with a concrete analysis of cultural and intellectual history, Karatani's essays encapsulate a brilliant, multidisciplinary perspective on world history.
