Theory on the Classification of Beauty and Deformity
Author | : Mary Anne Schimmelpenninck |
Publisher | : |
Total Pages | : 550 |
Release | : 1815 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Mary Anne Schimmelpenninck |
Publisher | : |
Total Pages | : 550 |
Release | : 1815 |
Genre | : Aesthetics |
ISBN | : |
Author | : Natasha Duquette |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 304 |
Release | : 2016-07-26 |
Genre | : Religion |
ISBN | : 1532600194 |
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.
Author | : David M. Turner |
Publisher | : Routledge |
Total Pages | : 230 |
Release | : 2012 |
Genre | : History |
ISBN | : 0415886449 |
This study examines physical disability in 18th century England. It assesses the ways in which meanings of physical difference were formed within different cultural contexts and examines how disabled men and women used, appropriated, or rejected these representations in making sense of their own experiences.
Author | : Stephen Copley |
Publisher | : Cambridge University Press |
Total Pages | : 322 |
Release | : 1994-03-10 |
Genre | : Literary Criticism |
ISBN | : 0521441137 |
Essays on eighteenth- and nineteenth-century ways of looking at landscape, in theory and practice.
Author | : Natasha Duquette |
Publisher | : Rowman & Littlefield |
Total Pages | : 284 |
Release | : 2013-12-04 |
Genre | : Literary Criticism |
ISBN | : 1611461383 |
The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen’s understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen’s connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Staël, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen’s engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a “portrait of a lady artist” confidently promoting her own distinctly post-enlightenment aesthetic system.
Author | : Christiana de Groot |
Publisher | : SBL Press |
Total Pages | : 255 |
Release | : 2018-04-25 |
Genre | : History |
ISBN | : 1589838343 |
Women have been thoughtful readers and interpreters of scripture throughout the ages, yet the usual history of biblical interpretation includes few women’s voices. To introduce readers to this untapped source for the history of biblical interpretation, this volume presents forgotten works from the nineteenth century written by women—including Grace Aguilar, Florence Nightingale, and Harriet Beecher Stowe, among others—from various faith backgrounds, countries, and social classes engaging contemporary biblical scholarship. Due to their exclusion from the academy, women’s interpretive writings addressed primarily a nonscholarly audience and were written in a variety of genres: novels and poetry, catechisms, manuals for Bible study, and commentaries on the books of the Bible. To recover these nineteenth-century women interpreters of the Bible, each essay in this volume locates a female author in her historical, ecclesiastical, and interpretive context, focusing on particular biblical passages to clarify an author’s contributions as well as to explore how her reading of the text was shaped by her experience as a woman.
Author | : Teresa Barnard |
Publisher | : Routledge |
Total Pages | : 249 |
Release | : 2016-03-09 |
Genre | : Literary Criticism |
ISBN | : 1317171365 |
Highlighting the remarkable women who found ways around the constraints placed on their intellectual growth, this collection of essays shows how their persistence opened up attributes of potent female imagination, radical endeavour, literary vigour, and self-education that compares well with male intellectual achievement in the long eighteenth century. Disseminating their knowledge through literary and documentary prose with unapologetic self-confidence, women such as Anna Barbauld, Anna Seward, Elizabeth Inchbald and Joanna Baillie usurped subjects perceived as masculine to contribute to scientific, political, philosophical and theological debate and progress. This multifaceted exploration goes beyond traditional readings of women’s creativity to add fresh, at times controversial, insights into the female view of the intellectual world. Bringing together leading experts on British women’s lives, work and writings, the volume seeks to rediscover women’s appropriations of masculine disciplines and to examine their interventions into the intellectual world. Through their engagement with a unique perspective on women’s lives and achievements, the essays make important contributions to the existing body of knowledge in this important area that will inform future scholarship.