Thelma Louise Live
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Author | : Bernie Cook |
Publisher | : University of Texas Press |
Total Pages | : 241 |
Release | : 2010-01-01 |
Genre | : Performing Arts |
ISBN | : 0292782500 |
When they floored their Thunderbird off a cliff rather than surrender to the law, Thelma and Louise became icons of female rebellion, provoking strong reactions from viewers who felt either empowered or outraged by the duo's transgressions of women's traditional roles. The 1991 film quickly became—and continues to be—a potent cultural reference point, even inspiring a bumper sticker that declares, "Thelma & Louise Live!" In this insightful study of Thelma & Louise, six noted film scholars investigate the initial reception and ongoing impact of this landmark film. The writers consider Thelma & Louise from a variety of perspectives, turning attention to the film's promotion and audience response over time; to theories of comedy and the role of laughter in the film; to the film's soundtrack and score; to the performances of stars Susan Sarandon and Geena Davis; to the emergence of Brad Pitt as a star and male sex object; and to the film's place in the history of road and crime film genres. Complementing the scholarly analysis is an in-depth interview of screenwriter Callie Khouri by editor Bernie Cook, as well as reviews of Thelma & Louise that appeared in U.S. News & World Report and Time. Offering myriad new ways of understanding the complex interrelations of gender, identity, and violence, Thelma & Louise Live! attests to the ongoing life and still-evolving meanings of this now-classic film.
Author | : Bernie Cook |
Publisher | : University of Texas Press |
Total Pages | : 241 |
Release | : 2007-10-15 |
Genre | : Performing Arts |
ISBN | : 0292714661 |
Essays by leading film scholars and an interview with screenwriter Callie Khouri explore the significant, on-going influence of the 1991 film 'Thelma & Louise'.
Author | : Becky Aikman |
Publisher | : Penguin |
Total Pages | : 322 |
Release | : 2017-06-27 |
Genre | : Performing Arts |
ISBN | : 0698405633 |
A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.
Author | : Susan Kollin |
Publisher | : University of New Mexico Press |
Total Pages | : 111 |
Release | : 2023-09-15 |
Genre | : Performing Arts |
ISBN | : 0826365531 |
Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology. In this latest volume in the Reel West series, Susan Kollin recreates this watershed moment for women’s movies in general and women’s Westerns in particular.
Author | : Gina Fournier |
Publisher | : McFarland |
Total Pages | : 436 |
Release | : 2007 |
Genre | : Performing Arts |
ISBN | : |
"Thelma and Louise made film history with a female screenwriter and director, two female leads and a controversial, female-empowered storyline. This book examines the cultural impact of Thelma and Louise, not only upon its release in 1991 but throughout the nearly 15 years since"--Provided by publisher.
Author | : Marita Sturken |
Publisher | : Bloomsbury Publishing |
Total Pages | : 105 |
Release | : 2020-05-14 |
Genre | : Performing Arts |
ISBN | : 183871927X |
Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis. Marita Sturken examines Thelma & Louise as one of those rare films that encapsulates the politics of its time. She discusses the film's reworking of the outlaw genre, its reversal of gender roles, and its engagement with the complex relationship of women, guns adn the law. The insights of director Scott, screenwriter Khouri as well as Davis and Sarandon are deployed in an analysis of Thelma & Louise and the controversies it sparked. This is a compelling study of a landmark in 1990s American cinema. In her foreword to this new edition, Sturken looks back on the film's reception at the time of its release, and considers its continuing resonances and topicality in the age of #MeToo.
Author | : Patricia Rind |
Publisher | : Routledge |
Total Pages | : 193 |
Release | : 2012-12-06 |
Genre | : Social Science |
ISBN | : 1136399518 |
Explore the distinct relationships of close female friends!Women’s Best Friendships: Beyond Betty, Veronica, Thelma, and Louise gives new and comprehensive insight into the complex world of women’s closest friendships. Recent studies have shown that women place enormous value on best friendships and consider them to be woven tightly into the fabric of their lives. Using in-depth interviews, along with close readings of relevant literature and theory, this book focuses on the many facets of these relationships. With heartfelt first-person accounts and insightful commentary from the author, this book examines three intertwining themes: feelings of competition, issues of dependence and independence, and knowing/understanding. This book sheds light on areas of tension among women, especially difficulties in communication, frustration about not being entirely let into a friend’s life and thought processes, and the feeling that one friend may value the friendship more than the other. It also discusses women’s struggles to maintain closeness over increased distances and the realization that one’s friends are flawed, even as friends. This informative book, grounded in established research and theory, presents stories of real friendships--told by the people who live them. These women talk candidly about what makes a best friend, about navigating the choppy waters of friendship, and much more: “Somehow, when we started living farther apart there were ways in which we were being insensitive. We recognized that there was a really strong bond, but we were taking it for granted. So we talked about how close we feel to one another and perhaps how that leads to some arguments or hurt feelings.” --Liz, on how distance has affected her relationship with her best friend Susan“Em and I don’t fight at all. I don’t know if that’s good or bad. I don’t think I do well with fights. I think that’s probably a lot of conflict avoidance on my part. And I think it does lead to some distance, even though it’s a best friendship. I think I’m uncomfortable asserting myself. And so it’s easier not to have to do that. So maybe my inability to deal with the problems keeps the friendship at a distance, where it’s safe and comfortable for me, in that one respect.” --Linda, about her desire to avoid any confrontation with Emily, her best friendWomen’s Best Friendships: Beyond Betty, Veronica, Thelma, and Louise is a fresh and exciting look at the inner workings of relationships between women. Drawing upon a multitude of issues and insights, this book is a must-have for women’s studies classes.
Author | : Vanessa Hua |
Publisher | : Ballantine Books |
Total Pages | : 322 |
Release | : 2019-08-06 |
Genre | : Fiction |
ISBN | : 0399178791 |
NATIONAL BESTSELLER • In a powerful debut about modern-day motherhood, immigration, and identity, a pregnant Chinese woman stakes a claim to the American dream in California. “Utterly absorbing.”—Celeste Ng • “A marvel of a first novel.”—O: The Oprah Magazine • “The most eye-opening literary adventure of the year.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Real Simple Holed up with other mothers-to-be in a secret maternity home in Los Angeles, Scarlett Chen is far from her native China, where she worked in a factory and fell in love with the married owner, Boss Yeung. Now she’s carrying his baby. To ensure that his child—his first son—has every advantage, Boss Yeung has shipped Scarlett off to give birth on American soil. As Scarlett awaits the baby’s arrival, she spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited, pregnant teenager who is being kept apart from her American boyfriend. Then a new sonogram of Scarlett’s baby reveals the unexpected. Panicked, she goes on the run by hijacking a van—only to discover that she has a stowaway: Daisy, who intends to track down the father of her child. The two flee to San Francisco’s bustling Chinatown, where Scarlett will join countless immigrants desperately trying to seize their piece of the American dream. What Scarlett doesn’t know is that her baby’s father is not far behind her. A River of Stars is a vivid examination of home and belonging and a moving portrayal of a woman determined to build her own future. Praise for A River of Stars “Vanessa Hua’s story spins with wild fervor, with charming protagonists fiercely motivated by maternal and survival instincts.”—USA Today “A River of Stars is the best of all worlds: part buddy cop adventure, part coming-of-age story and part ode to female friendship.”—NPR “Hua’s epic A River of Stars follows a pair of pregnant Chinese immigrant women—two of the more vibrant characters I’ve come across in a while—on the lam from Los Angeles to San Francisco’s Chinatown.”—R. O. Kwon, author of The Incendiaries, in Esquire “A delightful novel of motherhood and Chinese immigration . . . Without wading into policy debates, Ms Hua dramatises the stories and contributions of immigrants who believe in grand ideals and strive to live up to them.”—The Economist
Author | : Sarah Projansky |
Publisher | : NYU Press |
Total Pages | : 319 |
Release | : 2001-08-01 |
Genre | : Performing Arts |
ISBN | : 0814768121 |
Looking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.
Author | : Callie Khouri |
Publisher | : Grove Press |
Total Pages | : 390 |
Release | : 1996 |
Genre | : Performing Arts |
ISBN | : 9780802134622 |
" When "Thelma & Louise" opened in 1991, it was greeted with acclaim and controversy, quickly earning first-time screenwriter Callie Khouri a reputation as one of the only writers of real movie roles for women. She lived up to expectations with "Something to Talk About, " which won praise for its originality and authenticity. Published here in one volume, these two screenplays gives us an opportunity to savor the work of a groundbreaking author."