Thelma Louise
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Author | : Becky Aikman |
Publisher | : Penguin |
Total Pages | : 322 |
Release | : 2017-06-27 |
Genre | : Performing Arts |
ISBN | : 0698405633 |
A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.
Author | : Marita Sturken |
Publisher | : Bloomsbury Publishing |
Total Pages | : 105 |
Release | : 2020-05-14 |
Genre | : Performing Arts |
ISBN | : 183871927X |
Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis. Marita Sturken examines Thelma & Louise as one of those rare films that encapsulates the politics of its time. She discusses the film's reworking of the outlaw genre, its reversal of gender roles, and its engagement with the complex relationship of women, guns adn the law. The insights of director Scott, screenwriter Khouri as well as Davis and Sarandon are deployed in an analysis of Thelma & Louise and the controversies it sparked. This is a compelling study of a landmark in 1990s American cinema. In her foreword to this new edition, Sturken looks back on the film's reception at the time of its release, and considers its continuing resonances and topicality in the age of #MeToo.
Author | : Gina Fournier |
Publisher | : McFarland |
Total Pages | : 436 |
Release | : 2007 |
Genre | : Performing Arts |
ISBN | : |
"Thelma and Louise made film history with a female screenwriter and director, two female leads and a controversial, female-empowered storyline. This book examines the cultural impact of Thelma and Louise, not only upon its release in 1991 but throughout the nearly 15 years since"--Provided by publisher.
Author | : Bernie Cook |
Publisher | : University of Texas Press |
Total Pages | : 241 |
Release | : 2007-10-15 |
Genre | : Performing Arts |
ISBN | : 0292714661 |
Essays by leading film scholars and an interview with screenwriter Callie Khouri explore the significant, on-going influence of the 1991 film 'Thelma & Louise'.
Author | : Vanessa Hua |
Publisher | : Ballantine Books |
Total Pages | : 322 |
Release | : 2019-08-06 |
Genre | : Fiction |
ISBN | : 0399178791 |
NATIONAL BESTSELLER • In a powerful debut about modern-day motherhood, immigration, and identity, a pregnant Chinese woman stakes a claim to the American dream in California. “Utterly absorbing.”—Celeste Ng • “A marvel of a first novel.”—O: The Oprah Magazine • “The most eye-opening literary adventure of the year.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Real Simple Holed up with other mothers-to-be in a secret maternity home in Los Angeles, Scarlett Chen is far from her native China, where she worked in a factory and fell in love with the married owner, Boss Yeung. Now she’s carrying his baby. To ensure that his child—his first son—has every advantage, Boss Yeung has shipped Scarlett off to give birth on American soil. As Scarlett awaits the baby’s arrival, she spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited, pregnant teenager who is being kept apart from her American boyfriend. Then a new sonogram of Scarlett’s baby reveals the unexpected. Panicked, she goes on the run by hijacking a van—only to discover that she has a stowaway: Daisy, who intends to track down the father of her child. The two flee to San Francisco’s bustling Chinatown, where Scarlett will join countless immigrants desperately trying to seize their piece of the American dream. What Scarlett doesn’t know is that her baby’s father is not far behind her. A River of Stars is a vivid examination of home and belonging and a moving portrayal of a woman determined to build her own future. Praise for A River of Stars “Vanessa Hua’s story spins with wild fervor, with charming protagonists fiercely motivated by maternal and survival instincts.”—USA Today “A River of Stars is the best of all worlds: part buddy cop adventure, part coming-of-age story and part ode to female friendship.”—NPR “Hua’s epic A River of Stars follows a pair of pregnant Chinese immigrant women—two of the more vibrant characters I’ve come across in a while—on the lam from Los Angeles to San Francisco’s Chinatown.”—R. O. Kwon, author of The Incendiaries, in Esquire “A delightful novel of motherhood and Chinese immigration . . . Without wading into policy debates, Ms Hua dramatises the stories and contributions of immigrants who believe in grand ideals and strive to live up to them.”—The Economist
Author | : Hilary Neroni |
Publisher | : State University of New York Press |
Total Pages | : 220 |
Release | : 2012-02-16 |
Genre | : Social Science |
ISBN | : 0791483649 |
Looks at how violent women characters disrupt cinematic narrative and challenge cultural ideals.
Author | : Syd Field |
Publisher | : Delta |
Total Pages | : 338 |
Release | : 2009-09-30 |
Genre | : Performing Arts |
ISBN | : 0307569527 |
Yes, you can write a great screenplay. Let Syd Field show you how. “I based Like Water for Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story.”—Laura Esquivel Technology is transforming the art and craft of screenwriting. How does the writer find new ways to tell a story with pictures, to create a truly outstanding film? Syd Field shows what works, why, and how in four extraordinary films: Thelma & Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances with Wolves. Learn how: Callie Khouri, in her first movie script, Thelma & Louise, rewrote the rules for good road movies and played against type to create a new American classic. James Cameron, writer/director of Terminator 2: Judgement Day, created a sequel integrating spectacular special effects and a story line that transformed the Terminator, the quintessential killing machine, into a sympathetic character. This is how an action film is written. Ted Tally adapted Thomas Harris's chilling 350-page novel, The Silence of the Lambs, into a riveting 120-page script—a lesson in the art and craft of adapting novels into film. Michael Blake, author of Dances with Wolves, achieved every writer's dream as he translated his novel into an uncompromising film. Learn how he used transformation as a spiritual dynamic in this work of mythic sweep. Informative and utterly engrossing, Four Screenplays belongs in every writer's library, next to Syn Field's highly acclaimed companion volumes, Screenplay, The Screenwriter's Workbook, and Selling a Screenplay. “If I were writing screenplays . . . I would carry Syd Field around in my back pocket wherever I went.”—Steven Bochco, writer/producer/director, L.A. Law, Hill Street Blues
Author | : Michelle Morgan |
Publisher | : Chicago Review Press |
Total Pages | : 309 |
Release | : 2015-11-01 |
Genre | : Biography & Autobiography |
ISBN | : 1613730411 |
A detailed look at the charmed life and tragic death of one of Hollywood's earliest stars A vibrant and beloved Golden Age film comedienne who worked alongside the Marx Brothers, Laurel and Hardy, Ginger Rogers, Cary Grant, Clara Bow, and dozens of others, Thelma Todd was one of the rare actors to successfully cross over from silent films to "talkies." This authoritative new biography traces Todd's life and career, from a vivacious little girl to a young woman who became a reluctant beauty queen to her rapid rise as a Hollywood comedy star to her mysterious death at the age of 29. Increasingly disenchanted with the studio star system, Todd opened the successful Thelma Todd's Sidewalk Café, attracting adoring fans, tourists, and Hollywood celebrities. Life appeared blessed for the beautiful and outspoken Hollywood rebel. So the country was shocked when Todd was found dead by her housekeeper in a garage near the café. An inquest concluded that her death was accidental, caused by inhaling the car's exhaust fumes. In a thorough new investigation that draws on FBI documents, interviews, photographs, reports, and extortion notes—much of these not previously available to the public—author Michelle Morgan offers fresh evidence and conclusions about the circumstances surrounding Todd's death, proving what many people have long suspected, that Thelma had been murdered. The cast of suspects includes Thelma's Hollywood-director lover; her gangster ex-husband; assorted thugs who were pressuring her to install gaming tables in the room above her popular café; and a new, never-before-named mobster. Coinciding with the 80th anniversary of Todd's death, The Ice Cream Blonde is sure to interest any fan of Thelma Todd, Hollywood's Golden Age, or gripping real-life murder mysteries.
Author | : Sarah Burgoyne |
Publisher | : Coach House Books |
Total Pages | : 114 |
Release | : 2021-05-18 |
Genre | : Poetry |
ISBN | : 1770566708 |
Camus’s Meursault and Thelma and Louise meet up under the blazing sun. Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun. “Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne’s making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book.” —Michael Dickman, author of Days & Days “This beautiful work wraps Camus’s The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun’s burning punctum burst telling shards of what is erased by Camus’s remarkable construction of whiteness in-the-masculine: the dead ‘Arab,’ the female body’s interminable violations – but also its warming, even blinding capacity for consequential pleasures.” —Gail Scott, author of Heroine “Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway.” —Juliana Spahr, author of That Winter the Wolf Came
Author | : Sue Vice |
Publisher | : Manchester University Press |
Total Pages | : 254 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : 9780719043284 |
The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.