Theatre Arts The Dynamics Of Acting Student Edition
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Author | : Dennis Caltagirone |
Publisher | : McGraw-Hill/Glencoe |
Total Pages | : 358 |
Release | : 1997 |
Genre | : Juvenile Nonfiction |
ISBN | : |
Provides an overview of the theatrical production process with a focus on practical acting skills.
Author | : Dennis Caltagirone |
Publisher | : NTC/Contemporary Publishing Company |
Total Pages | : 260 |
Release | : 1997 |
Genre | : Education |
ISBN | : 9780844251417 |
Author | : Bernard Beckerman |
Publisher | : |
Total Pages | : 296 |
Release | : 1970 |
Genre | : Drama |
ISBN | : |
Author | : Pamela Bowell |
Publisher | : Taylor & Francis |
Total Pages | : 157 |
Release | : 2017-07-06 |
Genre | : Education |
ISBN | : 1317511603 |
This new book provides a clear and accessible guide on best practice to support teachers when using process drama in establishing creative learning partnerships with their students. It offers a detailed analysis and explores the roles of actor, director and playwright that the teacher must adopt in order to develop the ‘thinking on your feet’ skills and knowledge necessary to deliver a complete process drama experience. Addressing the dynamic nature of process drama, it provides a clear and rigorous explanation of the theory of process drama and links it to practice. Drawing on a wide range of detailed examples from the authors’ international and cross-cultural practice, it demonstrates how an effective process drama operates in action. Written to help practitioners and students produce powerful, artistic and educative experiences, chapters cover: pedagogy and the improvised nature of the art form; the structural framework and making shifts in the drama; the role of actor, director, playwright and teacher; monitoring emotional range; progression and the importance of reflection; the spiral of creative exchange and the complexities of co-creativity. Putting Process Drama into Action will be an essential guide for students undertaking initial teacher training at primary level, in addition to those studying both Drama and English at secondary level. It will also prove to be essential reading for specialist and non-specialist teachers in the primary and secondary sectors who teach, or wish to teach, process drama.
Author | : Susan Bennett |
Publisher | : Routledge |
Total Pages | : 261 |
Release | : 2013-09-13 |
Genre | : Performing Arts |
ISBN | : 1136207171 |
Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: • a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography. Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.
Author | : Sharrell Luckett |
Publisher | : Taylor & Francis |
Total Pages | : 255 |
Release | : 2016-10-04 |
Genre | : Art |
ISBN | : 1317441222 |
Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author | : Melee Hutton |
Publisher | : FriesenPress |
Total Pages | : 42 |
Release | : 2015-10-07 |
Genre | : Education |
ISBN | : 1460263944 |
Using twenty distinct scenarios, students can engage in structured role play in a student-centered learning environment.
Author | : Charles Mitchell |
Publisher | : Orange Grove Texts Plus |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Arts |
ISBN | : 9781616101664 |
"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.
Author | : |
Publisher | : BRILL |
Total Pages | : 404 |
Release | : 2022-06-08 |
Genre | : Drama |
ISBN | : 9004502882 |
Theatrical Events. Borders, Dynamics and Frames is written to develop the concept of ‘Eventness’ in Theatre Studies. The book as a whole stresses the importance of understanding theatre performances as aesthetic-communicative encounters of a wide range of agents and aspects. The Theatrical Event concept means not only that performers and spectators meet, but also that the specific mental sets, backgrounds and cultural contexts they bring in, strongly contribute to the character of a particular event. Moreover, this concept gives space to the study of the role societal developments – such as technological, political, economical or educational ones – play in theatrical events.
Author | : Sharon Marie Carnicke |
Publisher | : Bloomsbury Publishing |
Total Pages | : 249 |
Release | : 2022-12-15 |
Genre | : Performing Arts |
ISBN | : 1350205206 |
In the 21st century, actors face radical changes in plays and performance styles, as they move from stage to screen and grapple with new technologies that present their art to ever-expanding audiences. Active Analysis offers the flexibility of mind, body, and spirit now urgently needed in acting. Dynamic Acting through Active Analysis brings to light this timely legacy, born during the worst era of Soviet repression and hidden for decades from public view. Part I unfolds like a mystery novel through letters, memoirs, and transcripts of Konstantin Stanislavsky's last classes. Far from the authoritarian director of his youth, he reveals himself as a generous mentor, who empowers actors with a brand new collaborative approach to rehearsals. His assistant, Maria Knebel, first bears witness to his forward-looking ideas and then builds the bridge to new plays in new styles through her directing and influential teaching. Part II follows a 21st century company of diverse actors as they experience the joy of applying Active Analysis to their own creative and professional work.