The Young Velazquez
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Author | : John Marciari |
Publisher | : Yale University Press |
Total Pages | : 89 |
Release | : 2014-01-01 |
Genre | : Art |
ISBN | : 0300207867 |
"Published in conjunction with the exhibition El joven Velazquez: 'La educacion de la virgen' de Yale restaurada, organized by the mayor of the city of Seville and the Yale University Art Gallery."
Author | : Tanya J. Tiffany |
Publisher | : Penn State Press |
Total Pages | : 255 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0271053798 |
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
Author | : Laura Cumming |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Biography |
ISBN | : 9780701188443 |
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before
Author | : David Davies |
Publisher | : |
Total Pages | : 191 |
Release | : 1996 |
Genre | : Ausstellung - Edinburgh 1996 - Velázquez, Diego Rodríguez de Silva y - Malerei |
ISBN | : 9780300069495 |
Diego Velázquez, considered by many to be the greatest of Spain's great painters, spent his crucial formative years in Seville, learning his craft and producing many early masterpieces. When he departed from his native city as a young man of 24, Velázquez's accomplishments were already impressive - he left to assume the position of Court Painter to Philip IV of Spain in Madrid. In this illustrated book, an international team of art scholars explores the importance of Seville for Velázquez. Discussions range across many topics, including Velázquez's education and training, Sevillian culture and Catholic theology, picaresque literature, and Velázquez's subject matter - portraiture, sacred subjects, and the bodegones in which Velázquez developed his distinctive naturalistic style. This book serves as the catalogue for a major exhibition on Velázquez's early work to be held at the National Gallery of Scotland in Edinburgh, August 8 through October 20, 1996. The exhibit also includes a selection of influential works by Velázquez's important contemporaries, such as the sculptor Montañes and painters Alonso Cano and Ribalta.
Author | : Janis Tomlinson |
Publisher | : Princeton University Press |
Total Pages | : 424 |
Release | : 2022-06-14 |
Genre | : Biography & Autobiography |
ISBN | : 0691234124 |
The first major English-language biography of Francisco Goya y Lucientes, who ushered in the modern era The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country's politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era. Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya's likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist's personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya's late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the "black" paintings. A monumental achievement, Goya: A Portrait of the Artist is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.
Author | : Carl Justi |
Publisher | : Parkstone International |
Total Pages | : 256 |
Release | : 2016-10-24 |
Genre | : Art |
ISBN | : 1780429819 |
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by Édouard Manet. Since then, further contemporary artists such as Pablo Picasso and Salvador Dalí have paid homage to their famous compatriot by recreating several of his most famous works.
Author | : Diego Velázquez |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 26 |
Release | : 2009 |
Genre | : Art |
ISBN | : 1588393518 |
The interest generated by the conservation and rehanging of a Velazquez picture "Portrait of a Man", led the Metropolitan Museum to consider how it might hold an exhibition of Velaquez's oeuvre, to show how his work led to this particular picture being painted, and how it informed his future work.
Author | : Sarah Schroth |
Publisher | : |
Total Pages | : 360 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Published in conjunction with an exhibition held at the Museum of Fine Arts, Boston, Apr. 20-July 27, 2008 and at the Nasher Museum of Art at Duke University, Aug. 21-Nov. 9, 2008.
Author | : Kevin Ingram |
Publisher | : Springer |
Total Pages | : 370 |
Release | : 2018-12-06 |
Genre | : History |
ISBN | : 3319932365 |
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
Author | : Anthony Bailey |
Publisher | : Henry Holt and Company |
Total Pages | : 288 |
Release | : 2011-11-08 |
Genre | : Biography & Autobiography |
ISBN | : 1429973773 |
Behind the famous painting by Diego Velázquez lies a rich story of the artist's life in art What began as propaganda art to celebrate a rare Spanish victory in the Eighty Years' War with Holland, The Surrender at Breda is today recognized as Velázquez's narrative masterpiece. Breda is packed with vivid military detail—whole armies are suggested on the huge canvas, twelve feet high and eleven feet wide. Unlike typical surrender scenes, there is neither a heroic victor on horseback nor a vanquished commander on his knees. Instead the rivals appear on foot almost as equals. The loser bends forward to offer the key and receives a chivalrous pat on his shoulder, as if to say: "Fortune has favored me, but our roles might have been reversed." Anthony Bailey examines the paintings from which the artist arose, coaxing stories from them that flesh out a complete portrait of one of the world's major artists whose personal life has remained largely unknown.