The Writings in Prose and Verse: The phantom 'rickshaw', and other stories
Author | : Rudyard Kipling |
Publisher | : |
Total Pages | : 414 |
Release | : 1897 |
Genre | : World War, 1914-1918 |
ISBN | : |
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Author | : Rudyard Kipling |
Publisher | : |
Total Pages | : 414 |
Release | : 1897 |
Genre | : World War, 1914-1918 |
ISBN | : |
Author | : Rudyard Kipling |
Publisher | : New York : M.J. Ivers, [19--?] |
Total Pages | : 328 |
Release | : 1891 |
Genre | : Fiction |
ISBN | : |
Author | : Paul Murray |
Publisher | : Springer |
Total Pages | : 334 |
Release | : 1991-01-01 |
Genre | : Literary Criticism |
ISBN | : 1349134635 |
'At last, we have a study that tackles these questions, and does so with a wealth of learning, a poet's sensibility and a thorough theological literacy...Murray has given us a superb study.' Rowan Williams, Doctrine and Life 'His point of view is always that of someone practised in meditation, and his book is in consequence one of the half-dozen really valuable guides to Eliot's poetry.' Stephen Medcalf, Times Literary Supplement The story of the composition of Four Quartets, in relation to mysticism, constitutes one of the most interesting pages in modern literary history. T.S. Eliot drew his inspiration not only from the literature of orthodox Christian mysticism and from a variety of Hindu and Buddhist sources, but also from the literature of the occult, and from several unexpected and so far unacknowledged sources such as the 'mystical' symbolism of Shakespeare's later plays and the visionary poetry of Rudyard Kipling. But the primary concern of this study is not with sources as such, nor with an area somewhere behind the work, but rather with that point in Four Quartets where Eliot's own mystical attitude and his poetry unite and intersect.
Author | : John Stape |
Publisher | : Anchor Canada |
Total Pages | : 402 |
Release | : 2011-06-22 |
Genre | : Biography & Autobiography |
ISBN | : 0307363791 |
Published to mark the 150th anniversary of his birth, The Several Lives of Joseph Conrad is a brilliant and highly readable biography of a literary figure of world-wide reputation. Conrad’s impact has been so profound and far-reaching that, eighty years after his death, he remains an essential cultural reference point. Such phrases as “heart of darkness” and “The horror! The horror!” have entered the language, often cited without an awareness of their original contexts. His popular legacy extends to Latin American fiction, to the spy novel, to the terrorist and anarchist character, and to film. The writers he has influenced range from T. S. Eliot to William Faulkner to V. S. Naipaul and John Le Carré. For a writer of “difficult” fiction he has enjoyed a remarkably wide impact, yet as Marlow proclaims in Lord Jim of the figure whose story he tells,“he was one of us,” and so Conrad remains in fascinating ways. Stape’s biography – an intimate portrait, including previously unpublished photographs – offers a Conrad for our times, a man with a deep sense of otherness, of multiple cultural identities and, writing in his third language, a working writer, whose novels and stories are a cornerstone of literary modernism and, indeed, of modernity itself.
Author | : W. Dillingham |
Publisher | : Springer |
Total Pages | : 243 |
Release | : 2016-04-30 |
Genre | : Literary Criticism |
ISBN | : 023061471X |
Being Kipling exposes Rudyard Kipling s identity as he himself perceived it through the lens of a collection of works composed over a period of years and brought together in the volume Land and Sea Tales for Scouts and Guides. Dillingham uses this extraordinary collection, ostensibly put together for the inspiration of Boy Scouts and Girl Guides and frequently ignored by critics and biographers, to offer rare insight into formative events from Kipling s youth that shaped his personality and made him the man and writer that he became. The eight stories, eight poems, and three essays of Land and Sea Tales for Scouts and Guides are all examined closely both for what they reveal about Kipling s life and worldview and for their rarely perceived, but considerable literary merit.