World of Theatre 2003 Edition

World of Theatre 2003 Edition
Author: Ian Herbert
Publisher: Routledge
Total Pages: 399
Release: 2003-09-02
Genre: Art
ISBN: 1134402120

A lavishly illustrated collection of on-the-spot and authoritative surveys of current theatrical activity from across the globe, this work covers the three seasons from 1999-2000, 2000-1 and 2001-2.

The World of Theatre

The World of Theatre
Author: Ian Herbert
Publisher: Routledge
Total Pages: 325
Release: 2014-01-27
Genre: Performing Arts
ISBN: 1136366776

The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from magisterial round-ups by leading critics in Europe (Peter Hepple of The Stage) and North America (Jim O'Quinn of American Theatre) to what are sometimes literally war-torn countries such as Iran or Sierra Leone.

At this Theatre

At this Theatre
Author: Louis Botto
Publisher: Hal Leonard Corporation
Total Pages: 388
Release: 2002
Genre: Performing Arts
ISBN: 9781557835666

"Contains the informal history of forty theatres that were built, as either legitimate houses or movie palaces and that are currently operating as legitimate theatres"--p. xiii.

At This Theatre

At This Theatre
Author: Louis Botto
Publisher: Hal Leonard Corporation
Total Pages: 1163
Release: 2010-12-01
Genre: Performing Arts
ISBN: 1476850275

(Applause Books). Theatregoers' favorite history of Broadway is back in an updated and expanded 2010 edition including more than 500 color production photos, vintage archival photos, and Playbill covers from all forty currently operating Broadway theatres. Thirty-eight of the original chapters have been expanded to cover all the shows that have opened in the ten years since the popular 2000 edition, with two new chapters added to include Broadway theatres recently refurbished and returned to life. This unique chronicle is the first work to present a detailed theatre-by-theatre roundup of players and productions that have enchanted audiences at Broadway's great playhouses from 1900 to 2010. The work is an expanded treatment of "At This Theatre," the popular feature in Playbill's Broadway theatre programs. "At This Theatre" offers playgoers instant nostalgia by listing notable hits (and some famed fiascos) that have played through the years in the theatre that they are attending. The book also pays tribute to the distinguished impresarios who built and managed these houses, and the brilliant architects and interior designers who created them. The original 1984 edition was created by Playbill senior editor Louis Botto. Botto worked with editor Robert Viagas on the 2000 update. With the third edition, Botto has passed the author torch to Viagas, who founded Playbill.com and the acclaimed Playbill Broadway Yearbook series, and who has written the updates in Botto's style.

Theatre of the Oppressed

Theatre of the Oppressed
Author: Augusto Boal
Publisher: Get Political
Total Pages: 184
Release: 2008
Genre: Social classes in literature
ISBN: 9780745328386

''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton

Communication in Drama: a Pragmatic Approach

Communication in Drama: a Pragmatic Approach
Author: Dr. Umesh S. Jagadale
Publisher: Partridge Publishing
Total Pages: 152
Release: 2014-08-25
Genre: Education
ISBN: 1482817349

COMMUNICATION IN DRAMA: A PRAGMATIC APPROACH is a book based on the authors research work in theatrical communication. Theatre has its own language. The verbal and non-verbal communication operating in the theatrical context is a central concern of this book. The book offers an authentic view to explore numerous intricacies of communication in drama using Pragmatics as a perspective. Pragmatics is a branch of linguistics. It basically studies the use of language in various contexts pertaining to real-life communication. However, the communication in drama differs from the communication in real life. Drama is scripted and performed in the multivalent contexts of real life and theater at the same time. At the backdrop of such contextual dynamics, the existing analytical models of communication in Pragmatics are observed to have their own shortcomings, since they are basically evolved to analyze the communication in real life and not in drama. Hence, peculiarly to assess the speech situations in drama, the author has evolved a new pragmatic-analytical model in this book. The new model is authenticated by using it to analyse five milestone Indian plays in English. Precisely, the book is a pragmatic analysis of communication in drama.

History of the Theatre

History of the Theatre
Author: Oscar Gross Brockett
Publisher: Allyn & Bacon
Total Pages: 710
Release: 2003
Genre: Literary Criticism
ISBN:

Chronicles the evolution of the theater from its beginnings to the early twenty-first century, covering styles, creative and technical elements, and the theater's impact on society and culture. Focuses largely on Europe and the U.S. but also discusses Africa, Asia, Latin America, Canada, Australia, and New Zealand.

Performing the Body in Irish Theatre

Performing the Body in Irish Theatre
Author: B. Sweeney
Publisher: Springer
Total Pages: 253
Release: 2008-02-14
Genre: Performing Arts
ISBN: 0230582052

This title examines the representation of the body in Irish theatre alongside the specific circumstances within which Irish theatre is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body in Irish theatre, and includes in-depth analysis of five key productions.

The Challenge of World Theatre History

The Challenge of World Theatre History
Author: Steve Tillis
Publisher: Springer Nature
Total Pages: 326
Release: 2020-09-19
Genre: Performing Arts
ISBN: 3030483436

The future of theatre history studies requires consideration of theatre as a global phenomenon. The Challenge of World Theatre History offers the first full-scale argument for abandoning an obsolete and parochial Eurocentric approach to theatre history in favor of a more global perspective. This book exposes the fallacies that reinforce the conventional approach and defends the global perspective against possible objections. It moves beyond the conventional nation-based geography of theatre in favor of a regional geography and develops a new way to demarcate the periods of theatre history. Finally, the book outlines a history that recognizes the often-connected developments in theatre across Eurasia and around the world. It makes the case that world theatre history is necessary not only for itself, but for the powerful comparative and contextual insights it offers to all theatre scholars and students, whatever their special areas of interest.