The World Of The Theatre
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Author | : E. J. Westlake |
Publisher | : Taylor & Francis |
Total Pages | : 219 |
Release | : 2017-03-31 |
Genre | : Performing Arts |
ISBN | : 131756183X |
World Theatre: The Basics presents a well-rounded introduction to non-Western theatre, exploring the history and current practice of theatrical traditions in Asia, Africa, the Middle East, Oceania, the Caribbean, and the non-English-speaking cultures of the Americas. Featuring a selection of case studies and examples from each region, it helps the reader to understand the key issues surrounding world theatre scholarship and global, postcolonial, and transnational performance practices. An essential read for anyone seeking to learn more about world theatre, World Theatre: The Basics provides a clear, accessible roadmap for approaching non-Western theatre.
Author | : Mira Felner |
Publisher | : Allyn & Bacon |
Total Pages | : 488 |
Release | : 2006 |
Genre | : Juvenile Nonfiction |
ISBN | : |
"Focus on diversity and globalism, integrating coverage of multicultural, international and experimental theatre throughout." -- Back cover.
Author | : Frances Amelia Yates |
Publisher | : London : Routledge & K. Paul |
Total Pages | : 218 |
Release | : 1969 |
Genre | : England |
ISBN | : 9780710063700 |
"The book is primarily centered on John Dee and Robert Fludd" - Preface.
Author | : Thomas Reinertsen Berg |
Publisher | : Hachette UK |
Total Pages | : 371 |
Release | : 2018-12-04 |
Genre | : History |
ISBN | : 0316450782 |
A beautifully illustrated full-color history of mapmaking across centuries -- a must-read for history buffs and armchair travelers. Theater of the World offers a fascinating history of mapmaking, using the visual representation of the world through time to tell a new story about world history and the men who made it. Thomas Reinertsen Berg takes us all the way from the mysterious symbols of the Stone Age to Google Earth, exploring how the ability to envision what the world looked like developed hand in hand with worldwide exploration. Along the way, we meet visionary geographers and heroic explorers along with other unknown heroes of the map-making world, both ancient and modern. And the stunning visual material allows us to witness the extraordinary breadth of this history with our own eyes.
Author | : Lowell Swortzell |
Publisher | : Hal Leonard Corporation |
Total Pages | : 711 |
Release | : 2000-02-01 |
Genre | : Drama |
ISBN | : 1557833702 |
A collection of plays by such authors as Moliere, August Strindberg, Langston Hughes, Susan Zeder, Wendy Kesselman, and Laurence Yep.
Author | : Julie Stone Peters |
Publisher | : Oxford University Press, USA |
Total Pages | : 516 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780199262168 |
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
Author | : Rustom Bharucha |
Publisher | : Routledge |
Total Pages | : 269 |
Release | : 2003-09-02 |
Genre | : Performing Arts |
ISBN | : 1134873158 |
In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective. Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism. Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.
Author | : Glenn A. Odom |
Publisher | : Routledge |
Total Pages | : 474 |
Release | : 2017-06-26 |
Genre | : Performing Arts |
ISBN | : 131758628X |
World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools essential for a truly global approach to theatre. Identifying major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with extended excerpts from primary materials, specific primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, Oceania, Latin America, East Asia, and India. The volume is divided into three sections: Theoretical questions, which applies cross-cultural perspectives to key issues from aesthetics to postcolonialism, interculturalism, and globalization. Cultural and literary theory, which is organised by region, presenting a range of theatrical theories in their historical and cultural context. Practical exercises, which provides a brief series of suggestions for physical exploration of these theoretical concepts. World Theories of Theatre presents fresh, vital ways of thinking about the theatre, highlighting the extraordinary diversity of approaches available to scholars and students of theatre studies. This volume includes theoretical excerpts from: Zeami Motokiyo Bharata Muni Wole Soyinka Femi Osofisan Uptal Dutt Saadallah Wannous Enrique Buenaventura Derek Walcott Werewere Liking Maryrose Casey Augusto Boal Tadashi Suzuki Jiao Juyin Oriza Hirata Gao Xingjian Roma Potiki Poile Sengupta
Author | : Don Rubin |
Publisher | : |
Total Pages | : 0 |
Release | : 1994 |
Genre | : Drama |
ISBN | : 9780415059343 |
The final volume, an annotated world bibliography, identifies and supplys full bibliographic documentation on significant theatre materials published world-wide since 1945, plus an index to key names throughout all six volumes.
Author | : Dorothy Chansky |
Publisher | : Routledge |
Total Pages | : 496 |
Release | : 2015-06-12 |
Genre | : Performing Arts |
ISBN | : 1317618017 |
Putting food and theatre into direct conversation, this volume focuses on how food and theatre have operated for centuries as partners in the performative, symbolic, and literary making of meaning. Through case studies, literary analyses, and performance critiques, contributors examine theatrical work from China, Japan, India, Greece, Italy, France, Germany, England, the United States, Chile, Argentina, and Zimbabwe, addressing work from classical, popular, and contemporary theatre practices. The investigation of uses of food across media and artistic genres is a burgeoning area of scholarly investigation, yet regarding representation and symbolism, literature and film have received more attention than theatre, while performance studies scholars have taken the lead in examining the performative aspects of food events. This collection looks across dramatic genres, historical periods, and cultural contexts, and at food in all of its socio-political, material complexity to examine the particular problems and potentials of invoking and using food in live theatre. The volume considers food as a transhistorical, global phenomenon across theatre genres, addressing the explosion of food studies at the end of the twentieth century that has shown how food is a crucial aspect of cultural identity.