The Works Of The Most Reverend Dr John Tillotson Containing Fifty Four Sermons And Discourses On Several Occasions Together With The Rule Of Faith To Which Is Added An Alphabetical Table Of The Principal Matters
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Author | : John Tillotson (Archbishop of Canterbury.) |
Publisher | : |
Total Pages | : 818 |
Release | : 1696 |
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Author | : John Tillotson |
Publisher | : |
Total Pages | : 808 |
Release | : 1699 |
Genre | : Sermons, English |
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Author | : John Tillotson |
Publisher | : |
Total Pages | : 724 |
Release | : 1720 |
Genre | : Sermons, English |
ISBN | : |
Author | : John TILLOTSON (Archbishop of Canterbury.) |
Publisher | : |
Total Pages | : 808 |
Release | : 1704 |
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Author | : John Tillotson |
Publisher | : |
Total Pages | : 710 |
Release | : 1720 |
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Author | : Laurie Throness |
Publisher | : Routledge |
Total Pages | : 240 |
Release | : 2016-12-05 |
Genre | : History |
ISBN | : 1351961993 |
How did the penitentiary get its name? Why did the English impose long prison sentences? Did class and economic conflict really lie at the heart of their correctional system? In a groundbreaking study that challenges the assumptions of modern criminal justice scholarship, Laurie Throness answers many questions like these by exposing the deep theological roots of the judicial institutions of eighteenth-century Britain. The book offers a scholarly account of the passage of the Penitentiary Act of 1779, combining meticulous attention to detail with a sweeping theological overview of the century prior to the Act. But it is not just an intellectual history. It tells a fascinating story of a broader religious movement, and the people and beliefs that motivated them to create a new institution. The work is original because it relies so completely on original sources. It is mystical because it mingles heavenly with earthly justice. It is authoritative because of its explanatory power. Its anecdotes and insights, poetry and song, provide intriguing glimpses into another era strangely familiar to our own. Of special interest to social and legal historians, criminologists, and theologians, this work will also appeal to a wider audience of those who are interested in Christianity's impact on Western culture and institutions.
Author | : Nicholas Fisher |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 309 |
Release | : 2019-05-16 |
Genre | : Biography & Autobiography |
ISBN | : 1527534707 |
History has not been kind to Symon Patrick. His fifty years of ministry spanned the closing years of Cromwell’s rule and the start of Queen Anne’s reign, and ranged from service as a Church of England minister in two fashionable London parishes to appointment as the “latitudinarian” Bishop of Ely. He influenced a major change in the character of the Established Church, as it moved from a confrontational fundamentalism to the broad tolerance that exists today. Patrick, recognised by his contemporaries as one of the three or four leading clergy of his generation, wrote over one hundred books that helped to define his Church, such as his pastoral work The Heart’s Ease, his devotional The Parable of the Pilgrim and his biting polemic against nonconformism, A Friendly Debate. This book assesses the significance and quality of Patrick’s contribution to the Church of England, carefully placing it against the background of the history and politics of the time and suggesting why his reputation faded after his death. Puritanism, Latitudinarianism, pilgrimage, women’s religion and spirituality, and prose style are all topics touched on here.
Author | : John TILLOTSON (Archbishop of Canterbury.) |
Publisher | : |
Total Pages | : 494 |
Release | : 1739 |
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Author | : Thomas HALE (Writer on Gardening.) |
Publisher | : |
Total Pages | : 524 |
Release | : 1757 |
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Author | : Hugh Ormsby-Lennon |
Publisher | : Lexington Books |
Total Pages | : 413 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 161149012X |
In Hey Presto! Swift and the Quacks, Hugh Ormsby-Lennon reveals how medicine shows, both ancient and modern, galvanized Jonathan Swift's imagination and inspired his wittiest satiric voices. Swift dubbed these multifaceted traveling entertainments his Stage-itinerant or "Mountebank's Stage." In the course of arguing that the stage-itinerant formed an irresistible model for A Tale of a Tub, Ormsby-Lennon also surmises that the mountebank's stage will disclose that missing link, long sought, that connects the dual objects of Swift's ire: gross corruptions in both Religion and Learning.