The White Guy Dies First
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| Author | : Terry J. Benton-Walker |
| Publisher | : Tor Teen |
| Total Pages | : 258 |
| Release | : 2024-07-16 |
| Genre | : Young Adult Fiction |
| ISBN | : 1250861284 |
13 SCARY STORIES. 13 AUTHORS OF COLOR. 13 TIMES WE SURVIVED... THE FIRST KILL. The White Guy Dies First includes thirteen scary stories by all-star contributors and this time, the white guy dies first. Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead.... A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever.... These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first. Edited by Terry J. Benton-Walker, including stories from bestselling, award-winning, and up-and-coming contributors: Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker. A collection you’ll be dying to talk about... if you survive it. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Robin R. Means Coleman |
| Publisher | : Simon and Schuster |
| Total Pages | : 336 |
| Release | : 2023-02-07 |
| Genre | : Performing Arts |
| ISBN | : 1982186534 |
An exploration of the history of Black horror films. Delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines
| Author | : Frederick W. Gooding Jr. |
| Publisher | : Teachers College Press |
| Total Pages | : 135 |
| Release | : 2024-05-24 |
| Genre | : Education |
| ISBN | : 0807782246 |
Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis—since they are unparalleled in their cultural significance—but the rubrics apply to other forms of media, such as television, print, and social media. “Why does the Black guy die first?” is a well-known rhetorical question that challenges disparate treatment of nonwhite characters onscreen. This subtle statement about the representation of persons of color within mainstream movies has remained largely unexplored until now. Race and Media Literacy, Explained provides concrete concepts and a uniform vocabulary with which to recognize and further analyze these formulaic images. After participating in this dynamically interactive experience, readers will never see media the same way again! Book Features: Employs an interdisciplinary approach to teaching race, drawing on cinema and forms of popular media that most students know. Guidance for honing media literacy skills with middle, high school, and undergraduate college students. A HARM Theory Rubric that identifies 6 consistent patterns for depictions of non-White characters and 6 consistent patterns for White characters within mainstream movies. Questions for Questing sections provide critical questions for further exploration. Concrete vocabulary/glossary terms to engage with the subject matter more precisely. Innovative analysis of depictions of race and ethnicity in the top ten grossing films of all time.
| Author | : Robin R. Means Coleman |
| Publisher | : Routledge |
| Total Pages | : 294 |
| Release | : 2013-03 |
| Genre | : History |
| ISBN | : 1136942947 |
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
| Author | : Damali Ayo |
| Publisher | : Chicago Review Press |
| Total Pages | : 208 |
| Release | : 2010 |
| Genre | : Humor |
| ISBN | : 1569762430 |
Resource added for the Psychology (includes Sociology) 108091 courses.
| Author | : J.J. McAvoy |
| Publisher | : NYLA |
| Total Pages | : 425 |
| Release | : 2019-03-15 |
| Genre | : Fiction |
| ISBN | : 1641970804 |
Part one of the epic two-part conclusion to the Ruthless People and Children of Vice series... In the end...we all lose. How well do you think you know the Callahans? Yes, I’m asking you. Because I know you’ve been watching. The chaos, the violence, the love, and the madness—who could look away? Not me, for sure. My grandmother always told me...where you look is where you go. So I ask again, how well do you think you know the Callahans? Do you really think you understand Melody, Liam, or even Ethan? I have to wonder—will your mind be able to handle it? We haven’t met yet, but ready or not, here I come. The true queen of Chicago. For now, you may call me Calliope. Catch up on the Children of Vice Series: CHILDREN OF VICE, Book 1: “From the Ruthless, Vice shall Rise.” CHILDREN OF AMBITION, Book 2: "Show me a strong woman and I’ll show you the scars on her soul that made her so.” CHILDREN OF REDEMPTION, Book 3: “I do not come in peace.”
| Author | : Terry J. Benton-Walker |
| Publisher | : Tor Teen |
| Total Pages | : 388 |
| Release | : 2024-04-23 |
| Genre | : Young Adult Fiction |
| ISBN | : 1250825962 |
Blood Justice is the hotly anticipated sequel to Terry J. Benton-Walker’s Most Anticipated debut Blood Debts. Praise for Blood Debts: “A conjuring of magnificence.” —NIC STONE • “A force.” —ROSEANNE A. BROWN • “An extravaganza.” —CHLOE GONG • “Powerful.” —AYANA GRAY • “Sings with hope and rage.” —TJ KLUNE • “An unforgettable thrill ride.” —J. ELLE • “Steeped in magic.” —ALEXIS HENDERSON • “Crackles with mystery and ferocity.” —MARK OSHIRO Cristina and Clement Trudeau have conjured the impossible: justice. They took back their family’s stolen throne to lead New Orleans’ magical community into the brighter future they all deserve. But when Cris and Clem restored their family power, Valentina Savant lost everything. Her beloved grandparents are gone and her sovereignty has been revoked—she will never be Queen. Unless, of course, someone dethrones the Trudeaus again. And lucky for her, she’s not the only one trying to take them down. Cris and Clem have enemies coming at them from all directions: Hateful anti-magic protesters sabotage their reign at every turn. A ruthless detective with a personal vendetta against magical crime is hot on their tail just as Cris has discovered her thirst for revenge. And a brutal god, hunting from the shadows, is summoned by the very power Clem needs to protect the boy he loves. Cris’s hunger for vengeance and Clem’s desire for love could prove to be their family’s downfall, all while new murders, shocking disappearances, and impossible alliances are changing the game forever. Welcome back to New Orleans, where gods walk among us and justice isn’t served, it’s taken. Most Anticipated from Publishers Weekly, Bookpage, TheGrio, and more! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Terry J. Benton-Walker |
| Publisher | : Tor Teen |
| Total Pages | : 347 |
| Release | : 2023-04-04 |
| Genre | : Young Adult Fiction |
| ISBN | : 1250825938 |
GODS MEDDLE AND MAGIC WILL BETRAY YOU, BUT THIS TIME JUSTICE WILL REIGN. Terry J. Benton-Walker's contemporary fantasy debut, Blood Debts, is "an extravaganza from start to finish" (Chloe Gong) with powerful magical families, intergenerational curses, and deadly drama in New Orleans. A National Indie Bestseller. A Publisher's Weekly Best Book of the Year. A Southern Book Prize Finalist. Featured on NPR Weekend Edition Sunday, Buzzfeed, BookPage, Nerd Daily, POPSUGAR, and more. “A conjuring of magnificence.” —NIC STONE • “A force.” —ROSEANNE A. BROWN • “An extravaganza.” —CHLOE GONG • “Powerful.” —AYANA GRAY • “Sings with hope and rage.” —TJ KLUNE • “An unforgettable thrill ride.” —J. ELLE • “Steeped in magic.” —ALEXIS HENDERSON • “Crackles with mystery and ferocity.” —MARK OSHIRO Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen. On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next. Cristina, once a talented and dedicated practitioner of Generational magic, has given up magic for good. An ancient spell is what killed their father and she was the one who cast it. For Clement, magic is his lifeline. A distraction from his anger and pain. Even better than the random guys he hooks up with. Cristina and Clement used to be each other’s most trusted confidant and friend, now they barely speak. But if they have any hope of discovering who is coming after their family, they’ll have to find a way to trust each other and their family's magic, all while solving the decades-old murder that sparked the still-rising tensions between the city’s magical and non-magical communities. And if they don't succeed, New Orleans may see another massacre. Or worse. ★ “Riveting and relevant.” —Kirkus Reviews, starred review At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Sami Ellis |
| Publisher | : Abrams |
| Total Pages | : 380 |
| Release | : 2024-03-26 |
| Genre | : Young Adult Fiction |
| ISBN | : 1647009375 |
Sami Ellis’s Dead Girls Walking is a shocking, spine-chilling YA horror slasher about a girl searching for her dead mother’s body at the summer camp that was once her serial killer father’s home—perfect for fans of Friday the 13th and White Smoke. Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found all his victims. Some say that even though he’s now behind bars, people are still dying in the woods. Despite everything though, Temple never believed that her dad killed her mom. But when he confesses to that crime while on death row, she has no choice but to return to his old hunting grounds to try see if she can find a body and prove it. Turns out, the farm that was once her father’s hunting grounds and her home has been turned into an overnight camp for queer, horror-obsessed girls. So Temple poses as a camp counselor to go digging in the woods. While she’s not used to hanging out with girls her own age and feels ambivalent at best about these true crime enthusiasts, she tries her best to fit in and keep her true identity hidden. But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth and keep the campers safe, she comes to realize that there may be something stranger and more sinister at work—and that her father may not have been the only monster in these woods.
| Author | : Jason Pargin |
| Publisher | : Macmillan |
| Total Pages | : 479 |
| Release | : 2009-09-29 |
| Genre | : Fiction |
| ISBN | : 142995678X |
John Dies at the End is a genre-bending, humorous account of two college drop-outs inadvertently charged with saving their small town--and the world--from a host of supernatural and paranormal invasions. Now a Major Motion Picture. "[Pargin] is like a mash-up of Douglas Adams and Stephen King... 'page-turner' is an understatement." —Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me. The important thing is this: The sauce is a drug, and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.
