Icons of the West

Icons of the West
Author: Michael D. Greenbaum
Publisher:
Total Pages: 248
Release: 1996
Genre: Art
ISBN:

A detailed study of the twenty-two sculptures created by Remington, contrasting authentic lifetime castings with fraudulent examples.

Frederic Remington

Frederic Remington
Author: Peter H. Hassrick
Publisher:
Total Pages: 0
Release: 2016
Genre:
ISBN: 9780806152080

01 Hassrick FM, text chs1-3 PPv -- 02 Hassrick text chs4-7_PPv -- 03_Hassrick_plates_PPv

The American West in Bronze, 1850-1925

The American West in Bronze, 1850-1925
Author: Thayer Tolles
Publisher: Metropolitan Museum of Art
Total Pages: 218
Release: 2013
Genre: Art
ISBN: 1588395057

Themes of the American West have been enduringly popular, and 'The American West in Bronze' features sixty-five iconic bronzes that display a range of subjects, from portrayals of the noble Indian to rough-and-tumble scenes of rowdy cowboys to tributes to the pioneers who settled the lands west of the Mississippi. Fascinating texts offer a fresh look at the roles that artists played in creating interpretations of the "vanishing West"--Whether based on fact, fiction or something in-between. These artists, including Charles M. Russell and Frederic Remington, embody a range of life experiences and artistic approaches."'The American West in Bronze, 1850-1925' is the first full-scale exhibition to explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes, which have been so popular with audiences then and now. Both the exhibition and this accompanying catalogue offer a fresh look at the multifaceted roles played by these sculptors in creating three-dimensional interpretations of western life, whether based on historical fact, mythologized fiction, or most often, something in-between. Examples by such archetypal representatives of the West as Frederic Remington and Charles M. Russell are complemented by the work of sculptors such as James Earle Fraser and Paul Manship, who contributed to the popularity of the American bronze statuette even though their western subjects were less frequent."--Publisher's description.

How the West Was Drawn

How the West Was Drawn
Author: Linda Osmundson
Publisher: Pelican Publishing Company, Inc.
Total Pages: 36
Release: 2012-02-22
Genre: Juvenile Nonfiction
ISBN: 9781455615063

How this artist brought the West to life. Filled with paintings and sculptures by Western artist Frederic Remington, this young readers' guide to art appreciation is complete with background information about the artist and historical facts. Readers will learn all about Remington's techniques. Some of his lessons include what he did to make action look real in his sculptures and how he focused viewers' attention in a painting. The author provides specific questions for each piece, followed by illuminating answers which provide a basis for studying art in general.

Frederic Remington

Frederic Remington
Author: Frederic Remington
Publisher: Gramercy
Total Pages: 120
Release: 1989
Genre: Art
ISBN:

Celebrates the American experience through the paintings and sculptures on Western themes of Frederic Remington.

The Illustrations of Frederic Remington

The Illustrations of Frederic Remington
Author: Frederic Remington
Publisher: Crown Publishing Group (NY)
Total Pages: 200
Release: 1970
Genre: Art
ISBN:

Represents the surprising range of illustrations of Frederic Remington, celebrated painter and historian of the American West.

Remington

Remington
Author: Frederic Remington
Publisher: Parkstone International
Total Pages: 256
Release: 2012-05-08
Genre: Art
ISBN: 1780429991

It is impossible to reflect upon Frederic Remington’s art without thinking of the merely human elements. Remington became interested in the American Indian, probably because he became interested in the active, exciting life of the American Great Plains. The Indian appealed to him not in any histrionic way, not as a figure stepped out from the pages of Hiawatha, but just as a human subject. Remington hit upon this truth when he travelled west. What he found there was majesty that he did not make, solely, an affair of Indians in war paint and feathers. Remington knew how the light of the moon or of the stars is diffused, how softly and magically it envelops the landscape. There is a sort of artistic honesty in his nocturnal studies. He never set out to be romantic or melodramatic, just to develop his affinity and closeness to nature. The beauty of the painter’s motive, too, has communicated itself in his technique. His grey-green tones fading into velvety depths take on transparency, and in his handling of form he uses a touch as firm as need be. The determining influence in his career was that of the creative impulse, urging him to deal in the translation of visible things into pictorial terms.