The Victorian Music Hall
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| Author | : Dagmar Kift |
| Publisher | : Cambridge University Press |
| Total Pages | : 266 |
| Release | : 1996-10-24 |
| Genre | : Drama |
| ISBN | : 9780521474726 |
With the exception of the occasional local case study, music-hall history has until now been presented as the history of the London halls. This book attempts to redress the balance by setting music-hall history within a national perspective. Kift also sheds a new light on the roles of managements, performers and audiences. For example, the author confutes the commonly held assumption that most women in the halls were prostitutes and shows them to have been working women accompanied by workmates of both sexes or by their families. She argues that before the 1890s the halls catered predominantly to working-class and lower middle-class audiences of men and women of all ages and were instrumental in giving them a strong and self-confident identity. The hall's ability to sustain a distinct class-awareness was one of their greatest strengths - but this factor was also at the root of many of the controversies which surrounded them. These controversies are at the centre of the book and Kift treats them as test cases for social relations which provide fresh insights into nineteenth-century British society and politics.
| Author | : Michelle Higgs |
| Publisher | : Pen and Sword |
| Total Pages | : 151 |
| Release | : 2014-02-12 |
| Genre | : History |
| ISBN | : 1473834465 |
An “utterly brilliant” and deeply researched guide to the sights, smells, endless wonders, and profound changes of nineteenth century British history (Books Monthly, UK). Step into the past and experience the world of Victorian England, from clothing to cuisine, toilet arrangements to transport—and everything in between. A Visitor’s Guide to Victorian England is “a brilliant guided tour of Charles Dickens’s and other eminent Victorian Englishmen’s England, with insights into where and where not to go, what type of people you’re likely to meet, and what sights and sounds to watch out for . . . Utterly brilliant!” (Books Monthly, UK). Like going back in time, Higgs’s book shows armchair travelers how to find the best seat on an omnibus, fasten a corset, deal with unwanted insects and vermin, get in and out of a vehicle while wearing a crinoline, and avoid catching an infectious disease. Drawing on a wide range of sources, this book blends accurate historical details with compelling stories to bring alive the fascinating details of Victorian daily life. It is a must-read for seasoned social history fans, costume drama lovers, history students, and anyone with an interest in the nineteenth century.
| Author | : Lee Jackson |
| Publisher | : Yale University Press |
| Total Pages | : 333 |
| Release | : 2019-06-25 |
| Genre | : History |
| ISBN | : 0300245092 |
An energetic and exhilarating account of the Victorian entertainment industry, its extraordinary success and enduring impact The Victorians invented mass entertainment. As the nineteenth century’s growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created ‘palaces of pleasure’. In this vivid, captivating book, Lee Jackson charts the rise of well-known institutions such as gin palaces, music halls, seaside resorts and football clubs, as well as the more peculiar attractions of the pleasure garden and international exposition, ranging from parachuting monkeys and human zoos to theme park thrill rides. He explores how vibrant mass entertainment came to dominate leisure time and how the attempts of religious groups and secular improvers to curb ‘immorality’ in the pub, variety theater and dance hall faltered in the face of commercial success. The Victorians’ unbounded love of leisure created a nationally significant and influential economic force: the modern entertainment industry.
| Author | : Kate Griffin |
| Publisher | : Faber & Faber |
| Total Pages | : 312 |
| Release | : 2013-06-25 |
| Genre | : Fiction |
| ISBN | : 057130270X |
Limehouse, 1880: Dancing girls are going missing from 'Paradise' - the criminal manor with ruthless efficiency by the ferocious Lady Ginger. Seventeen-year-old music hall seamstress Kitty Peck finds herself reluctantly drawn into a web of blackmail, depravity and murder when The Lady devises a singular scheme to discover the truth. But as Kitty's scandalous and terrifying act becomes the talk of London, she finds herself facing someone even more deadly and horrifying than The Lady. Bold, impetuous and blessed with more brains than she cares to admit, it soon becomes apparent that it's up to the unlikely team of Kitty and her stagehand friend, Lucca, to unravel the truth and ensure that more girls do not meet with a similar fate. But are Kitty's courage and common sense and Lucca's book learning a match for the monster in the shadows? Their investigations take them from the gin-fuelled halls and doss houses of the East End to the champagne-fuelled galleries of the West End. Take nothing at face value: Kitty is about to step out on a path of discovery that changes everything . . .
| Author | : John Mccormick |
| Publisher | : University of Iowa Press |
| Total Pages | : 301 |
| Release | : 2004-04 |
| Genre | : Art |
| ISBN | : 1587295180 |
In this fascinating and colorful book, researcher and performer John McCormick focuses on the marionette world of Victorian Britain between its heyday after 1860 and its waning years from 1895 to 1914. Situating the rich and diverse puppet theatre in the context of entertainment culture, he explores both the aesthetics of these dancing dolls and their sociocultural significance in their life and time. The history of marionette performances is interwoven with live-actor performances and with the entire gamut of annual fairs, portable and permanent theatres, music halls, magic lantern shows, waxworks, panoramas, and sideshows. McCormick has drawn upon advertisements in the Era, an entertainment paper, between the 1860s and World War I, and articles in the World’s Fair, a paper for showpeople, in the first fifty years of the twentieth century, as well as interviews with descendants of the marionette showpeople and close examinations of many of the surviving puppets. McCormick begins his study with an exploration of the Victorian marionette theatre in the context of other theatrical events of the day, with proprietors and puppeteers, and with the venues where they performed. He further examines the marionette’s position as an actor not quite human but imitating humans closely enough to be considered empathetic; the ways that physical attributes were created with wood, paint, and cloth; and the dramas and melodramas that the dolls performed. A discussion of the trick figures and specialized acts that each company possessed, as well as an exploration of the theatre’s staging, lighting, and costuming, follows in later chapters. McCormick concludes with a description of the last days of marionette theatre in the wake of changing audience expectations and the increasing popularity of moving pictures. This highly enjoyable and readable study, often illuminated by intriguing anecdotes such as that of the Armenian photographer who fell in love with and abducted the Holden company’s Cinderella marionette in 1881, will appeal to everyone fascinated by the magic of nineteenth-century theatre, many of whom will discover how much the marionette could contribute to that magic.
| Author | : Sam Beale |
| Publisher | : Springer Nature |
| Total Pages | : 305 |
| Release | : 2020-09-04 |
| Genre | : Performing Arts |
| ISBN | : 3030479412 |
This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880–1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female ‘serio-comic’, the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, Shazia Mirza and Sarah Silverman.
| Author | : J. Dennis Robinson |
| Publisher | : Great Life Press |
| Total Pages | : 256 |
| Release | : 2019-10-28 |
| Genre | : History |
| ISBN | : 9781938394348 |
Portsmouth's historic Music Hall has welcomed the best from Victorian superstars Buffalo Bill, Tom Thumb, and Mark Twain to today's top musicians, comics, authors, and performers. Built in 1878, expanded by Frank Jones in 1901, the theater's spacious stage and phenomenal acoustics have made it one of the finest venues in New England. Within these brick walls generations have seen America evolve from minstrel shows and silent films to jaw-dropping musicals and Hollywood blockbusters, from animal acts to symphony orchestras, and from vaudeville slapstick to provocative Ted talks. Behind the scenes, the Music Hall story is a wild ride from thriving to barely surviving and back. Fully researched, artfully written, and richly illustrated, this volume is a must-read for anyone who cherishes the performing arts.Shuttered and decaying during World War II, New Hampshire's vintage venue went on the auction block in 1945. Recast as the Civic, it served as a movie house for the next four decades. Following two failed revivals in the 1980s, the century-old structure came close to being turned into condominiums. Saved from demolition by a grassroots team of volunteers, the nonprofit Friends of the Music Hall launched an unprecedented $13.5 million capital campaign. Signature programs like the "Telluride by the Sea" film festival and "Writers on a New England Stage" have put New Hampshire's historic theater on the national map. Today the restored Music Hall delivers hundreds of diverse cultural events annually, both in the historic 900-seat hall and in its modern new Loft stage nearby. Digging even deeper, this book traces the development of the performing arts in Portsmouth from the arrival of its first settlers. We glimpse the city's colonial gentry partying at the Assembly House, hear the shrill sounds of early church singers, and wander the "lewd amusements" of a post-Revolutionary seaport. We watch as an acre of forest land is transformed from an almshouse and prison to a church, a temperance hall, a public lyceum and a theater. And we discover how that beloved theater--called "the beating heart of cultural Portsmouth"-has shaped the city that built and preserved it.
| Author | : Tracy Kasaboski |
| Publisher | : Douglas & McIntyre |
| Total Pages | : 463 |
| Release | : 2018-09-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1771622032 |
In the 1840s, a young cowkeeper and his wife arrive in London, England, having walked from coastal Wales with their cattle. They hope to escape poverty, but instead they plunge deeper into it, and the family, ensconced in one of London’s “black holes,” remains mired there for generations. The Cowkeeper’s Wish follows the couple’s descendants in and out of slum housing, bleak workhouses and insane asylums, through tragic deaths, marital strife and war. Nearly a hundred years later, their great-granddaughter finds herself in an altogether different London, in southern Ontario. In The Cowkeeper’s Wish, Kristen den Hartog and Tracy Kasaboski trace their ancestors’ path to Canada, using a single family’s saga to give meaningful context to a fascinating period in history—Victorian and then Edwardian England, the First World War and the Depression. Beginning with little more than enthusiasm, a collection of yellowed photographs and a family tree, the sisters scoured archives and old newspapers, tracked down streets, pubs and factories that no longer exist, and searched out secrets buried in crumbling ledgers, building on the fragments that remained of family tales. While this family story is distinct, it is also typical, and so all the more worth telling. As a working-class chronicle stitched into history, The Cowkeeper’s Wish offers a vibrant, absorbing look at the past that will captivate genealogy enthusiasts and readers of history alike.
| Author | : Paul Maloney |
| Publisher | : Manchester University Press |
| Total Pages | : 258 |
| Release | : 2003-09-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780719061479 |
While London dominated the wider British music hall in the 19th century, Glasgow, the Second City of the Empire, was the center of a vigorous Scottish performing culture, one developed in a Presbyterian society with a very different experience of industrial urbanization. It drew heavily on older fairground and traditional forms in developing its own brand of this new urban entertainment. The book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It also explores issues of national identity, both in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad in America, Canada, Australia and throughout the English-speaking world.
| Author | : Nell Darby |
| Publisher | : Casemate Publishers |
| Total Pages | : 265 |
| Release | : 2017-08-30 |
| Genre | : Performing Arts |
| ISBN | : 1473882451 |
The expansion of the press in Victorian Britain meant more pages to be filled, and more stories to be found. Life on the Victorian Stage: Theatrical Gossip looks at how the everyday lives of Victorian performers and managers were used for such a purpose, with the British newspapers covering the good, the bad and the ugly side of life on the stage during the nineteenth century. Viewed through the prism of Victorian newspapers, and in particular through their gossip columns, this book looks at the perils facing actors from financial disasters or insecurity to stalking, from libel cases to criminal trials and offers an alternative view of the Victorian theatrical profession.This thoroughly researched and entertaining study looks at how the Victorian press covered the theatrical profession and, in particular, how it covered the misfortunes actors faced. It shows how the development of gossip columns and papers specializing in theater coverage enabled fans to gain an insight into their favorite performers lives that broke down the public-private divide of the stage and helped to create a very modern celebrity culture.The book looks at how technological developments enabled the press to expose the behavior of actors overseas, such as when actor Fred Solomon's' bigamy in America was revealed. It looks at the pressures facing actors, which could lead to suicide, and the impact of the 1857 Matrimonial Causes Act on what the newspapers covered, with theatrical divorce cases coming to form a significant part of their coverage in the latter half of the nineteenth century. Other major events, from theater disasters to the murder of actor William Terriss, are explored within the context of press reportage and its impact. The lives of those in the theatrical profession are put into their wider social context to explore how they lived, and how they were perceived by press and public in Victorian Britain.
