The Very Rich Hours Of Count Von Stauffenberg
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| Author | : Paul West |
| Publisher | : Overlook Books |
| Total Pages | : 380 |
| Release | : 1989 |
| Genre | : Attempted assassination |
| ISBN | : |
Called one of the most original talents in American fiction by The New York Times Book Review, Paul West is a continuously surprising and satisfying writer, whose oeuvre stands as one of the most important in American literature in recent decades. With these reissues, Overlook and Tusk continue its program of publishing the brilliantly lyrical fiction of Paul West.In The Universe, and Other Fictions, Paul West embraces galaxies and molecular events, creating singular fiction as combustible and astonishing as Creation itself. In The Very Rich Hours of Count von Stauffenberg, West weaves a brilliant tapestry of fact and imagination about the ill-fated attempt to assassinate Adolf Hitler. In the dark literary thriller, The Women of Whitechapel and Jack the Ripper, West brilliantly recasts the Jack the Ripper story, drawing on up-to-date research and his own dazzling imagination to plumb the lower depths of Victorian England.
| Author | : Michael Baigent |
| Publisher | : Skyhorse Publishing Inc. |
| Total Pages | : 433 |
| Release | : 2008 |
| Genre | : Anti-Nazi movement |
| ISBN | : 1602392692 |
Provides an account of the anti-Nazi movement within Germany, headed by Colonel Claus von Stauffenberg, a General Staff insider, which attempted to prevent the destruction of the country and bring about an end to World War II by killing Adolf Hitler in 1944.
| Author | : |
| Publisher | : |
| Total Pages | : 744 |
| Release | : 1998 |
| Genre | : Vietnam War, 1961-1975 |
| ISBN | : |
| Author | : Jacqueline Rose |
| Publisher | : Verso Books |
| Total Pages | : 346 |
| Release | : 2017-03-28 |
| Genre | : Social Science |
| ISBN | : 1786630761 |
In The Last Resistance, Jacqueline Rose explores the power of writing to create and transform our political lives. In particular, she examines the role of literature in the Zionist imagination: here, literature is presented as a unique form of dissidence, with the power to expose the unconscious of nations, and often proposing radical alternatives totheir dominant pathways and beliefs. While Israel-Palestine is the repeated focus, The Last Resistance also turns to post-apartheid South Africa, to American national fantasy post-9/11, and to key moments for the understanding of Jewish culture and memory. Rose also underscores the importance of psychoanalysis, both historically in relation to the unfolding of world events, and as a tool of political understanding. Examining topics ranging from David Grossman, through W.G. Sebald, Freud, Nadine Gordimer, the concept of evil, and suicide bombers, The Last Resistance offers a unique way of responding to the crises of the times.
| Author | : Mary Gallagher |
| Publisher | : University of Toronto Press |
| Total Pages | : 281 |
| Release | : 2008-08-16 |
| Genre | : Social Science |
| ISBN | : 1442692316 |
Much has been said about the relationship between globalization and culture and the political implications of that relationship. There has been little effort made, however, to investigate the effect of globalization on poetics or on the ethical moment of literature. World Writing is therefore concerned with studying the intersection of contemporary ethics, poetics, and globalization through historical and critical readings of writing from various parts of the world. Following an introductory chapter by Mary Gallagher, which maps this conceptual terrain, the contributors investigate how globalization inflects the necessary relationship between poetics, culture, ethics, and politics. Among the essays are Celia Britton's reading of Édouard Glissant on languages in the globalized world; Mary Gallagher's comparison of Glissant's poetics of cultural diversity with the ethics of Emmanuel Levinas; David Palumbo-Liu's exploration of the ethics of postcolonial fiction in J.M. Coetzee's work; Mary Louise Pratt's critique, based on recent Latin American writing, of the prematurely celebratory nature of globalization; and Julia Kristeva's argument for the value of poetics and the ethics of hospitality. What emerges is an intricate discussion of the elusive relationship between the realms of ethics, poetics, and politics as they intersect in our changing world.
| Author | : Arthur Cools |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 282 |
| Release | : 2016-07-25 |
| Genre | : Foreign Language Study |
| ISBN | : 3110457431 |
Kafka’s work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka’s writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the following issues: ambiguity as a tool of deconstructing the pre-established philosophical meanings of the universal; the concept of the law as a major symbol for the universal meaning of Kafka’s writings; the presence of animals in Kafka’s texts; the modernist mode of writing as challenge of philosophical concepts of the universal; and the meaning and relevance of the universal in contemporary Kafka reception. This volume examines central aspects of the interplay between philosophy and literature.
| Author | : Roy Martinez |
| Publisher | : Penn State Press |
| Total Pages | : 192 |
| Release | : 2010 |
| Genre | : Social Science |
| ISBN | : 0271036397 |
On Race and Racism in America offers a variety of perspectives on American Philosophy's relative blindness to issues of race.
| Author | : Marek Pawlicki |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 200 |
| Release | : 2014-07-03 |
| Genre | : Literary Criticism |
| ISBN | : 1443863475 |
Between Illusionism and Anti-Illusionism: Self-Reflexivity in the Chosen Novels of J. M. Coetzee takes as its premise J. M. Coetzee’s distinction between “illusionism” and “anti-illusionism”: the realist and the self-reflexive traditions in prose fiction. The aim of this critical study is to demonstrate that these two traditions are not opposed, but rather complementary to each other, and enrich the novel as a genre. Based on Marek Pawlicki’s doctoral thesis, the book is a detailed analysis of Coetzee’s oeuvre, paying particular attention to the impact of the writer’s literary essays on his fiction. Insofar as it looks into the ways in which Coetzee’s work as a critic has affected his novels, this book deals with the relation between fiction and literary criticism. Chapter One is an introduction into the topic of self-reflexivity. Chapters Two to Five, devoted to Dusklands, In the Heart of the Country, Age of Iron and Summertime, are concerned with the issue of subjectivity in confessional discourse and the boundary between fiction and autobiography. Chapters Six to Eight, concentrating on Foe, Slow Man, The Master of Petersburg, and Elizabeth Costello, offer insight into Coetzee’s views on literary creation and the role of the writer in society. Between Illusionism and Anti-Illusionism also examines intertextual references in Coetzee’s novels to the works of Tolstoy, Dostoevsky, Kafka and Beckett.
| Author | : Jane Poyner |
| Publisher | : Routledge |
| Total Pages | : 215 |
| Release | : 2016-05-06 |
| Genre | : Literary Criticism |
| ISBN | : 1317111648 |
In her analysis of the South African novelist J. M. Coetzee's literary and intellectual career, Jane Poyner illuminates the author's abiding preoccupation with what Poyner calls the "paradox of postcolonial authorship". Writers of conscience or conscience-stricken writers of the kind Coetzee portrays, whilst striving symbolically to bring the stories of the marginal and the oppressed to light, always risk reimposing the very authority they seek to challenge. From Dusklands to Diary of a Bad Year, Poyner traces how Coetzee rehearses and revises his understanding of the ethics of intellectualism in parallel with the emergence of the "new South Africa". She contends that Coetzee's modernist aesthetics facilitate a more exacting critique of the problems that encumber postcolonial authorship, including the authority it necessarily engenders. Poyner is attentive to the ways Coetzee's writing addresses the writer's proper role with respect to the changing ethical demands of contemporary political life. Theoretically sophisticated and accessible, her book is a major contribution to our understanding of the Nobel Laureate and to postcolonial studies.
| Author | : Emanuela Tegla |
| Publisher | : BRILL |
| Total Pages | : 291 |
| Release | : 2016-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 900430844X |
“For I was not, as I liked to believe, the indulgent pleasure-loving opposite of the cold rigid Colonel. I was the lie that Empire tells itself when times are easy, he the truth that Empire tells when harsh winds blow.” Thus the Magistrate confesses in Coetzee’s 1980 novel Waiting for the Barbarians. The present study looks closely into the unsettling effects Coetzee’s novels have on the reader and explores the interconnectedness between stylistic choices and moral insights. Its overall aim is to disclose the effectiveness of Coetzee’s narrative strategies to prompt the reader to engage in self-questioning and radical revisions of personal and social moral assumptions. “This is an original and ground-breaking study of Coetzee’s work. Dr Tegla’s insightful close-readings highlight the ways in which Coetzee fictionalizes a variety of moral dilemmas. In particular, she shows how he turns narrative into an instrument for moral discernment. Her narratological approach advances our understanding of his achievements, and I can state without reservation that this book will be referred to as a landmark in Coetzee criticism.” — Richard Bradford, Research Professor and Senior Distinguished Research Fellow, University of Ulster
