The Versified Office
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Author | : Margot E. Fassler |
Publisher | : Oxford University Press |
Total Pages | : 668 |
Release | : 2000-08-17 |
Genre | : Music |
ISBN | : 9780195352382 |
The Divine Office--the cycle of daily worship other than the Mass--is the richest source of liturgical texts and music from the Latin Middle Ages. However, its richness, the great diversity of its manuscripts, and its many variations from community to community have made it difficult to study, and it remains largely unexplored terrain. This volume is a practical guide to the Divine Office for students and scholars throughout the field of medieval studies. The book surveys the many questions related to the Office and presents the leading analytical tools and research methods now used in the field. Beginning with the Office in the early Middle Ages, the book covers manuscript sources and their contents; regional developments and variations; the relationship between the Office, the Mass, and other ceremonies and repertories; and the deep links between the Office and medieval hagiography. The book concludes with a discussion of recent technical advances for handling the enormous amounts of evidence on the Office and its performance, in particular CANTUS, the vast electronic database developed by Ruth Steiner of Catholic University for the analysis of chant repertories. The Divine Office in the Latin Middle Ages is an essential resource for anyone studying medieval liturgy. Its accessible style and broad coverage make it an important basic reference for a wide range of students and scholars in art history, religious studies, social history, literature, musicology, and theology.
Author | : Michael Alan Anderson |
Publisher | : Cambridge University Press |
Total Pages | : 365 |
Release | : 2014-05-12 |
Genre | : Music |
ISBN | : 1107056241 |
Michael Alan Anderson explores the political implications of music devoted to St Anne in the fifteenth and early sixteenth centuries.
Author | : Giulio Cattin |
Publisher | : Cambridge University Press |
Total Pages | : 260 |
Release | : 1984-12-06 |
Genre | : History |
ISBN | : 9780521284899 |
A unique history of the vast repertory of monophonic music of the Middle Ages.
Author | : Jonathan Wilson |
Publisher | : Routledge |
Total Pages | : 193 |
Release | : 2021-05-26 |
Genre | : History |
ISBN | : 1000384675 |
Achieved at the height of the Crusades, the Christian conquests of Santarém in 1147 by King Afonso I, and of Alcácer do Sal in 1217 by Portuguese forces and northern European warriors on their way by sea to Palestine, were crucial events in the creation of the independent kingdom of Portugal. The two texts presented here survive in their unique, thirteenth-century manuscript copies appended to a codex belonging to one of Europe’s most important monastic library collections accumulated in the Cistercian abbey of Alcobaça, founded c. 1153 by Bernard of Clairvaux. Accompanied by comprehensive introductions and here translated into English for the first time, these extraordinary texts are based on eyewitness testimony of the conquests. They contain much detail for the military historian, including data on operational tactics and the ideology of Christian holy war in the twelfth and early thirteenth centuries. Literary historians too will be delighted by the astonishing styles deployed, demonstrating considerable authorial flamboyance, flair and innovation. While they are likely written by Goswin of Bossut, the search for authorship yields an impressive array of literary friends and associates, including James of Vitry, Thomas of Cantimpré, Oliver of Paderborn and Caesarius of Heisterbach.
Author | : Catherine Saucier |
Publisher | : Boydell & Brewer |
Total Pages | : 318 |
Release | : 2014 |
Genre | : Music |
ISBN | : 1580464807 |
Embraces an all-encompassing interdisciplinary methodology to uncover the symbiosis of saintly and civic ideals in music, rituals, and hagiographic writing celebrating the origins and identity of a major clerical center. Medieval Liège was the seat of a vast diocese in northwestern Europe and a city of an exceptional number of churches, clergymen, and church musicians. Recognized as a priestly paradise, the city accommodated as many Masses each day as Rome. In this volume, musicologist Catherine Saucier examines the music of religious worship in Liège and reveals within the liturgy and ritual a civic function by which local clerics promoted the holy status of their city. Analyzing hagiographic and historical writings, religious art, and sung ceremonies relevant to the city's genesis, destruction, and eventual rebirth, Saucier uncovers richly varied ways in which liégeois clergymen fused music with text, image, and ritual to celebrate the city's sacred episcopal origins and saintly persona. A Paradise of Priests forges new interdisciplinary connections between musicology, the liturgical arts, the cult of saints, church history, and urban studies, and is an essential resource for scholars and students interested in the history of the Low Countries, hagiography and its reception, and ecclesiastical institutions. CatherineSaucier is assistant professor of music history at Arizona State University.
Author | : Kristin B. Aavitsland |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 805 |
Release | : 2021-04-19 |
Genre | : Religion |
ISBN | : 3110636271 |
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Author | : Ruth Macrides |
Publisher | : Routledge |
Total Pages | : 496 |
Release | : 2016-09-17 |
Genre | : History |
ISBN | : 1317073959 |
The work known as Pseudo-Kodinos, the fourteenth-century text which is one of two surviving ceremonial books from the Byzantine empire, is presented here for the first time in English translation. With facing page Greek text and the first in-depth analysis in the form of commentary and individual studies on the hierarchy, the ceremonies, court attire, the Blachernai palace, lighting, music, gestures and postures, this volume makes an important new contribution to the study of the Byzantine court, and to the history and culture of Byzantium more broadly. The unique traits of this ceremony book include the combination of hierarchical lists of court officials with protocols of ceremonies; a detailed description of the clothing used at court, in particular, hats and staffs; an account of the functions of the court title holders, a description of the ceremonies of the year which take place both inside the palace and outside; the service of the megas domestikos in the army, protocols for the coronation of the emperor, the promotions of despot, sebastokrator and caesar, of the patriarch; a description of the mourning attire of the emperor; protocol for the reception of a foreign bride in Constantinople all these are analysed here. Developments in ceremonial since the tenth-century Book of Ceremonies are discussed, as is the space in which ceremonial was performed, along with a new interpretation of the ’other palace’, the Blachernai. The text reveals the anonymous authors’ interest in the past, in the origins of practices and items of clothing, but it is argued that Pseudo-Kodinos presents descriptions of actual practice at the Byzantine court, rather than prescriptions.
Author | : Benjamin Brand |
Publisher | : Cambridge University Press |
Total Pages | : 379 |
Release | : 2016-10-27 |
Genre | : Music |
ISBN | : 131679895X |
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
Author | : Frederic James Edward Raby |
Publisher | : |
Total Pages | : 518 |
Release | : 1927 |
Genre | : Latin poetry, Medieval and modern |
ISBN | : |
Author | : Beate Kutschke |
Publisher | : Boydell & Brewer |
Total Pages | : 303 |
Release | : 2022 |
Genre | : Music |
ISBN | : 1783276894 |
Reconstructs the socio-political history of the heroic in music through case studies spanning the middle ages to the twenty-first century The first part of this volume reconstructs the various musical strategies that composers of medieval chant, Renaissance madrigals, and Baroque operas, cantatas or oratorios employed when referring to heroic ideas exemplifying their personal moral and political values. A second part investigating the eighteenth and nineteenth centuries expands the previous narrow focus on Beethoven's heroic middle period and the cult of the virtuoso. It demonstrates the wide spectrum of heroic positions - national, ethnic, revolutionary, bourgeois and spiritual - that filtered not only into 'classical' large-scale heroic symphonies and virtuoso solo concerts, but also into chamber music and vernacular dance music. The third part documents the forced heroization of music in twentieth-century totalitarian regimes such as Nazi-Germany and the Soviet Union and its consequences for heroic thinking and musical styles in the time thereafter. Final chapters show how recent rock-folk and avant-garde musicians in North America and Europe feature new heroic models such as the everyday hero and the scientific heroine revealing new confidence in the idea of the heroic.