Smoking Typewriters

Smoking Typewriters
Author: John McMillian
Publisher: Oxford University Press
Total Pages: 304
Release: 2014-08-13
Genre: History
ISBN: 0199376468

What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.

The Campaign Against the Underground Press

The Campaign Against the Underground Press
Author: Geoffrey Rips
Publisher:
Total Pages: 184
Release: 1981
Genre: Political Science
ISBN:

Reports on illegal surveillance and harassment of the independent press movement of the 1960s and 1970s, and details the efforts of the FBI, CIA, NSA, and other agencies to silence dissident voices of the antiwar, youth, women's, and minority rights movements. Contains reproductions of pages from underground press publications and previously classified government documents.

Off the Books

Off the Books
Author: Sudhir Alladi Venkatesh
Publisher: Harvard University Press
Total Pages: 460
Release: 2009-06-30
Genre: Social Science
ISBN: 9780674044647

In this revelatory book, Sudhir Venkatesh takes us into Maquis Park, a poor black neighborhood on Chicago's Southside, to explore the desperate and remarkable ways in which a community survives. The result is a dramatic narrative of individuals at work, and a rich portrait of a community. But while excavating the efforts of men and women to generate a basic livelihood for themselves and their families, Off the Books offers a devastating critique of the entrenched poverty that we so often ignore in America, and reveals how the underground economy is an inevitable response to the ghetto's appalling isolation from the rest of the country.

One Nation Underground

One Nation Underground
Author: Kenneth D. Rose
Publisher: NYU Press
Total Pages: 324
Release: 2004-05
Genre: History
ISBN: 0814775233

Why some Americans built fallout shelters—an exploration America's Cold War experience For the half-century duration of the Cold War, the fallout shelter was a curiously American preoccupation. Triggered in 1961 by a hawkish speech by John F. Kennedy, the fallout shelter controversy—"to dig or not to dig," as Business Week put it at the time—forced many Americans to grapple with deeply disturbing dilemmas that went to the very heart of their self-image about what it meant to be an American, an upstanding citizen, and a moral human being. Given the much-touted nuclear threat throughout the 1960s and the fact that 4 out of 5 Americans expressed a preference for nuclear war over living under communism, what's perhaps most striking is how few American actually built backyard shelters. Tracing the ways in which the fallout shelter became an icon of popular culture, Kenneth D. Rose also investigates the troubling issues the shelters raised: Would a post-war world even be worth living in? Would shelter construction send the Soviets a message of national resolve, or rather encourage political and military leaders to think in terms of a "winnable" war? Investigating the role of schools, television, government bureaucracies, civil defense, and literature, and rich in fascinating detail—including a detailed tour of the vast fallout shelter in Greenbriar, Virginia, built to harbor the entire United States Congress in the event of nuclear armageddon—One Nation, Underground goes to the very heart of America's Cold War experience.

Underground U.S.A.

Underground U.S.A.
Author: Xavier Mendik
Publisher: Columbia University Press
Total Pages: 257
Release: 2003-03-26
Genre: Performing Arts
ISBN: 0231850026

Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.