The Trials of Lenny Bruce

The Trials of Lenny Bruce
Author: Ronald K. L. Collins
Publisher: Top Five Books LLC
Total Pages: 706
Release: 2012-10
Genre: Biography & Autobiography
ISBN: 1938938003

"I thought I knew his story pretty well, but I learned a great deal from this book. It is a major contribution…" —George Carlin "The book is indispensable." —Booklist "Detailed, objective, and valuable." —Kirkus Reviews 10th Anniversary Edition—With a New Preface by the Authors When it first came out in 2002, The Trials of Lenny Bruce quickly established itself as the definitive work on Lenny Bruce’s free speech battles over his provocative comedy. The Trials of Lenny Bruce takes the reader on a wild and tragicomic ride, as the renegade comedian is arrested and tried in city after city—San Francisco, L.A., Chicago, and New York—for the words he spoke onstage. The charge was obscenity. The actual offense was blasphemy. This book is an essential documentation of the free speech struggles of an icon of American comedy who, by speaking his mind and fighting for the right to speak his mind, paved the way for every standup comedian, satirist, and social critic who followed him. Not only did The Trials of Lenny Bruce set the record straight on Lenny—being named one of the best books of the year by the L.A. Times—the authors led the successful push for the late comedian’s posthumous pardon in 2003 for his 1964 conviction on obscenity charges in New York.

Mania

Mania
Author: Ronald K. L. Collins
Publisher: Top Five Books LLC
Total Pages: 484
Release: 2013-03
Genre: Biography & Autobiography
ISBN: 1938938038

By the time Lucien Carr stabbed David Kammerer to death on the banks of the Hudson River in August 1944, it was clear that the hard-partying teenage companion to Jack Kerouac, Allen Ginsberg, Neal Cassady, and William S. Burroughs might need to reevaluate his life. A two-year stint in a reformatory straightened out the wayward youth but did little to curb the wild ways of his friends. MANIA tells the story of this remarkable group—who strained against the conformity of postwar America, who experimented with drink, drugs, sex, jazz, and literature, and who yearned to be heard, to remake art and society in their own libertine image. What is more remarkable than the manic lives they led is that they succeeded—remaking their own generation and inspiring the ones that followed. From the breakthrough success of Kerouac's On the Road to the controversy of Ginsberg's Howl and Burroughs' Naked Lunch, the counterculture was about to go mainstream for the first time, and America would never be the same again. Based on more than eight years’ writing and research, Ronald Collins and David Skover—authors of the highly acclaimed The Trials of Lenny Bruce—bring the stories of these artists, hipsters, hustlers, and maniacs to life in a dramatic, fast-paced, and often darkly comic narrative.

The Death Of Discourse

The Death Of Discourse
Author: Ronald K L Collins
Publisher: Routledge
Total Pages: 327
Release: 2019-09-12
Genre: Social Science
ISBN: 1000315770

In this innovative book, the authors persuasively argue that the First Amendment to the Constitution has risen in the late twentieth century, like an ill guided individual with knife in hand, to murder a longstanding tradition of fine and meaningful discourse in the United States. We are bombarded with the cacophony of advertisement, the luridity of pornography, and the pointlessness of prime timepoor substitutes for intelligent consideration of ideas. }In this innovative book, the authors persuasively argue that the First Amendment to the Constitution has risen in the late twentieth century, like an ill-guided individual with knife in hand, to murder a long-standing tradition of fine and meaningful discourse in the United States. What has died is the essential kind of political discourse which promotes democracy; informs citizens; enlivens debate; and carries reason, method, and purpose. Instead, we are bombarded with the cacophony of advertisement, the luridity of pornography, and the pointlessness of prime time.With satirical spirit and wityet to a very serious purpose the narrative of this lively study calls upon many of the very tricks it criticizes. The text is augmented by amusing tales, poetry, tv zaps, eyebites, and boxes of aphorisms resonating between high and low culture, between Plato and Geraldo and Madonna and Mahler to make its points, the discussion reveals how discourse in contemporary America has lost its integrity and its soul.

On Dissent

On Dissent
Author: Ronald K. L. Collins
Publisher: Cambridge University Press
Total Pages: 201
Release: 2013-06-17
Genre: Law
ISBN: 0521767199

America values dissent. It tolerates, encourages, and protects it. But what is this thing we value? That is a question never asked. "Dissent" is treated as a known fact. For all that has been said about dissent - in books, articles, judicial opinions, and popular culture - it is remarkable that no one has devoted much, if any, ink to explaining what dissent is. No one has attempted to sketch its philosophical, linguistic, legal, or cultural meanings or usages. There is a need to develop some clarity about this phenomenon we call dissent, for not every difference of opinion, symbolic gesture, public activity in opposition to government policy, incitement to direct action, revolutionary effort, or political assassination need be tagged dissent. In essence, we have no conceptual yardstick. It is just that measure of meaning that On Dissent offers.

When Money Speaks

When Money Speaks
Author: Ronald Collins
Publisher: Top Five Books LLC
Total Pages: 319
Release: 2014-04-03
Genre: Law
ISBN: 1938938143

“A brilliant discussion of campaign finance in America…a must for all who care about the American political system.” —Erwin Chemerinsky “Thorough, dispassionate, and immensely readable.” —Floyd Abrams On April 2, 2014, the U.S. Supreme Court struck down aggregate limits on how much money individuals could contribute to political candidates, parties, and committees. The McCutcheon v. FEC decision fundamentally changes how people (and corporations, thanks to Citizens United) can fund campaigns, opening the floodgates for millions of dollars in new spending, which had been curtailed by campaign finance laws going back to the early 1970s. When Money Speaks is the definitive—and the first—book to explain and dissect the Supreme Court’s controversial ruling in McCutcheon, including analysis of the tumultuous history of campaign finance law in the U.S. and the new legal and political repercussions likely to be felt from the Court’s decision. McCutcheon has been billed as “the sequel to Citizens United,” the decision giving corporations the same rights as individuals to contribute to political campaigns. Lauded by the Right as a victory for free speech, and condemned by the Left as handing the keys of our government to the rich and powerful, the Court’s ruling has inflamed a debate that is not going to go away anytime soon, with demands for new laws and even a constitutional amendment on the Left—while many on the Right (including Justice Clarence Thomas in his concurring opinion) call for an end to all contribution limits. Two of the nation’s top First Amendment scholars—Ronald Collins and David Skover—have produced a highly engaging, incisive account of the case, including exclusive interviews with petitioner Shaun McCutcheon and other key players, as well as an eye-opening history of campaign finance law in the U.S.

Girls Lean Back Everywhere

Girls Lean Back Everywhere
Author: Edward De Grazia
Publisher: New York : Random House
Total Pages: 832
Release: 1992
Genre: Law
ISBN:

Chronicles the battles fought and won during the twentieth century in behalf of free expression.

Lenny

Lenny
Author: Julian Barry
Publisher:
Total Pages: 84
Release: 1971
Genre: Theater programs
ISBN:

The Comedians

The Comedians
Author: Kliph Nesteroff
Publisher: Open Road + Grove/Atlantic
Total Pages: 460
Release: 2015-11-03
Genre: Performing Arts
ISBN: 0802190863

“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal

Stand-up Comedy in Theory, or, Abjection in America

Stand-up Comedy in Theory, or, Abjection in America
Author: John Limon
Publisher: Duke University Press
Total Pages: 161
Release: 2000-06-23
Genre: Performing Arts
ISBN: 0822380501

Stand-Up Comedy in Theory, or, Abjection in America is the first study of stand-up comedy as a form of art. John Limon appreciates and analyzes the specific practice of stand-up itself, moving beyond theories of the joke, of the comic, and of comedy in general to read stand-up through the lens of literary and cultural theory. Limon argues that stand-up is an artform best defined by its fascination with the abject, Julia Kristeva’s term for those aspects of oneself that are obnoxious to one’s sense of identity but that are nevertheless—like blood, feces, or urine—impossible to jettison once and for all. All of a comedian’s life, Limon asserts, is abject in this sense. Limon begins with stand-up comics in the 1950s and 1960s—Lenny Bruce, Carl Reiner, Mel Brooks, Mike Nichols, Elaine May—when the norm of the profession was the Jewish, male, heterosexual comedian. He then moves toward the present with analyses of David Letterman, Richard Pryor, Ellen DeGeneres, and Paula Poundstone. Limon incorporates feminist, race, and queer theories to argue that the “comedification” of America—stand-up comedy’s escape from its narrow origins—involves the repossession by black, female, queer, and Protestant comedians of what was black, female, queer, yet suburbanizing in Jewish, male, heterosexual comedy. Limon’s formal definition of stand-up as abject art thus hinges on his claim that the great American comedians of the 1950s and 1960s located their comedy at the place (which would have been conceived in 1960 as a location between New York City or Chicago and their suburbs) where body is thrown off for the mind and materiality is thrown off for abstraction—at the place, that is, where American abjection has always found its home.

Comedy at the Edge

Comedy at the Edge
Author: Richard Zoglin
Publisher: Bloomsbury Publishing USA
Total Pages: 257
Release: 2009-02-10
Genre: Performing Arts
ISBN: 1582346259

Surveys the stand-up comedy of the 1970s, citing the contributions of celebrity comics, from George Carlin and Richard Pryor to Robin Williams and Andy Kaufman, in an account that also evaluates the roles played by such clubs as Catch a Rising Star, the Improv, and the Comedy Store.