Arden of Faversham

Arden of Faversham
Author: Catherine Richardson
Publisher: Bloomsbury Publishing
Total Pages: 361
Release: 2022-01-27
Genre: Drama
ISBN: 1474289312

Based on the true story of the murder of Thomas Arden by his wife, her lover and accomplices in 1551, Arden of Faversham is one of the earliest domestic tragedies and a play which has continued to thrill audiences since its first staging. This comprehensive edition situates the play in its social, cultural and political context while exploring its performance and critical history through a range of historical and contemporary productions, including William Poel's Lilies That Fester (1897) and the Royal Shakespeare Company's 2014 production. Throughout, the edition aims to reanimate the play's engagement with the material culture of domestic life, using little-known evidence for the objects and spaces implicated in the murder. The introduction also accounts for recent new thinking about the play's likely authorship, including claims that Shakespeare was a key co-author. The comprehensive, illustrated introduction combined with detailed on-page commentary notes and glosses make this an ideal edition for students and teachers.

Arden of Feversham

Arden of Feversham
Author: Various
Publisher: DigiCat
Total Pages: 120
Release: 2022-09-15
Genre: Drama
ISBN:

Arden of Feversham is an Elizabethan play that depicts the real-life killing of Thomas Arden by his wife Alice Arden and her paramour, and their subsequent discovery and punishment. Excerpt: "Sweet love, thou knowest that we two, Ovid-like, Have often chid the morning when it 'gan to peep, And often wished that dark night's purblind steeds Would pull her by the purple mantle back, And cast her in the ocean to her love. But this night, sweet Alice, thou hast killed my heart: I heard thee call on Mosbie in thy sleep."

Three Elizabethan Domestic Tragedies

Three Elizabethan Domestic Tragedies
Author: Keith Sturgess
Publisher: Penguin UK
Total Pages: 312
Release: 2012-02-23
Genre: Drama
ISBN: 0241961467

Elizabethan domestic tragedies depicted the workings of Fortune in the lives of ordinary people, telling stories of sin, discovery, punishment and divine mercy, with their settings and characterization often enhanced by a highly entertaining blend of realism and sensationalism. Only some half-dozen survive to offset the dramas of kings and nobles in the tragedies of Shakespeare and his peers. They combined journalism and entertainment with a didactic concern, and their plots were often derived from contemporary events. Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece.

A Study Guide for Anonymous's "Arden of Faversham"

A Study Guide for Anonymous's
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
Total Pages: 39
Release: 2016
Genre: Literary Criticism
ISBN: 1410340287

A Study Guide for Anonymous's "Arden of Faversham," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

Arden of Faversham: A Critical Reader

Arden of Faversham: A Critical Reader
Author: Peter Kirwan
Publisher: Bloomsbury Publishing
Total Pages: 265
Release: 2023-06-29
Genre: Literary Criticism
ISBN: 1350270199

One of the earliest domestic tragedies, Arden of Faversham is a powerful Elizabethan drama based on the real-life murder of Thomas Arden. This Critical Reader presents the first collection of essays specifically focused upon Arden of Faversham. It highlights the way in which this important play from the early 1590s stands at several different critical intersections. Focused research chapters propose new directions for exploring the play in the light of ecocriticism, genre studies, critical race studies and narratives of dispossession. It also looks forward to Arden of Faversham's role and status in a less author-centred critical climate. Chapters explore how this anonymous and canonically marginal play has been approached in the past by scholars and theatre-makers and the frameworks that have offered productive insight into its unique features. The volume includes chapters covering a wide range of critical discourses and resources available for its study, as well as offering practical approaches to the play in the classroom.