The Timeline History Of Islamic Art And Architecture
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Author | : Nasser D. Khalili |
Publisher | : Worth Publishers |
Total Pages | : 186 |
Release | : 2005-01-01 |
Genre | : Architecture, Islamic |
ISBN | : 9781903025178 |
The history of Islam stretches from the seventh century to the present and encompasses an area from Spain to Indonesia, North Africa to the Steppes. The material culture of the Muslim peoples is accordingly richly varied, taking in architectural projects on a vast scale and minutely detailed miniature paintings, exquisitely patterned silk textiles and bold calligraphy. The spectacular format of the Timeline allows the reader to view the magnificent sweep of the art of Islam in a unique way. You can see at a glance exactly what was happening in the different arts and countries of Islam within the same period. The Timeline is lavishly illustrated throughout with colour photographs, many of which are taken from the world renowned Khalili Collection. In addition to the Timeline there is a section devoted to the historical dynasties of the Islamic world and a list of Islamic Rulers along with a four-page gatefold map which encapsulates the global aspects of Islamic history and culture. There then follows an essay on the history of Islamic art and architecture, including biographies of leading Muslim craftsmen, painters and architects and specific chapters devoted to individual arts including: architecture, calligraphy, Qurans, pottery, glass, jewellery, arms & armour, carpets & textiles, carvings and seals & coins.
Author | : Nasser D. Khalili |
Publisher | : Worth Publishers |
Total Pages | : 192 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : |
Art styles not defined by date.
Author | : Jonathan M. Bloom |
Publisher | : Routledge |
Total Pages | : 634 |
Release | : 2017-05-15 |
Genre | : Art |
ISBN | : 1351942581 |
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author | : Nasser D. Khalili |
Publisher | : |
Total Pages | : 186 |
Release | : 2005 |
Genre | : Islamic Empire |
ISBN | : 9789774161940 |
The artistic achievements of the Islamic world chronicled over fourteen centuries.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 1972 |
Genre | : Art |
ISBN | : 0870991116 |
Author | : Maryam D. Ekhtiar |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 159 |
Release | : 2018-09-03 |
Genre | : Art |
ISBN | : 1588396304 |
"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Author | : Margaret S. Graves |
Publisher | : Indiana University Press |
Total Pages | : 282 |
Release | : 2022-04-19 |
Genre | : Architecture |
ISBN | : 0253060354 |
The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.
Author | : Diana Darke |
Publisher | : Hurst & Company |
Total Pages | : 484 |
Release | : 2020 |
Genre | : Architecture |
ISBN | : 1787383059 |
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Author | : Peter Osier |
Publisher | : The Rosen Publishing Group, Inc |
Total Pages | : 130 |
Release | : 2017-07-15 |
Genre | : Juvenile Nonfiction |
ISBN | : 1680486136 |
The Islamic world has a rich artistic tradition, with particular strengths in calligraphy, illuminated manuscripts, architecture, and the decorative arts. This reference traces the development of Islamic art and architecture from the Umayyad dynasty to the present day. Readers will learn about the art of the Fatimids, Seljuqs, Mamluks, Mongols, Ottomans, Safavids, Mughals, and more. Eye-catching photos of gorgeous mosques, delicate manuscript paintings, and colorful ceramics give readers glimpses of the works being discussed. A great resource both for those interested in art history and those hoping to learn more about the long, rich history of Islamic culture.
Author | : Francis Robinson |
Publisher | : Cambridge University Press |
Total Pages | : 356 |
Release | : 1996 |
Genre | : History |
ISBN | : 9780521669931 |
Islamic peoples account for one fifth of the world's population and yet there is widespread misunderstanding in the West of what Islam really is. Francis Robinson and his team set out to address this, revealing the complex and sometimes contrary nature of Muslim culture. As well as taking on the issues uppermost in everyone's minds, such as the role of religious and political fundamentalism, they demonstrate the importance of commerce; literacy and learning; Islamic art; the effects of immigration, exodus, and conquest; and the roots of current crises in the Middle East, Bosnia, and the Gulf. Throughout, emphasis is placed on the interaction between Islam and the West, from the first Latin translations of the Quran to the fatwa on Salman Rushdie. This elegant book deliberately sets out to dismantle the Western impression of Islam as a monolithic world and replace it with a balanced view, from current issues of fundamentalism to its dynamic culture and art. Francis Robinson is the editor of two outstanding reference works: Atlas of the Islamic World Since 1500 (Cambridge, 1982) and The Cambridge Encyclopedia of India (1989).