The Theatre, 1901, Vol. 1

The Theatre, 1901, Vol. 1
Author: Arthur Hornblow
Publisher: Forgotten Books
Total Pages: 228
Release: 2018-02-04
Genre: Drama
ISBN: 9780484852111

Excerpt from The Theatre, 1901, Vol. 1: Illustrated Monthly Magazine Devoted to the Drama and Music The policy of the theatre will be to approve and encourage everything that tends to elevate the tone of the stage and add to the dignity of the profession of the artiste. It Will praise good work, by Whomsoever done - playwright, actor, manager, scene-painter - and censure fearlessly Where Art has been trampled upon and debased. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Edwardian Theatre

The Edwardian Theatre
Author: Michael R. Booth
Publisher: Cambridge University Press
Total Pages: 268
Release: 1996-03-28
Genre: Drama
ISBN: 9780521453752

This book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provinence broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema.

When Movies Were Theater

When Movies Were Theater
Author: William Paul
Publisher: Columbia University Press
Total Pages: 408
Release: 2016-05-24
Genre: Performing Arts
ISBN: 0231541376

There was a time when seeing a movie meant more than seeing a film. The theater itself shaped the very perception of events on screen. This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were shown, ranging from Edison's 1896 projections to the 1968 Cinerama premiere of Stanley Kubrick's 2001. William Paul matches distinct architectural forms to movie styles, showing how cinema's roots in theater influenced business practices, exhibition strategies, and film technologies.

The New Cambridge Bibliography of English Literature: Volume 4, 1900-1950

The New Cambridge Bibliography of English Literature: Volume 4, 1900-1950
Author: George Watson
Publisher: CUP Archive
Total Pages: 746
Release: 1972-12-07
Genre: Language Arts & Disciplines
ISBN:

More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

Munich and Theatrical Modernism

Munich and Theatrical Modernism
Author: Peter Jelavich
Publisher: Harvard University Press
Total Pages: 436
Release: 1985
Genre: History
ISBN: 9780674588356

This is the first cultural exploration of playwriting, directing, acting, and theater architecture in fin-de-siegrave;cle Munich. Peter Jelavich examines the commercial, political, and cultural tensions that fostered modernism's artistic revolt against the classical and realistic modes of nineteenth-century drama.