The Testament of Cresseid (excerpt)
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2004 |
Genre | : English poetry |
ISBN | : |
Website containing excerpt from the poem, the testament of cresseid / by Robert Henryson.
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Author | : |
Publisher | : |
Total Pages | : |
Release | : 2004 |
Genre | : English poetry |
ISBN | : |
Website containing excerpt from the poem, the testament of cresseid / by Robert Henryson.
Author | : John Anthony Burrow |
Publisher | : London ; New York : Longman |
Total Pages | : 436 |
Release | : 1977 |
Genre | : Poetry |
ISBN | : |
"This book, first published in the Longman Annotated Anthologies of English Verse series under the general editorship of Professor Alastair Fowler, provides a representative cross-section of non-dramatic English and Scottish poetry between 1300 and 1500 in freshly-edited texts with full annotation. John Burrow has chosen complete poems wherever possible, and substantial single extracts from works too long to give in full. The total of 7000 lines includes the work of Langland, Chaucer, Gower, Henryson and Dunbar, and extracts from Pearl, Patience and Sir Gawain, as well as less familiar items. The annotation is exceptionally full and helpful. There is an extensive General Introduction, separate introductions to individual poets, and headnotes to the individual poems. These guide the reader to a full understanding of each piece- its genre, theme, style, structure and metre- and its place in the literary history of the period. The footnotes explain in detail difficulties of interpretation and meaning, and cover the more important textual problems; and Professor Burrow also offers new readings and interpretations in a number of places. No anthology provides annotations of such amplitude and authority at this level. But the collection is not just an invaluable teaching aid; the general reader with a serious interest in poetry will find Professor Burrow's commentary makes the work of this long and complex period both accessible and enjoyable" -Publisher.
Author | : Peter Brown |
Publisher | : John Wiley & Sons |
Total Pages | : 688 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 1405171960 |
A Companion to Medieval English Literature and Culture,c.1350-c.1500 challenges readers to think beyond a narrowlydefined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays onmedieval literature and culture. Encourages students to think beyond a narrowly defined canonand conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary betweenmedieval and early modern literature. Stresses the importance of constructing contexts for readingliterature. Explores the extent to which medieval literature is in dialoguewith other cultural products, including the literature of othercountries, manuscripts and religion. Includes close readings of frequently-studied texts, includingtexts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students ofmedieval literature, such as those connected with literary theory,love, and chivalry and war.
Author | : John Leeds Barroll |
Publisher | : |
Total Pages | : 380 |
Release | : 1968 |
Genre | : Electronic journals |
ISBN | : |
Author | : Barry Windeatt |
Publisher | : Oxford University Press |
Total Pages | : 477 |
Release | : 2023-10-31 |
Genre | : |
ISBN | : 0198878818 |
This is a comprehensive critical guide to Chaucer's Troilus and Criseyde. This new edition has been comprehensively revised in light of the latest scholarly and critical research and with a fully updated bibliography. It includes a full account of Chaucer's imaginative deployment of his sources, and an extended survey of this narrative poem's innovative combination of a range of generic identities. The chapters explain how Chaucer builds thematic significance into his poem's symmetrical structure, and the poem's distinctive variety in style and language, as well as a full commentary on the poem's concerns with love in the contexts of time and mutability and human free will. The Guide explores the poem as an extended debate about the nature and value of love, and how love was conceptualized and experienced as a form of service in quest of compassionate reward, a quasi-religious devotion, and a potentially fatal illness always in hope of cure. The subjectivities of the chief protagonists are fully analysed, as is the poem's problematic ending. Alongside discussions of theme and structure, there is also an account of what the extant manuscripts of Troilus and Criseyde may reveal about the poem's early genesis, and a unique survey of responses to Troilus from its own times to the present day. Barry Windeatt's contribution to the series is a comprehensive single-volume guide to Troilus and Criseyde, bringing together a wide range of material and providing a readable commentary on all aspects of the work. Combining the informative substance of a reference book with the coherence of a critical reading, the Guide has taken its place as the standard introduction to Troilus and Criseyde since its first publication in 1992.
Author | : Marshall Winslow Stearns |
Publisher | : New York : AMS Press, 1966 [c1949] |
Total Pages | : 176 |
Release | : 1966 |
Genre | : Civilization, Medieval, in literature |
ISBN | : |
Author | : Burton Raffel |
Publisher | : |
Total Pages | : 218 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : |
Burton Baffel demonstrates an absolutely unique, absolutely foolproof, completely accurate and thoroughly comprehensive method of understanding prosody in English. Instead of deriving an irrelevant terminology from Greek or Latin, instead of manufacturing a theory, instead of presenting mere verbiage, he offers hundreds of examples from the years 800 to 1990, of how poets actually use prosody, and the patterns of stress, in their work. What poets in fact do is what the prosody of poetry written in English in fact is: understanding what the poems tell us is not only the crucial but in a sense the only task. So English prosody may best tell its own story, by its own practice. Mr. Raffel has entirely refrained from offering elaborate conclusions, or imposing any theoretical frame work. It is his implicit thesis that "theories of prosody" are an unnecessary evil, and an unnecessary befuddlement that, as often as not, make poetry seem unappealing and boring to those who want to understand it. Mr. Baffel helps guide his reader by calling attention to the actual practice of real poets (both famous and not-so-famous), and he does so in his usual acute and often rather pointed way. Selections of what poets themselves say about prosody are included, as is modern linguistic explanation and commentary.