The Terrible Fitzball
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| Author | : Larry Stephen Clifton |
| Publisher | : Popular Press |
| Total Pages | : 204 |
| Release | : 1993 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780879726096 |
A study of Edward Fitzball, a melodramatic dramatist of 19th- century England, whose primary themes of horror, crime, and madness, reflected the insecurities of the time and foreshadowed the sensationalist media of ours. His life, the contemporary society and theater, and his dramatic principles and influences, are all considered. No index. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Amnon Kabatchnik |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 738 |
| Release | : 2017-09-22 |
| Genre | : Performing Arts |
| ISBN | : 1538106183 |
This volume examines the key representations of transgression drama produced between 1800 and 1900. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.
| Author | : Arnold Schmidt |
| Publisher | : Taylor & Francis |
| Total Pages | : 1224 |
| Release | : 2022-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 1315530120 |
During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.
| Author | : James Armstrong |
| Publisher | : Springer Nature |
| Total Pages | : 237 |
| Release | : 2022-11-09 |
| Genre | : Performing Arts |
| ISBN | : 3031137108 |
This book reinterprets British dramas of the early-nineteenth century through the lens of the star actors for whom they were written. Unlike most playwrights of previous generations, the writers of British Romantic dramas generally did not work in the theatre themselves. However, they closely followed the careers of star performers. Even when they did not directly know actors, they had what media theorists have dubbed "para-social interactions" with those stars, interacting with them through the mediation of mass communication, whether as audience members, newspaper and memoir readers, or consumers of prints, porcelain miniatures, and other manifestations of "fan" culture. This study takes an in-depth look at four pairs of performers and playwrights: Sarah Siddons and Joanna Baillie, Julia Glover and Samuel Taylor Coleridge, Edmund Kean and Lord Byron, and Eliza O'Neill and Percy Bysshe Shelley. These charismatic performers, knowingly or not, helped to guide the development of a character-based theatre—from the emotion-dominated plays made popular by Baillie to the pinnacle of Romantic drama under Shelley. They shepherded in a new style of writing that had verbal sophistication and engaged meaningfully with the moral issues of the day. They helped to create not just new modes of acting, but new ways of writing that could make use of their extraordinary talents.
| Author | : William Tait |
| Publisher | : |
| Total Pages | : 838 |
| Release | : 1843 |
| Genre | : Great Britain |
| ISBN | : |
| Author | : Michael V. Pisani |
| Publisher | : University of Iowa Press |
| Total Pages | : 415 |
| Release | : 2014-06-01 |
| Genre | : Performing Arts |
| ISBN | : 1609382307 |
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
| Author | : |
| Publisher | : |
| Total Pages | : 490 |
| Release | : 1843 |
| Genre | : |
| ISBN | : |
| Author | : Gabriela Cruz |
| Publisher | : Oxford University Press |
| Total Pages | : 313 |
| Release | : 2020-08-19 |
| Genre | : Music |
| ISBN | : 0190915064 |
A new and groundbreaking approach to the history of grand opera, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores the illusion and illumination behind the form's rise to cultural eminence. Renowned opera scholar Gabriela Cruz argues that grand opera worked to awaken memory and feeling in a way never before experienced in the opera house, asserting that the concept of "spectacle" was the defining cultural apparatus of the art form after the 1820s. Parisian audiences at the Académie Royale de Musique were struck by the novelty and power of grand opera upon the introduction of gaslight illumination, a technological innovation that quickly influenced productions across the Western operatic world. With this innovation, grand opera transformed into an audio-visual spectacle, delivering dream-like images and evoking the ghosts of its audiences' past. Through case studies of operas by Giacomo Meyerbeer, Richard Wagner, and Giuseppe Verdi, Cruz demonstrates how these works became an increasingly sophisticated medium by which audiences could conjure up the past and be transported away from the breakdown of modern life. A historically informed narrative that traverses far and wide, from dingy popular theatres in post-revolutionary Paris, to nautical shows in London, and finally to Egyptian mummies, Grand Illusion provides a fresh departure from previous scholarship, highlighting the often-neglected visual side of grand opera.
| Author | : |
| Publisher | : |
| Total Pages | : 172 |
| Release | : 1845 |
| Genre | : |
| ISBN | : |
| Author | : Carolyn Wells |
| Publisher | : Delphi Classics |
| Total Pages | : 12726 |
| Release | : 2019-04-26 |
| Genre | : Fiction |
| ISBN | : 1788779851 |
Famous today as the creator of the reserved and scholarly detective Fleming Stone, Carolyn Wells was a prolific American writer of popular mystery novels, celebrated for their intricate plots and engaging characters. The first novel in the series, ‘The Clue’ (1909), features on the Haycraft-Queen Cornerstone list of essential mysteries. Throughout her career, Wells produced over 170 titles, including children’s stories, detective novels, anthologies and humorous and nonsense writings. This eBook presents Wells’ collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Wells’ life and works * Concise introductions to the major texts * 64 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete Patty Fairfield and Marjorie Maynard series * Famous children’s books are illustrated with their original artwork * Includes Wells’ rare poetry collections – available in no other collection * Features Wells’ seminal non-fiction work ‘The Technique of the Mystery Story’ * Useful ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Fleming Stone Series The Clue (1909) The Gold Bag (1911) A Chain of Evidence (1912) The Maxwell Mystery (1913) Anybody But Anne (1914) The White Alley (1915) The Curved Blades (1915) The Mark of Cain (1917) Vicky Van (1918) The Diamond Pin (1919) Raspberry Jam (1920) The Mystery of the Sycamore (1921) The Mystery Girl (1922) Feathers Left Around (1923) Spooky Hollow (1923) The Alan Ford Series The Bride of a Moment (1916) Faulkner’s Folly (1917) The Pennington Wise Series The Room with the Tassels (1918) The Man Who Fell Through the Earth (1919) In the Onyx Lobby (1920) The Come Back (1921) The Luminous Face (1921) The Vanishing of Betty Varian (1922) The Affair at Flower Acres (1923) Wheels within Wheels (1923) The Patty Fairfield Series All 17 Patty Fairfield novels (too many to list) The Marjorie Maynard Series All of the Marjorie novels The Dorrance Family Series The Dorrance Domain (1905) Dorrance Doings (1906) The Two Little Women Series Two Little Women (1915) Two Little Women and Treasure House (1916) Two Little Women on a Holiday (1917) Other Novels Abeniki Caldwell (1902) Eight Girls and a Dog (1902) The Gordon Elopement (1904) The Staying Guest (1904) The Matrimonial Bureau (1905) The Emily Emmins Papers (1907) Dick and Dolly (1909) Betty’s Happy Year (1910) Ptomaine Street (1921) Face Cards (1925) The Deep-Lake Mystery (1928) Short Stories Christabel’s Crystal (1905) An Easy Errand (1910) The Adventure of the Mona Lisa (1912) The Adventure of the Clothes-Line (1915) The Poetry and Nonsense Works The Jingle Book (1899) A Phenomenal Fauna (1902) Children of Our Town (1902) A Parody Anthology (1904) A Satire Anthology (1905) Rubáiyát of a Motor Car (1906) At the Sign of the Sphinx (1906) At the Sign of the Sphinx: Second Series (1906) A Vers de Société Anthology (1907) The Seven Ages of Childhood (1908) Rubáiyát of Bridge (1909) A Nonsense Anthology (1910) The Lover’s Baedeker and Guide to Arcady (1912) The Re-Echo Club (1913) The Eternal Feminine (1913) The Book of Humorous Verse (1920) The Non-Fiction The Technique of the Mystery Story (1913) Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
