The Tacky South
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| Author | : Katharine A. Burnett |
| Publisher | : LSU Press |
| Total Pages | : 270 |
| Release | : 2022-06-15 |
| Genre | : Social Science |
| ISBN | : 0807177911 |
As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series Murder, She Wrote to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, The Tacky South explores what shifting notions of tackiness reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity.
| Author | : Jane Jenkins Herlong |
| Publisher | : Tyndale House Publishers, Inc. |
| Total Pages | : 241 |
| Release | : 2022-04 |
| Genre | : Religion |
| ISBN | : 1496455916 |
Southern humorist Jane Jenkins Herlong brings joy and humor with her 50 unusual-but-true faith-filled stories of growing up in the South Carolina low country. Whether you love Southern ways of life or find their ways strange and amusing, you'll be entertained and inspired with warm Southern-fried humor and tried-and-true tips for attaining the best version of yourself. Jane's 50 stories address specific landmark events along with issues in a woman's life, such as fitting into the covered-dish church culture, sacred sisterhood, sassy seasoned Southern women and why we are drawn to beauty pageant competition, and much more!
| Author | : P. Nicole King |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 270 |
| Release | : 2012-02-15 |
| Genre | : Social Science |
| ISBN | : 1617032522 |
In 1949, Alan Schafer opened South of the Border, a beer stand located on bucolic farmland in Dillon County, South Carolina, near the border separating North and South Carolina. Even at its beginning, the stand catered to those interested in Mexican-themed kitsch--sombreros, toy pinatas, vividly colored panchos, salsas. Within five years, the beer stand had grown into a restaurant, then a series of restaurants, and then a theme park, complete with gas stations, motels, a miniature golf course, and an adult-video shop. Flashy billboards--featuring South of the Border's stereotypical bandit Pedro--advertised the locale from 175 miles away. An hour south of Schafer's site lies the Grand Strand region--sixty miles of South Carolina beaches and various forms of recreation. Within this region, Atlantic Beach exists. From the 1940s onward, Atlantic Beach has been a primary tourist destination for middle-class African Americans, as it was one of the few recreational beaches open to them in the region. Since the 1990s, the beach has been home to the Atlantic Beach Bikefest, a motorcycle festival event that draws upward of 10,000 African Americans and other tourists annually. Sombreros and Motorcycles in a Newer South studies both locales, separately and together, to illustrate how they serve as lens for viewing the historical, social, and aesthetic aspects embedded in a place's culture over time. In doing so, author Nicole King engages with concepts of the "Newer South," the contemporary era of southern culture which integrates Old South and New South history and ideas about issues such as race, taste, and regional authenticity. Tracing South Carolina's tourism industry through these locales, King analyzes the collision of southern identity and place with national, corporatized culture from the 1940s onward. Sombreros and Motorcycles in a Newer South locates campy but historic tourist sites that serve as important texts for better understanding how culture moves and more inclusive notions of what it means to be southern today.
| Author | : Michael B. Montgomery |
| Publisher | : UNC Press Books |
| Total Pages | : 3218 |
| Release | : 2021-06-22 |
| Genre | : Reference |
| ISBN | : 1469662558 |
The Dictionary of Southern Appalachian English is a revised and expanded edition of the Weatherford Award–winning Dictionary of Smoky Mountain English, published in 2005 and known in Appalachian studies circles as the most comprehensive reference work dedicated to Appalachian vernacular and linguistic practice. Editors Michael B. Montgomery and Jennifer K. N. Heinmiller document the variety of English used in parts of eight states, ranging from West Virginia to Georgia—an expansion of the first edition's geography, which was limited primarily to North Carolina and Tennessee—and include over 10,000 entries drawn from over 2,200 sources. The entries include approximately 35,000 citations to provide the reader with historical context, meaning, and usage. Around 1,600 of those examples are from letters written by Civil War soldiers and their family members, and another 4,000 are taken from regional oral history recordings. Decades in the making, the Dictionary of Southern Appalachian English surpasses the original by thousands of entries. There is no work of this magnitude available that so completely illustrates the rich language of the Smoky Mountains and Southern Appalachia.
| Author | : Jefferson Humphries |
| Publisher | : University of Georgia Press |
| Total Pages | : 404 |
| Release | : 1992-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780820314860 |
In this stimulating collection of essays, twenty scholars apply new theoretical approaches to the fiction and poetry of southern writers ranging from Poe to Dickey, from Faulkner to Hurston. Departing from earlier traditions of southern literary scholarship, this book seeks not to create a new orthodoxy but to suggest the diversity of critical tools that can now be used to explore the literature and culture of the South. Including essays based on deconstructionist, feminist, and Marxist theory, the book features contributions from such critics as Henry Louis Gates, Harold Bloom, Fred Chappell, and Joan DeJean. Yet, for all their variety, the essayists share the same central concern. "We have in common," writes Jefferson Humphries, "one thing that sets us apart from our elders in our conception of the South and our approach to southern literature: the basic assumption that the meaning and significance of literature is not in the immanence of the literary object, or in history, but in the complex ways in which the literary, the historical, and all the 'human sciences' that study both, are interrelated." Instead of simply taking "the South" for granted, the contributors to this volume see it as a text and an idea--as something whose ideological underpinnings, complexities, and contradictions must be subjected to close reading and questioning. Southern Literature and Literary Theory represents a major effort to redefine the relationship of southern writing and the South itself to the larger world.
| Author | : Fran Lynghaug |
| Publisher | : Voyageur Press |
| Total Pages | : 672 |
| Release | : 2009-10-15 |
| Genre | : Pets |
| ISBN | : 1616731710 |
This is the only guidebook collecting the official North America breed associations’ standards and conformations, making it a much-needed, handy, and comprehensive reference. Like the American Kennel Club's The Complete Dog Book (now in its 20th printing), this is the book for horse breeds. For each of 118 North American breeds--from ponies and small horses to pleasure horses, draft horses, and thoroughbred racers--the massive 200,000-word guide provides an official history, detailed conformation ideals, descriptions of gait and distinctive traits, temperament, colors, and variations. Fine color photographs complete the detailed picture each entry presents. This guide is destined to become the bible of the horse world.
| Author | : Carrie Tipton |
| Publisher | : Vanderbilt University Press |
| Total Pages | : 329 |
| Release | : 2023-10-15 |
| Genre | : Music |
| ISBN | : 0826506410 |
Listen as you read! From Dixie to Rocky Top: Book Playlist, now on Spotify. The first book to explore the history of college fight songs as a culturally important phenomenon, From Dixie to Rocky Top zeroes in on the US South, where college football has forged a powerful, quasi-religious sense of meaning and identity throughout the region. Tracing the story of Southeastern Conference (SEC) fight songs from the late nineteenth to the early twenty-first century, author Carrie Tipton places this popular repertory within the broader commercial music industry and uses fight songs to explore themes of authorship and copyright; the commodification of school spirit; and the construction of race, gender, and regional identity in Southern football culture. This book unearths the history embedded in SEC football’s music traditions, drawing from the archives of the seventeen universities currently or formerly in the conference. Alongside rich primary sources, Tipton incorporates approaches and literature from sports history, Southern and American history, Southern and American studies, and musicology. Chronicling iconic Southern fight songs’ origins, dissemination, meanings, and cultural reception over a turbulent century, From Dixie to Rocky Top weaves a compelling narrative around a virtually unstudied body of popular music.
| Author | : Moira C. Reeve |
| Publisher | : Fox Chapel Publishing |
| Total Pages | : 844 |
| Release | : 2021-10-19 |
| Genre | : Pets |
| ISBN | : 1637410484 |
· A comprehensive guide to everything you need to know about horses and our relationships with them · Includes detailed sections on a wide variety of informative topics, including the history of horses, evolution, domestication, horseback riding, training, competing, breeding, and more · Features complete profiles of 175 breeds of horses, from the Abaco Barb and Welsh Pony to the Shetland Pony, American Quarter Horse, Thoroughbred, and many more · Filled with 100 training and behavior tips, 50 riding, grooming, and health takeaways, 25 competitive activities, and countless other important and interesting must-know information · Written by two highly regarded horsewomen, the late Moira C. Allen and Sharon Biggs · Newly updated edition includes a new section on advances in imaging technology for horses and advances in medications, plus updated information on saddles, bits, poisonous plants, deworming practices, and natural horsemanship
| Author | : Alison Arant |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 274 |
| Release | : 2020-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1496831837 |
Contributions by Lindsay Alexander, Alison Arant, Alicia Matheny Beeson, Eric Bennett, Gina Caison, Jordan Cofer, Doug Davis, Doreen Fowler, Marshall Bruce Gentry, Bruce Henderson, Monica C. Miller, William Murray, Carol Shloss, Alison Staudinger, and Rachel Watson The National Endowment for the Humanities has funded two Summer Institutes titled "Reconsidering Flannery O’Connor," which invited scholars to rethink approaches to Flannery O’Connor’s work. Drawing largely on research that started as part of the 2014 NEH Institute, this collection shares its title and its mission. Featuring fourteen new essays, Reconsidering Flannery O’Connor disrupts a few commonplace assumptions of O’Connor studies while also circling back to some old questions that are due for new attention. The volume opens with “New Methodologies,” which features theoretical approaches not typically associated with O’Connor’s fiction in order to gain new insights into her work. The second section, “New Contexts,” stretches expectations on literary genre, on popular archetypes in her stories, and on how we should interpret her work. The third section, lovingly called “Strange Bedfellows,” puts O’Connor in dialogue with overlooked or neglected conversation partners, while the final section, “O’Connor’s Legacy,” reconsiders her personal views on creative writing and her wishes regarding the handling of her estate upon death. With these final essays, the collection comes full circle, attesting to the hazards that come from overly relying on O’Connor’s interpretation of her own work but also from ignoring her views and desires. Through these reconsiderations, some of which draw on previously unpublished archival material, the collection attests to and promotes the vitality of scholarship on Flannery O’Connor.
| Author | : Scott Romine |
| Publisher | : LSU Press |
| Total Pages | : 297 |
| Release | : 2008-06 |
| Genre | : History |
| ISBN | : 0807134295 |
In this stimulating study, Scott Romine explores the impact of globalization on contemporary southern culture and the South's persistence in an age of media and what he terms "cultural reproduction." Rather than being compromised, Romine asserts, southern cultures are both complicated and reconfigured as they increasingly detach from tradition in its conventional sense. In considering Souths that might appear fake -- the Souths of the theme restaurant, commercial television, and popular regional magazines, for example -- Romine contends that authenticity and reality emerge as central concepts that allow groups and individuals to imagine and navigate social worlds. Romine addresses a major critical problem -- "authenticity" -- in a fundamentally new manner. Less concerned with what actually constitutes an "authentic" or "real" South than in how these concepts are used today, The Real South explores a wide range of southern narratives that describe and travel through virtual, simulated, and commodified Souths. Where earlier critics have tended to assume a real or authentic South, Romine questions such assumptions and whether the "authentic South" ever truly existed. From Gone with the Wind, Civil War reenactments, and a tennis community outside Atlanta called Tara, to the work of Josephine Humphreys, the travel narrative of V. S. Naipaul, and the historical fiction of Lewis Nordan, Romine examines how narratives (and spaces) are used to fashion social solidarity and cultural continuity in a time of fragmentation and change. Far from deteriorating or disappearing in a global economy, Romine shows, the South continues to be reproduced and used by diverse groups engaged in diverse cultural projects.
