The Symbolism Of Mirrors In Art From Ancient Times To The Present
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| Author | : Hope B. Werness |
| Publisher | : |
| Total Pages | : 220 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
Contains illustrations of mirrors dating from a mirror made in the second millennium before the common era to a postmodern mirror environment created in the late 1980s. Interdisciplinary sources including art history, mythology. An additional feature is the linking of mirrors with prose and poetry quotations from widely ranging sources (Zen koans to Woody Allen). With Illustrations.
| Author | : Hope B. Werness |
| Publisher | : A&C Black |
| Total Pages | : 378 |
| Release | : 2003-01-01 |
| Genre | : Reference |
| ISBN | : 9780826414656 |
This lavishly produced voulume is the first reference work to focus on the symbols, meaning, and significance of art in native, or indigenous, cultures.
| Author | : Maria Gerolemou |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 297 |
| Release | : 2020-01-09 |
| Genre | : History |
| ISBN | : 135010129X |
This volume examines mirrors and mirroring through a series of multidisciplinary essays, especially focusing on the intersection between technological and cultural dynamics of mirrors. The international scholars brought together here explore critical questions around the mirror as artefact and the phenomenon of mirroring. Beside the common visual registration of an action or inaction, in a two dimensional and reversed form, various types of mirrors often possess special abilities which can produce a distorted picture of reality, serving in this way illusion and falsehood. Part I looks at a selection of theory from ancient writers, demonstrating the concern to explore these same questions in antiquity. Part II considers the role reflections can play in forming ideas of gender and identity. Beyond the everyday, we see in Part III how oracular mirrors and magical mirrors reveal the invisible divine – prosthetics that allow us to look where the eye cannot reach. Finally, Part IV considers mirrors' roles in displaying the visible and invisible in antiquity and since.
| Author | : Ronit Milano |
| Publisher | : Taylor & Francis |
| Total Pages | : 239 |
| Release | : 2024-06-14 |
| Genre | : Art |
| ISBN | : 1040040764 |
This volume focuses on the unstudied geographic margins of Dada, delving into the roots of Dada in Israel, Romania, Poland, and North America. Contributors consider some of the practices and experiments that were conceived a century ago, surfaced in art throughout the twentieth century, and are still relevant today. Unearthing its Israeli origins, examining Dadaist expressions in Poland, and shedding light on overlooked facets of Dadaist art in Romania and North America, the authors cast a spotlight on the less-explored geographical peripheries of Dada. The book is organized around four thematic trajectories—space, language, materiality, and reception—which are dissected through the lens of micro-histories. Recognizing the continuing validity of questions raised by Dadaist artists, this volume argues that Dada persists as an ongoing endeavor—a continual reexamination of the fundamental tenets of art and its ever-evolving potential manifestations. The book will be of interest to scholars working in art history, modernism, and history of the twentieth and twenty-first centuries.
| Author | : Annette Weissenrieder |
| Publisher | : Mohr Siebeck |
| Total Pages | : 478 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9783161485749 |
How do visual images from the ancient world shed light on New Testament texts? In a methodologically multifaceted manner, the contributions in this volume examine early Christian images with regard to their ancient context. Various New Testament texts (the synoptic gospels, the Johannine and Pauline corpora) are linked to ancient visual images. Various approaches in iconography are summarized and applied to the interpretation of texts, taking account of the strengths and limitations of these images, as well as possible future applications. These essays incorporate current viewpoints from archaeology and the history of art. The topics range from studies of the depictions of Christ and the disciples to the images of humans and the world. This volume provides an innovative basis for the discussion of the iconographic method and the New Testament.
| Author | : Heath A. Diehl |
| Publisher | : Anthem Press |
| Total Pages | : 178 |
| Release | : 2020-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 178527614X |
Since the nineteenth century, the Western realistic novel has persistently represented the addict as a morally toxic force bent on destroying the institutions, practices, and ideologies that historically have connoted reason, order, civilization. Addiction, Representation undertakes an investigation into an alternative literary tradition that unsettles this limited portrayal of the addict. The book analyzes the practices and politics of reading the experimental addiction novel, and outlines both a practice and an ethics of reading that advocates for a more compassionate response to both diegetic and extra-diegetic addicts—an approach that, at its core, is focused on understanding.
| Author | : Beverly Maeder |
| Publisher | : Peter Lang |
| Total Pages | : 380 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9783039109975 |
Taking their cue from the polymorphous relationship between word and image, the essays of this book explore how different media translate the world of phenomena into aesthetic, intellectual or sensual experience. They embrace the media of poetry, fiction, drama, engraving, painting, photography, film and advertising posters ranging from the early modern to the postmodern periods. At the heart of the volume lie essays on works that characteristically perform intriguing interactions between the verbal and visual modes. They discuss the manifold ways in which artists as different as William Blake or Gertrude Stein, Diane Arbus or Stanley Kubrick heighten the tension between the linguistic and the seen. Taken both individually and collectively, this volume's contributions illuminate the problematics of how readers and spectators/lookers transform verbal and visual representation into worlds of seeming.
| Author | : Suzanne E. Cahill |
| Publisher | : Cotsen Institute of Archaeology Press |
| Total Pages | : 524 |
| Release | : 2012-05-30 |
| Genre | : Art |
| ISBN | : 1950446441 |
The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors is a 2009 co-publication of the Cotsen Occasional Press and the UCLA Cotsen Institute of Archaeology Press. Volume I, The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors: Catalogue, includes an engaging foreword by Lloyd Cotsen, an overview of major Chinese dynasties and periods, and a brief history of Chinese bronze mirrors by Suzanne E. Cahill. This volume presents a detailed catalogue of the extensive Cotsen Collection through high-quality images and illustrations of the mirrors in their approximate chronological sequence. Volume II, a set of eleven scholarly essays, goes further to investigate these mirrors as a study collection. Guided by the conviction that this particular constellation of mirrors may lead to substantive insights that cannot easily be obtained otherwise, the leading scholars who contributed to this volume used the materials in Volume I as a point of departure for explorations of topics of their own choice. The publication of this two-volume set preceded an exhibition of the mirrors at the Huntington Library, Art Museum and Botanical Gardens and the return of the collection to China in recognition of that countrys rightful cultural patrimony.
| Author | : Julia Bekman Chadaga |
| Publisher | : Northwestern University Press |
| Total Pages | : 332 |
| Release | : 2014-10-31 |
| Genre | : Antiques & Collectibles |
| ISBN | : 0810130033 |
Chadaga's ambitious study proceeds from the idea that glass - in its uses as a material object and as it was depicted in works of art - is a key to understanding the evolution of Russian identity from the eighteenth century to the middle of the twentieth.
| Author | : Ronnie Ancona |
| Publisher | : JHU Press |
| Total Pages | : 396 |
| Release | : 2005-11-18 |
| Genre | : Business & Economics |
| ISBN | : 9780801881985 |
In recent decades, Latin love poetry has become a significant site for feminist and other literary critics studying conceptions of gender and sexuality in ancient Roman culture. This new volume, the first to focus specifically on gender dynamics in Latin love poetry, moves beyond the polarized critical positions that argue that this poetry either confirms traditional gender roles or subverts them. Rather, the essays in the collection explore the ways in which Latin erotic texts can have both effects, shifting power back and forth between male and female. If there is one conclusion that emerges, it is that the dynamics of gender in Latin amatory poetry do not map in any single way onto the cultural and historical norms of Roman society. In fact, as several essays show, there is a dialectical relationship between this poetry and Roman cultural practices. By complicating the views of gender dynamics in Latin love poetry, this exciting new scholarship will stimulate further debates in classical studies and literary criticism with its fresh perspectives.
