Ethical Realism

Ethical Realism
Author: Anatol Lieven
Publisher: Vintage
Total Pages: 226
Release: 2009-03-12
Genre: Political Science
ISBN: 0307495337

America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats. Ethical Realism shows how the United States can successfully combine genuine morality with tough and practical common sense. By outlining core principles and a set of concrete proposals for tackling the terrorist threat and contend with Iran, Russia, the Middle East, and China, Anatol Lieven and John Hulsman show us how to strengthen our security, pursue our national interests, and restore American leadership in the world.

Super Realism

Super Realism
Author: Gregory Battcock
Publisher: Plume Books
Total Pages: 378
Release: 1975
Genre: Art
ISBN:

Richard Estes' Realism

Richard Estes' Realism
Author: Patterson Sims
Publisher:
Total Pages: 0
Release: 2014
Genre: Exhibitions
ISBN: 9780300205121

A rich compendium of Estes' virtuosic photorealist paintings, which capture light and reflections in brilliant detail Richard Estes (b. 1932) is one of the most celebrated adopters of Photorealism; his paintings are characterized by painstaking detail that mimics the clarity and accuracy of photographs. Estes' most famous canvases from the 1970s depict New York's urban landscape, and his manner of painting reflections in a multitude of metal and glass surfaces displays astounding technical skill. In his subsequent career, Estes has continued to demonstrate his superlative ability to show complex plays of light and shadow in Maine seascapes, views of Venetian lagoons, and nighttime street scenes. Accompanying Estes' first solo exhibition of paintings in the United States in over two decades, Richard Estes' Realism surveys fifty years of his work and places him within the historical narrative of realist painting. The authors explore the ongoing modernist dialogue between camera and canvas, and discuss the situation of Estes' work at the crossroads of painting and photography. Fifty full-page plates showcase the amazing precision of Estes' paintings, and a thorough chronology and bibliography provide an enlightening account of his life. This handsome book offers a lavish presentation of Estes' spellbinding body of work that attests to his enduring artistic impact. Distributed for the Portland Museum of Art and the Smithsonian American Art Museum Exhibition Schedule: Portland Museum of Art (05/22/14-09/07/14) Smithsonian American Art Museum (10/10/14-02/08/15)

Myth and ideology in american culture

Myth and ideology in american culture
Author: Liliane Blary
Publisher: Presses Univ. Septentrion
Total Pages: 282
Release: 1976
Genre: Fiction
ISBN: 9782859390648

Ce volume - le premier publié par le Centre d'Etudes et de Recherches Nord-Américaines et Canadiennes de l'Université de Lille III - comprend une série d'articles sur un aspect difficile à cerner mais pourtant capital de la civilisation américaine contemporaine: le travail du mythe et de l'idéologie dans ses diverses manifestations exhaustives - que serait d'ailleurs une analyse "exhaustive" de l'idéologie? Mais il tente d'effectuer une saisie de cette question en examinant un très large éventail de textes. Dans la première partie sont interrogés successivement les poèmes de Erza Pound, Theodore Roethke, Denise Levertov, Adrienne Rich, Muriel Rukeyser; les romans de Henry James et ceux de Dashiell Hammet; la production picturale des Hyperréalistes. Dans la deuxième partie, les études s'organisent autour de la problèmatique des minorités dans la société américaine et plus particulièrement de la minorité noire. On y trouve des études sur Booker T. Washington, Jean Toomer, Claude McKay, la musique noire et le problème des quotas. Cet ensemble, varié par les domaines abordés mais très cohérent par la perspective qu'il adopte, apporte une contribution substantielle à une branche des études américaines en plein développement.

Immersion in the Visual Arts and Media

Immersion in the Visual Arts and Media
Author:
Publisher: BRILL
Total Pages: 401
Release: 2015-10-27
Genre: Language Arts & Disciplines
ISBN: 9004308237

Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.

Varieties of Realism

Varieties of Realism
Author: Margaret A. Hagen
Publisher: CUP Archive
Total Pages: 356
Release: 1986-05-31
Genre: Art
ISBN: 9780521313292

Varieties of Realism argues that it is not possible to represent the layout of objects and surfaces in space outside the dictates of formal visual geometry, the geometry of natural perspective. The book examines most of the world's coherent representational art styles, both in terms of the geometry of their creation and in terms of their perceptual effects on the viewer. A lucid exposition of modern geometrical principles and relations, accessible to the nonmathematical reader, is followed by an analysis of all known styles as variants of natural perspective, as true varieties of realism. Delineating the physical and mechanical constraints that determine the act of visual representation in painting and drawing, the author traces the intimate relations among seemingly distant styles and considers the kind of perceptual information about the world each can carry. Margaret Hagen is a perceptual psychologist with an ecological point of view. Her rigorous but readable presentation of visual theory and research offers provocative new insights into the connections among vision, geometry, and art.

Visual Digital Culture

Visual Digital Culture
Author: Andrew Darley
Publisher: Routledge
Total Pages: 428
Release: 2002-01-04
Genre: Social Science
ISBN: 113470836X

Digital entertainment, from video games to simulation rides, is now a central feature of popular culture. Computer-based or digital technologies are supplanting the traditional production methods of television, film and video, provoking intense speculation about their impact on the character of art. Examining the digital imaging techniques across a wide range of media, including film, music video, computer games, theme parks and simulation rides, Visual Digital Culture explores the relationship between evolving digital technologies and existing media and considers the effect of these new image forms on the experience of visual culture. Andrew Darley first traces the development of digital computing from the 1960s and its use in the production of visual digital entertainment. Through case studies of films such as Toy Story, key pop videos such as Michael Jackson's Black or White, and computer games like Quake and Blade Runner, Andrew Darley asks whether digital visual forms mark a break with traditional emphases on story, representation, meaning and reading towards a focus on style, image performance and sensation. He questions the implications of digital culture for theories of spectatorship, suggesting that these new visual forms create new forms of spectatorship within mass culture.