The Summons Of Centuries Past Reflections On Hong Kong A True Account
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Author | : ZhangYawen |
Publisher | : BEIJING BOOK CO. INC. |
Total Pages | : 441 |
Release | : 2017-06-01 |
Genre | : Literary Collections |
ISBN | : 7500152566 |
《百年钟声:香港沉思录》八章,除过*章《漫长而艰难的中英谈判》和第五章《蹉跎岁月,峥嵘人生》是写回归前的历史截面之外,其余各章主要书写回归后的现实情状。这也许是读者*为期待也是作者*有价值的着力之处。这些方面包括:解放军驻港部队面临的各种考验和优异表现,香港各路精英的成长之路和对港贡献,香港的慈善事业,香港的民生、医疗、文化、媒体、教育,香港的廉政建设,香港面临的现实挑战与前景,等等。这些方面,是回归之后香港面貌的写照,是香港的现在进行时。其中一些章节内容,不光是当今香港成功经验的写照,对大陆乃至许多国家地区都有借鉴意义,其中*为突出的,如香港的廉政建设。
Author | : JieMo |
Publisher | : BEIJING BOOK CO. INC. |
Total Pages | : 368 |
Release | : 2017-06-01 |
Genre | : Fiction |
ISBN | : 750015156X |
《裸婚》里的很多地方都真实得近乎残酷,但真的很深刻,每个女人都应该看看。从结婚到离婚到再婚,态度一贯诙谐真诚。体裁是随笔,但因为通篇故事,所以读起来更是小说。与其他小说不同的是,该书真实。其中人物无一完美,而且前后诸多矛盾——但惟有矛盾和变化才构成真实的人生。这是作者自传性质的小说。本书的态度和观点,有很多前后矛盾的地方。但人走到不同位置,眼里的景观和心情必定不同,没有对错之分,只有高下之别,希望读者能在这矛盾当中悟到真实,看到一个女人在婚姻中真实的成长经历,或者会有所触动。这也就是这本书的中心观点。在作者笔下,生活的种种琐屑,都成为遍地镜子碎片,闪着领悟生命的灵光,映照出婚姻面前男男女女的情感世界。
Author | : WangYang |
Publisher | : BEIJING BOOK CO. INC. |
Total Pages | : 184 |
Release | : 2017-06-01 |
Genre | : Self-Help |
ISBN | : 7500151527 |
她曾经是最倒霉落魄的女人:少年丧父,高考落榜,离婚,失业,抱着脑瘫的女儿绝望奔走。如今,她被美国媒体誉为极品女人,成为跨国集团的总裁夫人。被美国国会授予“华人作家成就奖”,成为美国上流社会的宠儿。陷于困境的人们,能从本书中获得与生活博弈的勇气。
Author | : William Jennings |
Publisher | : |
Total Pages | : 394 |
Release | : 1891 |
Genre | : Chinese poetry |
ISBN | : |
Author | : Diane Goldstein |
Publisher | : University Press of Colorado |
Total Pages | : 282 |
Release | : 2007-09-15 |
Genre | : Social Science |
ISBN | : 0874216818 |
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Author | : John C. England |
Publisher | : Orbis Books |
Total Pages | : 742 |
Release | : 2002 |
Genre | : History |
ISBN | : |
V.1. Asia region 7th-20th centuries; South Asia; Austral Asia; v.2. Southeast Asia; v.3. Northeast Asia.
Author | : |
Publisher | : |
Total Pages | : 1400 |
Release | : 1899 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 656 |
Release | : 1899 |
Genre | : English newspapers |
ISBN | : |
Author | : Katharine P Burnett |
Publisher | : The Chinese University of Hong Kong Press |
Total Pages | : 444 |
Release | : 2013-03-13 |
Genre | : Art |
ISBN | : 9629964562 |
This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.
Author | : |
Publisher | : |
Total Pages | : 776 |
Release | : 1868 |
Genre | : Questions and answers |
ISBN | : |