The Substance Of Literature
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| Author | : Sophie Volpp |
| Publisher | : Columbia University Press |
| Total Pages | : 160 |
| Release | : 2022-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 0231553226 |
Do the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are often signs of fictionality themselves, calling attention to the nature of the relationship between literature and materiality. Volpp examines a series of objects—a robe, a box and a shell, a telescope, a plate-glass mirror, and a painting—drawn from the canonical works frequently mined for information about late imperial material culture, including the novels The Plum in the Golden Vase and The Story of the Stone as well as the short fiction of Feng Menglong, Ling Mengchu, and Li Yu. She argues that although fictional objects invite readers to think of them as illustrative, in fact, inconsistent and discontinuous representation disconnects the literary object from potential historical analogues. The historical resonances of literary objects illuminate the rhetorical strategies of individual works of fiction and, more broadly, conceptions of fictionality in the Ming and Qing. Rather than offering a transparent lens on the past, fictional objects train the reader to be aware of the fallibility of perception. A deeply insightful analysis of late Ming and Qing texts and reading practices, The Substance of Fiction has important implications for Chinese literary studies, history, and art history, as well as the material turn in the humanities.
| Author | : Jay Zysk |
| Publisher | : University of Notre Dame Pess |
| Total Pages | : 437 |
| Release | : 2017-09-30 |
| Genre | : Religion |
| ISBN | : 0268102325 |
Shadow and Substance is the first book to present a sustained examination of the relationship between Eucharistic controversy and English drama across the Reformation divide. In this compelling interdisciplinary study, Jay Zysk contends that the Eucharist is not just a devotional object or doctrinal crux, it also shapes a way of thinking about physical embodiment and textual interpretation in theological and dramatic contexts. Regardless of one’s specific religious identity, to speak of the Eucharist during that time was to speak of dynamic interactions between body and sign. In crossing periodic boundaries and revising familiar historical narratives, Shadow and Substance challenges the idea that the Protestant Reformation brings about a decisive shift from the flesh to the word, the theological to the poetic, and the sacred to the secular. The book also adds to studies of English drama and Reformation history by providing an account of how Eucharistic discourse informs understandings of semiotic representation in broader cultural domains. This bold study offers fresh, imaginative readings of theology, sermons, devotional books, and dramatic texts from a range of historical, literary, and religious perspectives. Each of the book’s chapters creates a dialogue between different strands of Eucharistic theology and different varieties of English drama. Spanning England’s long reformation, these plays—some religious in subject matter, others far more secular—reimagine semiotic struggles that stem from the controversies over Christ’s body at a time when these very concepts were undergoing significant rethinking in both religious and literary contexts. Shadow and Substance will have a wide appeal, especially to those interested in medieval and early modern drama and performance, literary theory, Reformation history, and literature and religion.
| Author | : Julian Henneberg |
| Publisher | : Transcript Verlag, Roswitha Gost, Sigrid Nokel u. Dr. Karin Werner |
| Total Pages | : 340 |
| Release | : 2020-04 |
| Genre | : |
| ISBN | : 9783837649291 |
Subjects of Substance traces the ways in which materialist conceptions of selfhood inspire and shape recent U.S. literature. It examines the forms, functions, and effects of materialist models of mind in works by authors including Don DeLillo, Kay Redfield Jamison, Siri Hustvedt, Richard Powers, Elyn R. Saks, and David Foster Wallace.
| Author | : John Hollander |
| Publisher | : University of Chicago Press |
| Total Pages | : 197 |
| Release | : 2016-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 022635430X |
John Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This book, based on the unpublished Clark Lectures Hollander delivered in 1999 at Cambridge University, witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the Renaissance to the end of the twentieth century. Shadow shows itself here in myriad literary identities, revealing its force as a way of seeing and a form of knowing, as material for fable and parable. Taking up a vast range of texts—from the Bible, Dante, Shakespeare, and Milton to Poe, Dickinson, Eliot, and Stevens—Hollander describes how metaphors of shadow influence our ideas of dreaming, desire, doubt, and death. These shadows of poetry and prose fiction point to unknown, often fearful domains of human experience, showing us concealed shapes of truth and possibility. Crucially, Hollander explores how shadows in poetic history become things with a strange substance and life of their own: they acquire the power to console, haunt, stalk, wander, threaten, command, and destroy. Shadow speaks, even sings, revealing to us the lost as much as the hidden self. An extraordinary blend of literary analysis and speculative thought, Hollander’s account of the substance of shadow lays bare the substance of poetry itself.
| Author | : Anne Lardeux |
| Publisher | : Coach House Books |
| Total Pages | : 127 |
| Release | : 2022-06-21 |
| Genre | : Fiction |
| ISBN | : 1770567089 |
Squatters at a rural gas station try to find freedom and build something new on the ashes of our petrocivilization in this sensual novel. A community of outsiders takes over an abandoned gas station. They spend their days ripping up asphalt, drinking beer and eating hot dogs, and wandering through woods and towns in search of new ways of living. People come and go: a charismatic landscaper, Italian anarchists, a policewoman, travellers. A teenager drifts into homelessness. And The Girl With No Name keeps a journal of her attempts to meet new people and sleep with them, sex that is “not a sideline” but the motivating force in a story she is struggling to understand. Neighbors grow hostile. An investigation threatens the community. Tension builds between the surface violence of “normal life” and the attempt of these outsiders to experience freedom and build something new on the ashes of our oil-addicted society. With a character borrowed from Agnès Varda’s Vagabond and inspiration taken from Anne Boyer’s writings, Anne Lardeux’s highly original debut assembles elements of poetry, film, and visual arts into an exuberant choral novel, an ode to the daughters of fire and to the poetry of the body. Often funny, sometimes raunchy, consistently surprising, never flinching, The Second Substance heralds an important new voice in Quebec literature. "A revolutionary diary that parses the lines of sex and power, in language that pushes itself around on the page like paint. With echoes of Emma Goldman's if I can't dance, Lardeux's revolution has fucking at its core. The Second Substance is fleshy, cinematic, intuitive." -Tamara Faith Berger, author of Queen Solomon “A nomadic miscellany of gruff scavengers and would-be pioneers has commandeered the derelict filling station at 69 Rue Principale—an anonymous sensualist and moonlighting authoritarian among them—all jockeying for position at the nexus of self-determination and fate. In Anne Lardeux’s enigmatic debut, presented here in a translation by Pablo Strauss, the constant friction between societal strictures and communal revision spark a series of disorderly experiments, abstract epiphanies blasting off in every direction. The Second Substance is a novel about overriding our programming, rewriting our code in order to initiate an even more radical set of protocols for eroticism, destruction, and rebirth.” —Justin Walls, Bookshop.org
| Author | : Kathryn E. Piquette |
| Publisher | : Ubiquity Press |
| Total Pages | : 352 |
| Release | : 2013-12-18 |
| Genre | : Social Science |
| ISBN | : 1909188263 |
Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.
| Author | : Renata Adler |
| Publisher | : New York Review of Books |
| Total Pages | : 193 |
| Release | : 2013-03-19 |
| Genre | : Fiction |
| ISBN | : 1590176332 |
Winner of the Hemingway Foundation/PEN Award, this is one of the defining books of the 1970s, an experimental novel about a young journalist trying to navigate life in America. When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it. A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers.
| Author | : Sam Harris |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-04-15 |
| Genre | : |
| ISBN | : 9780578668789 |
When Theo Dalton was six years old, his hands were irreparably damaged in a horrific car accident that took his pregnant mother's life. Six years later, during the sweltering summer of 1968 in rural Oklahoma, Theo meets Frank, a Native American outcast, and learns that he has the ability to heal through his disfigured hands.As he explores the extraordinary, Theo desperately attempts to remain an ordinary boy. But when word of his gift spreads, Theo is shunned by the church for doing "the devil's work." He is immediately swept away by his Auntie Li, and into a world which ultimately threatens his life as he saves others'. Told from Theo's perspective some fifty years later, it is through his work as a therapist with a broken woman that he musters the courage to relive the summer that haunts him.The Substance of All Things is the gripping, heart-wrenching, and often humorous tale of mentors and mothers and fathers, love and redemption, prophets and charlatans, miracles and faith.
| Author | : Daniel Tiffany |
| Publisher | : University of Chicago Press |
| Total Pages | : 266 |
| Release | : 2009-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 0226803112 |
Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
| Author | : Kobo Abe |
| Publisher | : Vintage |
| Total Pages | : 194 |
| Release | : 2011-12-14 |
| Genre | : Fiction |
| ISBN | : 030781369X |
Kobo Abe, the internationally acclaimed author of Woman in the Dunes, combines wildly imaginative fantasies and naturalistic prose to create narratives reminiscent of the work of Kafka and Beckett. In this eerie and evocative masterpiece, the nameless protagonist gives up his identity and the trappings of a normal life to live in a large cardboard box he wears over his head. Wandering the streets of Tokyo and scribbling madly on the interior walls of his box, he describes the world outside as he sees or perhaps imagines it, a tenuous reality that seems to include a mysterious rifleman determined to shoot him, a seductive young nurse, and a doctor who wants to become a box man himself. The Box Man is a marvel of sheer originality and a bizarrely fascinating fable about the very nature of identity. Translated from the Japanese by E. Dale Saunders.
