The Stepniak and Walk Families
Author | : Katherine Stepniak Seiders |
Publisher | : |
Total Pages | : 380 |
Release | : 1999 |
Genre | : Wisconsin |
ISBN | : |
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Author | : Katherine Stepniak Seiders |
Publisher | : |
Total Pages | : 380 |
Release | : 1999 |
Genre | : Wisconsin |
ISBN | : |
Author | : A. S. Byatt |
Publisher | : Vintage Canada |
Total Pages | : 626 |
Release | : 2009-11-03 |
Genre | : Fiction |
ISBN | : 0307373835 |
From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.
Author | : Katy Turton |
Publisher | : Springer |
Total Pages | : 276 |
Release | : 2017-12-04 |
Genre | : History |
ISBN | : 023039308X |
This book explores the role played by families in the Russian revolutionary movement and the first decades of the Soviet regime. While revolutionaries were expected to sever all family ties or at the very least put political concerns before personal ones, in practice this was rarely achieved. In the underground, revolutionaries of all stripes, from populists to social-democrats, relied on siblings, spouses, children and parents to help them conduct party tasks, with the appearance of domesticity regularly thwarting police interference. Family networks were also vital when the worst happened and revolutionaries were imprisoned or exiled. After the revolution, these family networks continued to function in the building of the new Soviet regime and amongst the socialist opponents who tried to resist the Bolsheviks. As the Party persecuted its socialist enemies and eventually turned on threats perceived within its ranks, it deliberately included the spouses and relatives of its opponents in an attempt to destroy family networks for good.
Author | : Sarah Watling |
Publisher | : Oxford University Press, USA |
Total Pages | : 417 |
Release | : 2019 |
Genre | : Biography & Autobiography |
ISBN | : 0190867396 |
Centering the Olivier sisters in their own time, Watling presents a vivid and fascinating group portrait of sisters, sisterhood, and feminism in the early twentieth century
Author | : Olive Garnett |
Publisher | : |
Total Pages | : 506 |
Release | : 1993 |
Genre | : Bloomsbury (London, England) |
ISBN | : |
Author | : Carolyn G. Heilbrun |
Publisher | : |
Total Pages | : 232 |
Release | : 1961 |
Genre | : Authors, English |
ISBN | : |
The history of a distinguished English literary family commencing with Richard Garnett, 1789-1850, and concluding with David Garnett, the son of David and Constance.
Author | : Richard Freeborn |
Publisher | : Cambridge University Press |
Total Pages | : 320 |
Release | : 1985-02-28 |
Genre | : History |
ISBN | : 9780521317375 |
Professor Freeborn's book is an attempt to identify and define the evolution of a particular kind of novel in Russian and Soviet literature: the revolutionary novel. This genre is a uniquely Russian phenomenon and one that is of central importance in Russian literature. The study begins with a consideration of Turgenev's masterpiece Fathers and Children and traces the evolution of the revolutionary novel through to its most important development a century later in Pasternak's Doctor Zhivago and the emergence of a dissident literature in the Soviet Union. Professor Freeborn examines the particular phases of the genre's development, and in particular the development after 1917: the early fiction which explored the relationship between revolution and instinct, such as Pil'nyak's The Naked Year; the first attempts at mythmaking in Leonov's The Badgers and Furmanov's Chapayev; the next phase, in which novelists turned to the investigation of ideas, exemplified most notably by Zamyatin's We; the resumption of the classical approach in such works as Olesha's Envy, which explore the interaction between the individual and society. and finally the appearance of the revolutionary epic in Gorky's The Life of Klim Samgin, Sholokhov's Quiet Flows the Don, and Alexey Tolstoy's The Road to Calvary. Professor Freeborn also examines the way this kind of novel has undergone change in response to revolutionary change; and he shows how an important feature of this process has been the implicit assumption that the revolutionary novel is distinguished by its right to pass an objective, independent judgement on revolution and the revolutionary image of man. This is a comprehensive and challenging study of a uniquely Russian tradition of writing, which draws on a great range of novels, many of them little-known in the West. As with other titles in this series all quotations have been translated.