The Stained Glass Museum
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| Author | : Jasmine Allen |
| Publisher | : Scala |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Glass painting and staining |
| ISBN | : 9781785510595 |
* Spans a wide variety of stained glass examples - from secular buildings as well as religious ones, and from as far afield as Europe and America* Beautifully illustrated with new photography* Offers a unique opportunity to compare and contrast a range of stained glass styles, and see how the technique developed Located in the magnificent south triforium of Ely Cathedral, The Stained Glass Museum is the only museum in the UK solely dedicated to the ancient art and craft of stained glass, which has been practiced in Britain for almost 1,500 years. Once almost solely confined to church buildings and manor houses whose patrons could afford luxurious colored glass windows, from the 19th century stained glass also became popular in secular buildings. In recent times it has been used to enliven and form part of the main structure of corporate buildings, hotels, community and shopping centers. The Stained Glass Museum has given new life to hundreds of windows removed from redundant buildings across the British Isles, since its foundation in 1972. This guide describes and illustrates highlights from the Museum's growing collection of over 1,000 stained glass panels and windows, from the 13th century through to the present day, as well as associated designs, sketches, cartoons and tools.
| Author | : Virginia Chieffo Raguin |
| Publisher | : Getty Publications |
| Total Pages | : 114 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 1606061534 |
Stained glass is a monumental art, a corporate enterprise dependent on a patron with whom artists blend their voices. Combining the fields now labeled decorative arts, architecture, and painting, the window transforms our experience of space. Windows of colored glass were essential features of medieval and Renaissance buildings. They provided not only light to illuminate the interior but also specific and permanent imagery that proclaimed the importance of place. Commissioned by monks, nuns, bishops, and kings, as well as by merchants, prosperous farmers, and a host of anonymous patrons, these windows vividly reflect the social, religious, civic, and aesthetic values of their eras. Beautifully illustrated with reproductions from the remarkable stained glass collection at the J. Paul Getty Museum, Stained Glass addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The selected works include examples from Austria, Belgium, England, France, Germany, the Netherlands, and Switzerland. Subject matter ranges from monumental religious scenes for Gothic churches to lively heraldic panels made for houses and other secular settings. Integrating comparisons to works of art in other media, such as manuscripts, drawings, and panel paintings, this book encourages the general reader to see stained glass as an element of a broad artistic production.
| Author | : Peter Cormack |
| Publisher | : Paul Mellon Centre |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : ANTIQUES & COLLECTIBLES |
| ISBN | : 9780300209709 |
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art
| Author | : Barbara Butts |
| Publisher | : Getty Publications |
| Total Pages | : 346 |
| Release | : 2001-03-01 |
| Genre | : Art |
| ISBN | : 089236579X |
The names Albrecht Dürer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Dürer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted draftsmen and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by Dürer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, Jörg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Schäufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum.
| Author | : Paul Williamson |
| Publisher | : Victoria & Albert Museum |
| Total Pages | : 168 |
| Release | : 2003 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
This long-overdue volume showcases the Victoria and Albert Museum's outstanding holdings of stained and painted glass--a peerless collection ranging in date from c.1140 to 1540. The works include important examples from England, France, Germany, Austria, Switzerland, Belgium, the Netherlands, and Italy. More than 100 color plates and selected color details show the full range of this magnificent collection, from large panels from key churches and cathedrals such as La Sainte-Chapelle, St. Germain des pres, Cologne, Bruges, Canterbury, and Winchester to small but no less beautiful fragments. Commentaries on each of the pieces reconstruct their original context and explain their imagery; the text discusses techniques, themes, and major centers of production, illuminating a golden age of stained glass production, this beautiful book provides an indispensable introduction to the subject.
| Author | : John Stuart Gordon |
| Publisher | : Yale University Press |
| Total Pages | : 327 |
| Release | : 2018-01-01 |
| Genre | : Antiques & Collectibles |
| ISBN | : 0300226691 |
"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.
| Author | : Victoria Finlay |
| Publisher | : Getty Publications |
| Total Pages | : 122 |
| Release | : 2014-11-01 |
| Genre | : Art |
| ISBN | : 1606064290 |
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
| Author | : Josef Albers |
| Publisher | : Solomon R Guggenheim Museum |
| Total Pages | : 150 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 9780810968646 |
Josef Albers (1888-1976), famous as a master at Germany's Bauhaus until 1933, and then a professor in American schools such as Yale University, influenced many young artists. His Homage to the Square series of paintings remains an important example of 20th-century art. Yet Albers's first great works - the glass pictures that he made in Germany beginning in 1921 - remain little known. Starting with found fragments of colored glass, and later employing a sophisticated sandblasting process, Albers created a new art form.
| Author | : Michael Strong |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-11-06 |
| Genre | : |
| ISBN | : 9780648770909 |
Glorious Glass: Stained Glass in the Abbey Museum Collection is a full coloured illustrated catalogue of the historical stained glass in the Abbey Museum. It is the first major publication of this extraordinarily rich collection which spans some 700 years. The book covers the famous Winchester Cathedral glass and armorial panels from Warwickshire and London, together with all of the 75 medieval, Renaissance and Arts and Crafts windows illustrated after a ten-year conservation program. With generous assistance from international scholars and a foreword by Sarah Brown, the book makes the Abbey Museum's complete collection available to researchers and the general public for the first time. Beautifully designed by one of Queensland's leading graphic artists Andrae Pilcher and written by Michael Strong, Senior Curator at the Abbey Museum, its 296 pages tell of the history and artistic significance of each panel.
| Author | : Paul Doros |
| Publisher | : Vendome Press |
| Total Pages | : 0 |
| Release | : 2013-09-10 |
| Genre | : Art |
| ISBN | : 9780865653047 |
"With auction prices of Tiffany lamps soaring, collectors are turning to Tiffany's highly desirable art glass, or Favrile glass. These luminescent vessels seize--and continue to hold--the imagination. Author Paul Doros explores the full range of remarkably diverse and innovative styles and forms that Tiffany Studios produced. Former Curator of Glass at the Chrysler Museum of Art, Doros spent twenty-five years studying and researching the subject. His definitive account is accompanied by David Schlegel's masterly photography, which captures the exquisite delicacy of the "Flowerform" vases, the dramatically dripping golden flow of the "Lava" vases, the dazzling iridescence of the "Cypriote" vases, and much more. A must for all lovers of Tiffany, art glass, and the decorative arts"--
