The Staged Encounter
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| Author | : Jane E. Goodman |
| Publisher | : Indiana University Press |
| Total Pages | : 278 |
| Release | : 2020-10-06 |
| Genre | : Social Science |
| ISBN | : 0253049636 |
Staging Cultural Encounters tells stories about performances of cultural encounter and cultural exchange during the US tour of the Algerian theater troupe Istijmam Culturelle in 2016. Jane E. Goodman follows the Algerian theater troupe as they prepare for and then tour the U.S. under the auspices of the Center Stage program, sponsored by the US State Department to promote cross-cultural dialogue and understanding. The title of the play Istijmam produced was translated as "Apples," written by Abdelkader Alloula, a renowned Algerian playwright, director, and actor who was assassinated in 1994. Goodman take readers on tour with the actors as they move from the Kennedy Center in Washington, D.C. to the large state universities of New Hampshire and Indiana, and from a tiny community theater in small-town New England to the stage of the avant-garde La MaMa Theater in New York City. Staging Cultural Encounters takes up conundrums of cross-cultural encounter, challenges in translation, and audience reception, offering a frank account of the encounters with American audiences and the successes and disappointments of the experience of exchange.
| Author | : Özden Sözalan |
| Publisher | : |
| Total Pages | : 204 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : |
This study presents analyses of a wide range of contemporary plays written by women dramatists from a feminist theoretical perspective. It offers creative insights into the exchange between women's dramatic writing and feminist theories of subjectivity and representation in the last three decades and attends to the processes through which the female subject is reconfigured in the theatrical and theoretical spaces created by women. The book is valuable reading for students of theatre and comparative studies, as well as anyone interested in women's writing. The authors treated include Hélène Cixous, Timberlake Wertenbaker, Helen Edmundson, Caryl Churchill, Sheila Yeger, April De Angelis, Anna Furse, Wendy Kesselman, Susan Sontag, Liz Lochhead.
| Author | : Brad Steiger |
| Publisher | : Visible Ink Press |
| Total Pages | : 402 |
| Release | : 2013-10-01 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1578594731 |
Experts on the unexplained and paranormal research, Brad and Sherry Steiger turn their unique and remarkable talents to the bold storytelling of encounters with the unknown from throughout the ages. From mysterious strangers and unpredictable beings to weird behavior and paranormal phenomena, they investigate claims of visits from ghastly ghosts, otherworldly creatures, aliens living among us, phantoms, spirits and other accounts of encounters with the unexplained. Over 130 astounding accounts of Real Encounters, Different Dimensions and Otherworldy Beings with the supernatural such as: Visitors from other worlds who have had Earth under surveillance for centuries, conducting their activities in secret-even abducting humans for their own research and undeclared ends. Members of secret societies who developed advanced technology centuries ago which has been kept hidden in underground or undersea cities. Time Travelers from the Future. Beings who claim to be our descendants from the future who are returning to study the true destiny of humankind. Ghosts that haunt people, places, and things--and poltergeists that create havoc. Beasties and monsters found in everyone’s worst nightmares--and sometimes in their campsites, fields, and yards. Other Dimensional Visitors, Beings, Creatures, or Entities that come not from a faraway world in our solar system or any other, but from an adjacent space-time continuum existing on another vibrational/dimensional frequency or level. Previously unknown, unidentified terrestrial life-forms, such beings as ""sky-critters,"" ""sky fish,” “rods,” and “orbs.” As yet unknown physical energies that may be activated by the psyche, the unconscious level of the humanmind. Archetypal creatures and entities of the collective unconscious that are the result of energies that are accessible through dreams, meditations, and other states of altered consciousness. Interactions with beings that have been dubbed elves, fairies, devas throughout the centuries. The marvelous, creative facet of dreams. Out-of-body mind-traveling through Time and Space. Majestic beings who are described in the scriptures of many world religions as angels or demons.
| Author | : Dagnosław Demski |
| Publisher | : Central European University Press |
| Total Pages | : |
| Release | : 2021-12-22 |
| Genre | : Social Science |
| ISBN | : 9633864402 |
The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as “human zoos” is too narrow. The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.
| Author | : Jane E. Goodman |
| Publisher | : Indiana University Press |
| Total Pages | : 253 |
| Release | : 2020-10-06 |
| Genre | : Social Science |
| ISBN | : 0253052300 |
An anthropologist recounts an Algerian theater troupe’s 2016 US tour, detailing the highs and lows of the cross-cultural exchange. Staging Cultural Encounters tells stories about performances of cultural encounter and cultural exchange during the US tour of the Algerian theater troupe Istijmam Culturelle in 2016. Jane E. Goodman follows the Algerian theater troupe as they prepare for and then tour the United States under the auspices of the Center Stage program, sponsored by the US State Department to promote cross-cultural dialogue and understanding. The title of the play Istijmam produced was translated as “Apples,” written by Abdelkader Alloula, a renowned Algerian playwright, director, and actor who was assassinated in 1994. Goodman take readers on tour with the actors as they move from the Kennedy Center in Washington, D.C. to the large state universities of New Hampshire and Indiana, and from a tiny community theater in small-town New England to the stage of the avant-garde La MaMa Theater in New York City. Staging Cultural Encounters takes up conundrums of cross-cultural encounter, challenges in translation, and audience reception, offering a frank account of the encounters with American audiences and the successes and disappointments of the experience of exchange. “This is a ground-breaking and beautifully written work in the anthropology of performance as well as an intervention in experimental anthropology, wherein theater play is both ethnographic subject and method. The book is accompanied by a detailed website of audio-visual examples, making this a hyper-text, a multi-modal way of knowing. It is a tour de force.” —Deborah Kapchan, author of Theorizing Sound Writing “In this engrossing ethnography [Goodman] brings to life the excitements, hopes and disappointments of their staged cultural encounter. We are shown in fascinating detail what lies behind and before the tour: the actors’ intense disciplined dedication to avant garde theatre practices, the political and economic constraints of contemporary Algeria, the labour of translation, the performance traditions of the Algerian market place. . . . Subtle, searching and empathetic, with touches of wry humor, Goodman’s study will become an instant classic in anthropology, theatre and performance studies.” —Karin Barber, London School of Economics, author of A History of African Popular Culture
| Author | : Kishalay Bhattacharjee |
| Publisher | : Harper Collins |
| Total Pages | : 210 |
| Release | : 2015-10-15 |
| Genre | : History |
| ISBN | : 9351772594 |
'You are here to catch militants, so you have to catch militants. This is your business. You can't say, I have a budget of only 30,000, so I can't catch them.' This anonymous confession by an army officer splits wide open the anatomy of staged encounters in India's northeast, and explains how awards and citations are linked to a body count. Speaking to investigative journalist and conflict specialist Kishalay Bhattacharjee, the confessor tells of the toll this brutality has taken on him.An essay by Bhattacharjee and a postscript that analyses the hidden policy of extra-judicial killings and how it threatens India's democracy contextualize this searing confession. An explosive document on institutionalized human rights abuse.
| Author | : Hyon Joo Yoo |
| Publisher | : State University of New York Press |
| Total Pages | : 353 |
| Release | : 2024-11-01 |
| Genre | : Performing Arts |
| ISBN | : |
A significant intervention into Lacanian film studies, this book sets forth a new theory of the psychoanalytic Real in cinema. In psychoanalysis, the Real ruptures the Symbolic that organizes law, ideology, and other systems of belief, revealing fissures in this underlying order. The Cinema of the Real explores how transnational cinema and especially South Korean cinema facilitate an encounter with the Real, enabling the emergence of a new political subject. Paying close attention to form, Hyon Joo Yoo reveals the existence of an "emancipatory drive" in films by Jang Hun, Park Chan-wook, Lee Chang-dong, Jia Zhangke, Michael Haneke, Claire Denis, and Bong Joon-ho, among others. Their work in effect provides viewers with a picture of how it looks and feels to be on a trajectory in which the subject and her world can change. Far from being a passive consumer of images, Yoo's spectator enters the space of the Real. Theoretically rigorous and inventive, The Cinema of the Real offers new, transnationally attuned tools for conceptualizing the body, affect, femininity, and spectatorship, as well as fresh readings of both classic and contemporary films.
| Author | : Amélie Mons |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 217 |
| Release | : 2024-02-22 |
| Genre | : Performing Arts |
| ISBN | : 1350300853 |
This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real. Focusing on the work of directors such as Gisèle Vienne, Jan Lauwers, Rodrigo Garcia, Jan Fabre and Romeo Castellucci, the book looks at how these directors manipulate their audiences to experience a raw perception of materiality and physical bodies on stage, set within narratives of mystery and the uncanny. This approach has led to these directors' work described as 'obscene', 'pretentious', 'demagogic' and 'provocative'. Because of this, the act of spectating and the nature of spectatorship itself becomes complicated and tends to leave French audiences doubting traditional codes and practices. It leads to the directors' work being misjudged and to contradictory discourses between critics, researchers and directors. The book examines how directors implement strategies on stage to trigger such experiences, while evaluating how problematic these strategies are. It develops critical and philosophical tools that help spectators extend their field of perception and better engage with these contemporary practices. And, in doing so, it analyses a fascinating paradox: the French theatre scene hosting both active avant-garde practices, especially when it comes to spectator experience, and strong rejections from audiences.
| Author | : Didier Fassin |
| Publisher | : University of Chicago Press |
| Total Pages | : 308 |
| Release | : 2017-10-25 |
| Genre | : Social Science |
| ISBN | : 022649778X |
As policing has recently become a major topic of public debate, it was also a growing area of ethnographic research. Writing the World of Policing brings together an international roster of scholars who have conducted fieldwork studies of law enforcement in disadvantaged urban neighborhoods on five continents. How, they ask, can ethnography illuminate the role of the police in society? Are there important aspects of policing that are not captured through interviews and statistics? And how can the study of law enforcement shed light on the practice of ethnography? What might studying policing teach us about the epistemological and ethical challenges of participant observation? Beyond these questions of crucial interest for criminology and, more generally, the social sciences, Writing the World of Policing provides a timely discussion of one of the most problematic institutions in contemporary society.
| Author | : Kerry O. Ferris |
| Publisher | : Routledge |
| Total Pages | : 175 |
| Release | : 2011-01-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 1136828672 |
The sociology of fame and celebrity is at the cutting edge of current scholarship in a number of different areas of study. Stargazing highlights the interactional dynamics of celebrity and fame in contemporary society, including the thoughts and feelings of stars on the red carpet, the thrills and risks of encountering a famous person at a convention or on the streets, and the excitement generated even by the obvious fakery of celebrity impersonators. Using compelling, real-life examples involving popular celebrities, Ferris and Harris examine how the experience and meanings of celebrity are shaped by social norms, interactional negotiations, and interpretive storytelling.
