The St. Bride Typographical Library
Author | : Robert Alexander Peddie |
Publisher | : |
Total Pages | : 32 |
Release | : 1916 |
Genre | : Cataloging |
ISBN | : |
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Author | : Robert Alexander Peddie |
Publisher | : |
Total Pages | : 32 |
Release | : 1916 |
Genre | : Cataloging |
ISBN | : |
Author | : Fiona Ross |
Publisher | : |
Total Pages | : 156 |
Release | : 2012 |
Genre | : Type and type-founding |
ISBN | : 9780950416182 |
Author | : Paul Stirton |
Publisher | : Yale University Press |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Graphic arts |
ISBN | : 9780300243956 |
An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices. This handsome volume offers a new understanding of Tschichold's work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and László Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included "The Ring," a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design. Published in association with the Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (02/15/19-07/07/19)
Author | : Mark Holt |
Publisher | : Springer Science & Business Media |
Total Pages | : 546 |
Release | : 2005 |
Genre | : Architecture |
ISBN | : 9783037780190 |
Founded in London in 1984 by Mark Holt, Simon Johnston, and Hamish Muir, 8vo was one of the most influential design studios in the 1980s and continues to be significant in the design world today. The design studio used traditional, craft-based working methods but an experimental approach to design in order to anticipate the computer-aided aesthetic of the 90s. Designed and written by two of the studio's partners, this attractive, chunky-format book will be a delight to students and practioners of architecture, design, and art alike.
Author | : Edmund Fry |
Publisher | : |
Total Pages | : 246 |
Release | : 1816 |
Genre | : Printers' ornaments |
ISBN | : |
Author | : Keith Houston |
Publisher | : W. W. Norton & Company |
Total Pages | : 353 |
Release | : 2013-09-24 |
Genre | : Design |
ISBN | : 0393064425 |
Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.
Author | : Karen Cheng |
Publisher | : Yale University Press |
Total Pages | : 249 |
Release | : 2020-10-20 |
Genre | : Design |
ISBN | : 0300249926 |
The now-classic introduction to designing typography, handsomely redesigned and updated for the digital age In this invaluable book, Karen Cheng explains the processes behind creating and designing type, one of the most important tools of graphic design. She addresses issues of structure, optical compensation, and legibility, with special emphasis given to the often-overlooked relationships between letters and shapes in font design. In this second edition, students and professional graphic designers alike will benefit from an expanded discussion of the creative practice of designing type—what designers need to consider, their rationale, and issues of accessibility—in the context of contemporary processes for the digital age. Illustrated with more than 400 diagrams that demonstrate visual principles and letter construction, ranging from informal progress sketches to final type designs and diagrams, this essential guide analyzes a wide range of classic and modern typefaces, including those from many premier type foundries. Cheng’s text covers the history of type, the primary systems of typeface classification, the parts of a letter, and the effects of new technology on design methodology, among many other key topics.
Author | : Geoffrey Chaucer |
Publisher | : Collector's Library |
Total Pages | : 576 |
Release | : 2011-09 |
Genre | : Book ornamentation |
ISBN | : 9781907360510 |
The Kelmscott Chaucer is the most memorable and beautiful edition of the complete works of the first great English poet. Next to The Gutenberg Bible, it is considered the outstanding typographic achievement of all time. There are 87 full-page illustrations by Sir Edward Burne-Jones, and the borders, decorations and initials are drawn byWilliam Morris himself. Only 425 copies of this magnificent work were produced in 1896, and this beautiful monochrome facsimile, slightly smaller than the original, makes this glorious book available to all. A fascinating Introduction by Nicholas Barker places the book and its importance in context. The main text is followed by a black and white facsimile of ANoteby William Morris on his Aims in Founding the Kelmscott Press, together with a Short History of the Press by S C Cockerell.
Author | : Barrie Tullett |
Publisher | : Laurence King Publishing |
Total Pages | : 0 |
Release | : 2014-05-20 |
Genre | : Design |
ISBN | : 9781780673479 |
The first piece of known typewriter art was a "drawing" of a butterfly by Flora F. F. Stacey in 1898; since then, artists, designers, poets, and writers have used this rigorous medium to produce an astounding range of creative work. This beautiful book brings together some of the best examples by typewriter artists around the world. As well as key historical work from the Bauhaus, H. N. Werkman, and the concrete poets, there is art by contemporary practitioners, both typewriter artists who use the keyboard as a "palette" to create artworks, and artists/typographers using the form as a compositional device. The book will appeal to graphic designers, typographers, artists, and illustrators, and anyone fascinated by predigital technology.