The Spanish Portrait

The Spanish Portrait
Author: Javier Portús Pérez
Publisher: Nouvelles éditions Scala
Total Pages: 404
Release: 2004
Genre: Art
ISBN:

Presents a survey of the development of this genre in Spanish art from the 15th century to the early decades of the 20th, through a selection of 87 works.

The Drama of the Portrait: Theater and Visual Culture in Early Modern Spain

The Drama of the Portrait: Theater and Visual Culture in Early Modern Spain
Author:
Publisher: Penn State Press
Total Pages: 202
Release:
Genre: Art
ISBN: 9780271048284

Examines theater and portraiture as interrelated social practices in seventeenth-century Spain. Features visual images and cross-disciplinary readings of selected plays that employ the motif of the painted portrait to key dramatic and symbolic effect.

Portrait of Spain

Portrait of Spain
Author: Javier Portús Pérez
Publisher:
Total Pages: 304
Release: 2012-01-01
Genre: Art, Spanish
ISBN: 9781921503443

Catalog accompanies an exhibition held at the Queensland Art Gallery, Brisbane, Australia, July 21-Nov. 4, 2012.

Americans in Spain

Americans in Spain
Author: Brandon Ruud
Publisher: Other Distribution
Total Pages: 0
Release: 2020
Genre: Painters
ISBN: 9780300252965

A revealing exploration of Spain's significant impact on American painting in the 19th and early 20th century

Framing Majismo

Framing Majismo
Author: Tara Zanardi
Publisher: Penn State Press
Total Pages: 583
Release: 2016-03-08
Genre: Art
ISBN: 0271076682

Majismo, a cultural phenomenon that embodied the popular aesthetic in Spain from the second half of the eighteenth century, served as a vehicle to “regain” Spanish heritage. As expressed in visual representations of popular types participating in traditional customs and wearing garments viewed as historically Spanish, majismo conferred on Spanish “citizens” the pictorial ideal of a shared national character. In Framing Majismo, Tara Zanardi explores nobles’ fascination with and appropriation of the practices and types associated with majismo, as well as how this connection cultivated the formation of an elite Spanish identity in the late 1700s and aided the Bourbons’ objective to fashion themselves as the legitimate rulers of Spain. In particular, the book considers artistic and literary representations of the majo and the maja, purportedly native types who embodied and performed uniquely Spanish characteristics. Such visual examples of majismo emerge as critical and contentious sites for navigating eighteenth-century conceptions of gender, national character, and noble identity. Zanardi also examines how these bodies were contrasted with those regarded as “foreign,” finding that “foreign” and “national” bodies were frequently described and depicted in similar ways. She isolates and uncovers the nuances of bodily representation, ultimately showing how the body and the emergent nation were mutually constructed at a critical historical moment for both.

From El Greco to Goya

From El Greco to Goya
Author: Janis A. Tomlinson
Publisher: Prentice Hall
Total Pages: 180
Release: 1997
Genre: Art
ISBN:

Long an object of travelers' fascination, Spain in the Golden Age is often represented as a monochromatic society, ruled by the Catholic church and a decadent nobility. Spanish painting has shared this fate, seen as a dark reflection of devout piety, gravity, and austerity. Yet painting in Spain is far richer than this view supposes. During the Renaissance the splendid court of Philip II led a society made wealthy by a monopoly on New World trade. His Spain became a mecca for the finest artists of Europe, especially those from Italy and the Netherlands. During the next 250 years, a glorious art of painting flourished at the Habsburg and Bourbon courts in Madrid, and in the cities of Seville, Valencia, and Toledo: majestic, fiercely emotional, elegant, and urbane. From the insightful portraits of El Greco and Velazquez to the stark poetry of Zurbaran's religious works, from images of monarchic authority to courtly entertainments, painters working in Spain created an art of extraordinary stature, woven into the international world of Mannerism, the Baroque, and the Rococo. Janis Tomlinson traces these myriad influences as they developed from generation to generation of artists, culminating in the unique accomplishment of Francisco Goya, last of the old masters and first of the moderns.

Manet/Velázquez

Manet/Velázquez
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
Total Pages: 610
Release: 2003
Genre: Painting, French
ISBN: 1588390403

Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.