A catalogue of the South African public library
Author | : Cape Town S. Afr. publ. libr |
Publisher | : |
Total Pages | : 294 |
Release | : 1829 |
Genre | : |
ISBN | : |
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Author | : Cape Town S. Afr. publ. libr |
Publisher | : |
Total Pages | : 294 |
Release | : 1829 |
Genre | : |
ISBN | : |
Author | : Bertram Laslett Dyer |
Publisher | : |
Total Pages | : 58 |
Release | : 1903 |
Genre | : Libraries |
ISBN | : |
Author | : South African Public Library. Grey Collection |
Publisher | : |
Total Pages | : 418 |
Release | : 1884 |
Genre | : Grey, George, Sir, 1812-1898 --library --catalogues |
ISBN | : |
Author | : Robert Montgomery Martin |
Publisher | : |
Total Pages | : 384 |
Release | : 1836 |
Genre | : Great Britain |
ISBN | : |
Author | : Joe Karaganis |
Publisher | : MIT Press |
Total Pages | : 321 |
Release | : 2018-05-04 |
Genre | : Education |
ISBN | : 0262535017 |
How students get the materials they need as opportunities for higher education expand but funding shrinks. From the top down, Shadow Libraries explores the institutions that shape the provision of educational materials, from the formal sector of universities and publishers to the broadly informal ones organized by faculty, copy shops, student unions, and students themselves. It looks at the history of policy battles over access to education in the post–World War II era and at the narrower versions that have played out in relation to research and textbooks, from library policies to book subsidies to, more recently, the several “open” publication models that have emerged in the higher education sector. From the bottom up, Shadow Libraries explores how, simply, students get the materials they need. It maps the ubiquitous practice of photocopying and what are—in many cases—the more marginal ones of buying books, visiting libraries, and downloading from unauthorized sources. It looks at the informal networks that emerge in many contexts to share materials, from face-to-face student networks to Facebook groups, and at the processes that lead to the consolidation of some of those efforts into more organized archives that circulate offline and sometimes online— the shadow libraries of the title. If Alexandra Elbakyan's Sci-Hub is the largest of these efforts to date, the more characteristic part of her story is the prologue: the personal struggle to participate in global scientific and educational communities, and the recourse to a wide array of ad hoc strategies and networks when formal, authorized means are lacking. If Elbakyan's story has struck a chord, it is in part because it brings this contradiction in the academic project into sharp relief—universalist in principle and unequal in practice. Shadow Libraries is a study of that tension in the digital era. Contributors Balázs Bodó, Laura Czerniewicz, Miroslaw Filiciak, Mariana Fossatti, Jorge Gemetto, Eve Gray, Evelin Heidel, Joe Karaganis, Lawrence Liang, Pedro Mizukami, Jhessica Reia, Alek Tarkowski
Author | : Caroline Davis |
Publisher | : Routledge |
Total Pages | : 369 |
Release | : 2021-07-29 |
Genre | : History |
ISBN | : 1000426378 |
Print Culture in Southern Africa is concerned with the institutions and processes informing textual production, circulation and consumption in the region, over a broad historical period from the late 18th century to the present day. The book is organised around three closely related themes. Firstly, it presents original research into the formation of reading publics and the impact of reading cultures, by uncovering obscure but important reading communities and circuits of book distribution and reception. A second theme is the relationship between print and politics, with a particular focus on the networks of power: how control over the production and circulation of printed books has shaped literary and cultural development. The third theme is transnational print culture, and how the control exercised by publishers in Europe and America has shaped literature and society in southern Africa. Drawing together interdisciplinary research and diverse methodologies, the collection encompasses a range of perspectives, including literary studies, anthropology, publishing studies, the history of the book and art history, and many of the chapters are based on previously unexamined archives and collections. The volume contributes to current debates and opens up new and exciting ways of furthering the study of postcolonial literature and African book history. The chapters included in this book were originally published in the Journal of Southern African Studies.
Author | : Glasgow (Scotland). Public Libraries. Govanhill and Crosshill District Library |
Publisher | : |
Total Pages | : 504 |
Release | : 1907 |
Genre | : Catalogs, Library |
ISBN | : |
Author | : Carol A. Muller |
Publisher | : Routledge |
Total Pages | : 359 |
Release | : 2010-04-15 |
Genre | : Music |
ISBN | : 1135901821 |
Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.