The Sound Sculptures Of Bernard And Francois Baschet
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| Author | : François Baschet |
| Publisher | : Edicions Universitat Barcelona |
| Total Pages | : 487 |
| Release | : 2017-04-12 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 8447539482 |
This book is a classic in the history of art. In it François Baschet recounts the research and creation of his Sound Sculptures, with which he began a pioneering career combining art and science, sculpture and music. The willingness to share his findings inspired another breakthrough: participatory exhibitions, spaces where everyone could explore and play with sound. François Baschets conception of acousticsa method of understanding the functional relations between form, matter, action and soundnot only gave rise to the invention of hundreds of Sound Sculptures of all sizes and sonority, which can be found all over the world, but also led François and his brother to collaborate with personalities such as Jean Cocteau, Pierre Schaeffer and ToruTakemitsu. François Baschet relates a funny collection of stories about the artistic life in Paris and New York in 40s and 60s. This reissue of The Sound Sculptures of Bernard and François Baschet includes fragments still unpublished when the first edition appeared, and incorporates the original text of the Organologie des Structures Sonores Baschet (written by the two brothers), with Spanish translations.
| Author | : François Baschet |
| Publisher | : |
| Total Pages | : 338 |
| Release | : 1999 |
| Genre | : Music |
| ISBN | : |
| Author | : Bart Hopkin |
| Publisher | : CRC Press |
| Total Pages | : 452 |
| Release | : 2021-08-04 |
| Genre | : Computers |
| ISBN | : 1000360652 |
Sound Inventions is a collection of 34 articles taken from Experimental Musical Instruments, the seminal journal published from 1984 through 1999. In addition to the selected articles, the editors have contributed introductory essays, placing the material in cultural and temporal context, providing an overview of the field both before and after the time of original publication. The Experimental Musical Instruments journal contributed extensively to a number of sub-fields, including sound sculpture and sound art, sound design, tuning theory, musical instrument acoustics, timbre and timbral perception, musical instrument construction and materials, pedagogy, and contemporary performance and composition. This book provides a picture of this important early period, presenting a wealth of material that is as valuable and relevant today as it was when first published, making it essential reading for anyone researching, working with or studying sound.
| Author | : Alfia Nakipbekova |
| Publisher | : Vernon Press |
| Total Pages | : 146 |
| Release | : 2019-07-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1622736575 |
Considered to be one of the most revolutionary composers of the twentieth century, Iannis Xenakis pushed the boundaries of classical music. As a largely self-taught composer, Xenakis drew from his technical training in engineering and architecture to produce music that had the ability to both unnerve and enrapture his audiences. Motivated by his intense study of many scientific disciplines, he employed the mathematical rules of the natural world to test the traditional rules of counterpoint and harmony, and to explore the spatial texture of sound, colour and architecture. The Romanian-born Greek-French composer transformed twentieth century classical music for decades to come, leaving behind an undeniable legacy that continues to inspire and even shock listeners to this day. By approaching Xenakis’s creative output from a variety of perspectives, the contributors to this edited volume seek not only to situate Xenakis’s music within a larger cultural, social and political context but also to shed light on contemporary issues surrounding his work. Each chapter focuses on a different aspect of Xenakis’s music (in the context of particular works) and musical philosophy: mathematical, structural, performative, as well as the genesis of his compositional style and distinctive sound. Xenakis’s artistic presence on the contemporary music scene, his political influence during the tumultuous protests in Paris ’68, and his first piano composition, Herma, are also explored in-depth providing new insights into the life and work of this avant-garde figure. This book will appeal to contemporary music researchers, students and scholars and may also be of interest to artists, performers and composers, alike.
| Author | : Andrew Knight-Hill |
| Publisher | : CRC Press |
| Total Pages | : 415 |
| Release | : 2020-05-26 |
| Genre | : Computers |
| ISBN | : 1000069761 |
Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume’s interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.
| Author | : Mine Dogantan-Dack |
| Publisher | : Routledge |
| Total Pages | : 282 |
| Release | : 2016-03-03 |
| Genre | : Music |
| ISBN | : 1317178203 |
Artistic Practice as Research in Music: Theory, Criticism, Practice brings together internationally renowned scholars and practitioners to explore the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music. Through various theoretical positions and case studies, and by establishing robust connections between theoretical debates and concrete examples of artistic research projects, the authors discuss the conditions under which artistic practice becomes a research activity; how practice-led research is understood in conservatoire settings; issues of assessment in relation to musical performance as research; methodological possibilities open to music practitioners entering academic environments as researchers; the role of technology in processes of musical composition as research; the role and value of performerly knowledge in music-analytical enquiry; issues in relation to live performance as a research method; artistic collaboration and improvisation as research tools; interdisciplinary concerns of the artist-researcher; and the relationship between the affordances of a musical instrument and artistic research in musical performance. Readers will come away from the book with fresh insights about the theoretical, critical and practical work being done by experts in this exciting new field of enquiry.
| Author | : Russell Hartenberger |
| Publisher | : Cambridge University Press |
| Total Pages | : 327 |
| Release | : 2016-03-10 |
| Genre | : Music |
| ISBN | : 1107093457 |
Timpani traditions and beyond
| Author | : Perry Robinson |
| Publisher | : iUniverse |
| Total Pages | : 442 |
| Release | : 2002 |
| Genre | : Biography & Autobiography |
| ISBN | : 0595215386 |
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| Author | : Vadim Keylin |
| Publisher | : Springer Nature |
| Total Pages | : 161 |
| Release | : 2023-11-20 |
| Genre | : Social Science |
| ISBN | : 9819963575 |
This book addresses a major gap in sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical avant-gardes to the non-institutionalized forms of sonic creativity in contemporary digital culture. In doing so, it proposes an innovative theoretical framework for analysing such phenomena, rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, it focuses on three principal aspects of participatory sound art: the ways the materialities of the artworks facilitate and structure the participatory processes; the interplay of the creative agencies of the artists and the participants; and the postcritical approach to sound art’s politics, unfolding through the participants’ affective gestures. In considering these multiple dimensions, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art.
| Author | : Yael Kaduri |
| Publisher | : Oxford University Press |
| Total Pages | : 553 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 0199841543 |
Résumé en 4ème de couverture: "This book examines different kinds of analogies, mutual influences, integrations, and collaborations of the audio and the visual in different art forms. The contributions, written by key theoreticians and practitioners, represent state-of-the-art case studies in contemporary art, integrating music, sound, and image with key figure of modern thinking constitute a foundation for the discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks. The book is organized around three core subjects, each of which constitutes one section of the book. The first concentrates on the interaction between seeing and hearing. Examples of classic and digital animation, video art, choreography, and music performance, which are motivated by the issue of eye versus ear perception are examined in this section. The second section explores experimental forms emanating from the expansion of the concepts of music and space to include environmental sounds, vibrating frequencies, language, human habitats, the human body, and more. The reader will find here an analysis of different manifestations of this aesthetic shift in sound art, fine art, contemporary dance, multimedia theatre, and cinema. The last section shows how the new light shed by modernism on the performative aspect of music has led it-together with sound, voice, and text-to become active in new ways in postmodern and contemporary art creation. In addition to examples of real-time performing arts such as music theatre, experimental theatre, and dance, it includes case studies that demonstrate performativity in visual poetry, short film, and cinema. Sittingat the cutting edge of the field of music and visual arts, this book offers a unique, and at times controversial, view of this rapidly envolving area of study. Artists, curators, students, and scholars will find here a panoramic view of discourse in the field, presented by an international roster of scholars and practitioners."
