The Sopranos And Philosophy
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| Author | : Richard Greene |
| Publisher | : Open Court |
| Total Pages | : 236 |
| Release | : 2012-03-30 |
| Genre | : Philosophy |
| ISBN | : 0812698088 |
This collection of essays by philosophers who are also fans does a deep probe of the Sopranos, analyzing the adventures and personalities of Tony, Carmella, Livia, and the rest of television's most irresistible mafia family for their metaphysical, epistemological, value theory, eastern philosophical, and contemporary postmodern possibilities. No prior philosophical qualificationsor mob connections are required to enjoy these musings, which are presented with the same vibrancy and wit that have made the show such a hit.
| Author | : Richard Greene |
| Publisher | : Open Court Publishing |
| Total Pages | : 236 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 0812695585 |
'The Sopranos' is rich in philosophical content and complex human interactions and accurately summarizes the human condition, so it is natural for philosophical treatment. This work investigates the programmes traditional branches of western philosophy.
| Author | : Richard Greene |
| Publisher | : Open Court |
| Total Pages | : 312 |
| Release | : 2011-04-12 |
| Genre | : Philosophy |
| ISBN | : 081269726X |
What explains the huge popular following for Dexter, currently the most-watched show on cable, which sympathetically depicts a serial killer driven by a cruel compulsion to brutally slay one victim after another? Although Dexter Morgan kills only killers, he is not a vigilante animated by a sense of justice but a charming psychopath animated by a lust to kill, ritualistically and bloodily. However his gory appetite is controlled by “Harry’s Code,” which limits his victims to those who have gotten away with murder, and his job as a blood spatter expert for the Miami police department gives him the inside track on just who those legitimate targets may be. In Dexter and Philosophy, an elite team of philosophers don their rubber gloves and put Dexter’s deeds under the microscope. Since Dexter is driven to ritual murder by his “Dark Passenger,” can he be blamed for killing, especially as he only murders other murderers? Does Dexter fit the profile of the familiar fictional type of the superhero? What part does luck play in making Dexter who he is? How and why are horror and disgust turned into aesthetic pleasure for the TV viewer? How essential is Dexter’s emotional coldness to his lust for slicing people up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals around him? Why does Dexter long to be a normal human being and why can’t he accomplish this apparently simple goal?
| Author | : Richard Greene |
| Publisher | : Open Court |
| Total Pages | : 242 |
| Release | : 2013-10-08 |
| Genre | : Philosophy |
| ISBN | : 0812698320 |
From Machiavellian city officials to big-time mobsters, corrupt beat cops, and overzealous G-men, Boardwalk Empire is replete with philosophically compelling characters who find themselves in philosophically interesting situations. This book is directed at thoughtful fans of the show. Here, readers discover parallels between the events in Boardwalk Empire and contemporary political events. Twenty philosophers address issues in political philosophy, ethics, aesthetics, feminism, and metaphysics. Is Nucky Thomson a Machiavellian prince or a Nietzschean superman? Is Jimmy's resentment towards Nucky justified, given that Jimmy would never have come into existence had his parents not met? What can be said about the ethics of lying in the seedy world of bootlegging? Agent Van Alden’s unique religious attitudes bring a warped sense of morality to the Boardwalk universe. One chapter brings to light the moral character of Van Alden’s God. Other chapters explores the roles that storytelling, deception, and gender play in the show.
| Author | : David R. Koepsell |
| Publisher | : Open Court |
| Total Pages | : 254 |
| Release | : 2012-06-20 |
| Genre | : Philosophy |
| ISBN | : 0812697901 |
Breaking Bad, hailed by Stephen King, Chuck Klosterman, and many others as the best of all TV dramas, tells the story of a man whose life changes because of the medical death sentence of an advanced cancer diagnosis. The show depicts his metamorphosis from inoffensive chemistry teacher to feared drug lord and remorseless killer. Driven at first by the desire to save his family from destitution, he risks losing his family altogether because of his new life of crime. In defiance of the tradition that viewers demand a TV character who never changes, Breaking Bad is all about the process of change, with each scene carrying forward the morphing of Walter White into the terrible Heisenberg. Can a person be transformed as the result of a few key life choices? Does everyone have the potential to be a ruthless criminal? How will we respond to the knowledge that we will be dead in six months? Is human life subject to laws as remorseless as chemical equations? When does injustice validate brutal retaliation? Why are drug addicts unsuitable for operating the illegal drug business? How can TV viewers remain loyal to a series where the hero becomes the villain? Does Heisenberg’s Principle of Uncertainty rule our destinies? In Breaking Bad and Philosophy, a hand-picked squad of professional thinkers investigate the crimes of Walter White, showing how this story relates to the major themes of philosophy and the major life decisions facing all of us.
| Author | : David Baggett |
| Publisher | : Open Court |
| Total Pages | : 288 |
| Release | : 2011-09-30 |
| Genre | : Philosophy |
| ISBN | : 0812697839 |
The shower scene in Psycho; Cary Grant running for his life through a cornfield; “innocent” birds lined up on a fence waiting, watching — these seminal cinematic moments are as real to moviegoers as their own lives. But what makes them so? What deeper forces are at work in Hitchcock’s films that so captivate his fans? This collection of articles in the series that’s explored such pop-culture phenomena as Seinfeld and The Simpsons examines those forces with fresh eyes. These essays demonstrate a fascinating range of topics: Sabotage’s lessons about the morality of terrorism and counter-terrorism; Rope’s debatable Nietzschean underpinnings; Strangers on a Train’s definition of morality. Some of the essays look at more overarching questions, such as why Hitchcock relies so heavily on the Freudian unconscious. In all, the book features 18 philosophers paying a special homage to the legendary auteur in a way that’s accessible even to casual fans.
| Author | : Mark Rowlands |
| Publisher | : Random House |
| Total Pages | : 290 |
| Release | : 2010-07-07 |
| Genre | : Humor |
| ISBN | : 1407099981 |
Everything I Know I Learned From TV uses characters we all know and love and their TV worlds to explain the great questions of philosophy. The only qualifications you need to join in are ownership of a sofa, a remote control, a sense of humour and an enquiring mind. The philosophy discussed is very much 'life' philosophy, answering the questions we all want to know: How do you define what is a good life to lead? The Simpsons disagree over the right way to live with Nietzsche and Diogenes on hand to take sides. What is real happiness? Aristotle fights Descartes for the heart and mind of Sex and the City's Carrie Bradshaw. Can a good person do a bad thing? Kant and Socrates pay a call on Tony Soprano and his latter-day Mob to talk moral philosophy. Where does love end and friendship begin? Rachel and Ross ask Plato about the philosophy of emotions and wonder if they're just good friends. Is the pursuit of self-knowledge a good thing? Socrates helps Niles and Frasier Crane and their dad deal with the relative merit of the examined and the unexamined life. And much more.
| Author | : James B. South |
| Publisher | : John Wiley & Sons |
| Total Pages | : 278 |
| Release | : 2010-06-01 |
| Genre | : Philosophy |
| ISBN | : 0470603011 |
A look at the philosophical underpinnings of the hit TV show, Mad Men With its swirling cigarette smoke, martini lunches, skinny ties, and tight pencil skirts, Mad Men is unquestionably one of the most stylish, sexy, and irresistible shows on television. But the series becomes even more absorbing once you dig deeper into its portrayal of the changing social and political mores of 1960s America and explore the philosophical complexities of its key characters and themes. From Socrates, Plato, and Aristotle to John Kenneth Galbraith, Milton Friedman, and Ayn Rand, Mad Men and Philosophy brings the thinking of some of history's most powerful minds to bear on the world of Don Draper and the Sterling Cooper ad agency. You'll gain insights into a host of compelling Mad Men questions and issues, including happiness, freedom, authenticity, feminism, Don Draper's identity, and more. Takes an unprecedented look at the philosophical issues and themes behind AMC's Emmy Award-winning show, Mad Men Explores issues ranging from identity to authenticity to feminism, and more Offers new insights on your favorite Mad Men characters, themes, and storylines Mad Men and Philosophy will give Mad Men fans everywhere something new to talk about around the water cooler.
| Author | : Wayne Yuen |
| Publisher | : Open Court Publishing |
| Total Pages | : 280 |
| Release | : 2012 |
| Genre | : Performing Arts |
| ISBN | : 0812697677 |
"The Walking Dead" is both a hugely successful comics series and a popular TV show. This epic story of a zombie apocalypse is unique. It focuses on the long-term individual, social, and moral consequences of survival by small groups of humans in a world overrun by infected zombies. Guns, chainsaws, and machetes are not enough for survival: humans also need agreement on rules of conduct. Can equality or fairness have any polace in the post-apocalyptic world? Do theft or even assault and murder become okay under desperate circumstances? Who should be recognized as having political authority? What about eating human flesh? Should survivors have children?
| Author | : William S. Burroughs |
| Publisher | : Grove Press |
| Total Pages | : 274 |
| Release | : 2013-10-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0802121950 |
"Sheer pleasure. . . . Wonderfully entertaining."--Chicago Sun-Times Acclaimed by Norman Mailer more than twenty years ago as "possibly the only American writer of genius," William S. Burroughs has produced a body of work unique in our time. In these scintillating essays, he writes wittily and wisely about himself, his interests, his influences, his friends and foes. He offers candid and not always flattering assessments of such diverse writers as Ernest Hemingway, F. Scott Fitzgerald, Joseph Conrad, Graham Greene, Jack Kerouac, Allen Ginsberg, Samuel Beckett, and Marcel Proust. He ruminates on science and the often dubious paths into which it seems intent on leading us, whether into outer or inner space. He reviews his reviewers, explains his famous "cut-up" method, and discusses the role coincidence has played in his life and work. As satirist and parodist, William Burroughs has no peer, as these varied works, written over three decades, amply reveal.
