The Solipsistic Novels Of Samuel Beckett
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Author | : Samuel Beckett |
Publisher | : Grove/Atlantic, Inc. |
Total Pages | : 207 |
Release | : 2011-01-11 |
Genre | : Fiction |
ISBN | : 0802198368 |
Murphy, Samuel Beckett’s first published novel, is set in London and Dublin, during the first decades of the Irish Republic. The title character loves Celia in a “striking case of love requited” but must first establish himself in London before his intended bride will make the journey from Ireland to join him. Beckett comically describes the various schemes that Murphy employs to stretch his meager resources and the pastimes that he uses to fill the hours of his days. Eventually Murphy lands a job as a nurse at Magdalen Mental Mercyseat hospital, where he is drawn into the mad world of the patients which ends in a fateful game of chess. While grounded in the comedy and absurdity of much of daily life, Beckett’s work is also an early exploration of themes that recur throughout his entire body of work including sanity and insanity and the very meaning of life.
Author | : John Calder |
Publisher | : Alma Books |
Total Pages | : 161 |
Release | : 2018-01-01 |
Genre | : Philosophy |
ISBN | : 0714545546 |
ncreasingly Samuel Beckett's writing is seen as the culmination of the great literature of the twentieth century - succeeding the work of Proust, Joyce and Kafka. Beckett is a writer whose relevance to his time and use of poetic imagery can be compared to Shakespeare's in the late Renaissance. John Calder has examined the work of Beckett principally for what it has to say about our time in terms of philosophy, theology and ethics, and he points to aspects of his subject's thinking that others have ignored or preferred not to see. Samuel Beckett's acute mind pulled apart with courage and much humour the basic assumptions and beliefs by which most people live. His satire can be biting and his wit devastating. He found no escape from human tragedy in the comforts we build to shield ourselves from reality - even in art, which for most intellectuals has replaced religion. However, he did develop a moral message - one which is in direct contradiction to the values of ambition, success, acquisition and security which is normally held up for admiration, and he looks at the greed, God-worship, and cruelty to others which we increasingly take for granted, in a way that is both unconventional and revolutionary.If this study shocks many readers it is because the honesty, the integrity and the depth of Beckett's thinking - expressed through his novels, plays and poetry, but also through his other writings and correspondence - is itself shocking, to conventional thinking. Yet what he has to say is also comforting. He offers a different ethic and prescription for living - a message based on stoic courage, compassion and an ability to understand and forgive.
Author | : Samuel Beckett |
Publisher | : Grove Press |
Total Pages | : 502 |
Release | : 2006 |
Genre | : Fiction |
ISBN | : 9780802118172 |
Volume one of a four volume collection of the works of Samuel Beckett.
Author | : John Pilling |
Publisher | : Cambridge University Press |
Total Pages | : 278 |
Release | : 1994-03-17 |
Genre | : Drama |
ISBN | : 9780521424134 |
The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book, first published in 1994, provides thirteen introductory essays on every aspect of Beckett's work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the 'trilogy' and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.
Author | : Charles A. Carpenter |
Publisher | : A&C Black |
Total Pages | : 525 |
Release | : 2011-10-13 |
Genre | : Reference |
ISBN | : 144118421X |
Author | : Samuel Beckett |
Publisher | : Faber & Faber |
Total Pages | : 109 |
Release | : 2012-10-04 |
Genre | : Fiction |
ISBN | : 0571266924 |
The iconic trilogy of novels by the era-defining Nobel laureate, relaunched for a new generation. I can't go on, I'll go on. Molloy: a sordid vagrant riding his bicycle through the countryside, sucking stones, on a quest for his mother. Moran: a private detective sent on his trail, investigating his crimes - but soon to deteriorate alongside him. Malone: an octogenarian man on his deathbed, naked in piles of blankets, wiling away the time with stories - writing, reminiscing, raging, surviving. The Unnameable: an armless and legless creature from a nameless place, weeping and watching in his urn, orbited by visitors outside a chop-house. Together, these selves speak, debate, exist: the prose as alive, or more, than them. 'The master innovator of them all.' Guardian
Author | : Peter John Murphy |
Publisher | : Boydell & Brewer |
Total Pages | : 196 |
Release | : 1994 |
Genre | : Literary Criticism |
ISBN | : 9781879751934 |
A survey of Beckett criticism in English, French and German. Samuel Beckett (1906-1989) is an important figure in 20th century literary history: his plays, such as Waiting for Godot and Endgame, have acquired a world-wide reputation, and his novels have proved important touchstones for the critical debates in contemporary literary theory. Born in Dublin, Beckett spent most of his writing life in France and wrote equally well in French and English; his German was also fluent, allowing him to direct hisown plays in German theatres. Any attempt to deal with Beckett must therefore consider the critical response his works have provoked in all three languages. A Critique of Beckett Criticism is the first attempt in book formto give a comprehensive survey of the history and scope of Beckett criticism in French, English, and German. Three parallel chapters examine the three major strands of Beckett criticism, retracing its development using a historical perspective and pointing out different trends, currents and fashions in opinion. Directions for further research are also suggested. P.J. MURPHY is a lecturer in contemporary British literature at the University College of the Cariboo, British Columbia; WERNER HUBER is a professor of English literature at Chemnitz University of Technology; ROLF BREUER is professor of English literature at the University of Paderborn; KONRAD SCHOELL is professor of French literature at the Pädagogische Hochschule Erfurt.
Author | : Sami Pihlström |
Publisher | : Bloomsbury Publishing |
Total Pages | : 241 |
Release | : 2020-05-14 |
Genre | : Philosophy |
ISBN | : 1350126411 |
Solipsism is one of the philosophical thesis or ideas that has generally been regarded as highly implausible, or even crazy. The view that the world is “my world” in the sense that nothing exists independently of my mind, thought, and/or experience is, understandably, frowned up as a genuine philosophical position. For this reason, solipsism might be regarded as an example of a philosophical position that does not “matter” at all. It does not seem to play any role in our serious attempts to understand the world and ourselves. However, by arguing that solipsism does matter, after all, Why Solipsism Matters more generally demonstrates that philosophy, even when dealing with highly counterintuitive and “crazy” ideas, may matter in surprising, unexpected ways. It will be shown that the challenge of solipsism should make us rethink fundamental assumptions concerning subjectivity, objectivity, realism vs. idealism, relativism, as well as key topics such as ethical responsibility – that is, our ethical relations to other human beings – and death and mortality. Why Solipsism Matters is not only an historical review of the origins and development of the concept of solipsism and a exploration of some of its key philosophers (Kant and Wittgenstein to name but a few) but it develops an entirely new account of the idea. One which takes seriously the global, socially networked world in which we live in which the very real ramifications of solipsism - including narcissism - can be felt.
Author | : Douglas W. Alden |
Publisher | : Susquehanna University Press |
Total Pages | : 554 |
Release | : 1994-10 |
Genre | : Foreign Language Study |
ISBN | : 9780945636687 |
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Author | : Samuel Beckett |
Publisher | : |
Total Pages | : 232 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : |
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to ‘what is the word’ (1988), describes a lifetime’s arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to ‘bore one hole after another in language, until what lurks behind it – be it something or nothing – begins to seep through.’ Also included are several of Beckett’s translations from contemporaries – Apollinaire, Eluard, Michaux, Montale – in versions which count among his own poetic achievements. my way is in the sand flowingbetween the shingle and the dunethe summer rain rains on my lifeon me my life harrying fleeingto its beginning to its end‘The best of it speaks, or rather whispers, to the inner ear . . . Like the prose, with which they have so much else in common, the poems are instantly striking and mysteriously persistent in the mind and even the nerves. Graphic and vivid, they are also intensely musical: theatrical, too, and continuous with the work for stage, radio and other media . . . Not inexpressive, as their author might have wished, but expressive of a rare vision.’ – Derek Mahon