The Social World Of Galleries
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| Author | : Alain Quemin |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 473 |
| Release | : 2024-10-17 |
| Genre | : Art |
| ISBN | : 1350370932 |
This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the author's field research carried out for over a decade, and combining ethnographic material with quantitative data, the book reveals the major role galleries play in the creation of art value. Despite being pillars of the art market, there has been very little in-depth research on galleries, especially when compared with the analysis of artists, critics, and dealers. Written by a sociologist who has spent a decade as an art critic, the book builds on work conducted by art historian and sociologist Raymonde Moulin from the 1960s to the 1990s. Drawing on ethnographic observations and interviews with those working in the field today, it provides a thorough and up-to-date analysis of what contemporary art galleries really are: the spaces they occupy both physically and online; their position within gallery 'districts'; their relation to art fairs and biennials; and how friendship with clients is built and trends within the business, in turn illuminating the hierarchized structure of the sector. The book concludes by addressing a significant gap in data on the art market by providing a sociological ranking of international contemporary art galleries. Offering a detailed analysis to a topic that has never been fully studied, The Social World of Galleries is essential reading for scholars and students of art sociology, art history and art business, as well as gallerists, collectors or art lovers, and artists themselves.
| Author | : Nathan Jurgenson |
| Publisher | : Verso Books |
| Total Pages | : 149 |
| Release | : 2019-04-30 |
| Genre | : Photography |
| ISBN | : 1786635461 |
"Mr. Jurgenson makes a first sortie toward a new understanding of the photograph, wherein artistry or documentary intent have given way to communication and circulation. Like Susan Sontag’s On Photography, to which it self-consciously responds, The Social Photo is slim, hard-bitten and picture-free." – New York Times A set of bold theoretical reflections on how the social photo has remade our world. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo, social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it.
| Author | : Howard Saul Becker |
| Publisher | : Univ of California Press |
| Total Pages | : 414 |
| Release | : 1982-01-01 |
| Genre | : Art |
| ISBN | : 9780520043862 |
| Author | : Auguste Forel |
| Publisher | : |
| Total Pages | : 522 |
| Release | : 1928 |
| Genre | : Ants |
| ISBN | : |
| Author | : Christopher Whitehead |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2011-12-02 |
| Genre | : Art |
| ISBN | : 1136506136 |
In this pioneering book, Christopher Whitehead provides an overview and critique of art interpretation practices in museums and galleries. Covering the philosophy and sociology of art, traditions in art history and art display, the psychology of the aesthetic experience and ideas about learning and communication, Whitehead advances major theoretical frameworks for understanding interpretation from curators’ and visitors’ perspectives. Although not a manual, the book is deeply practical. It presents extensively researched European and North American case studies involving interviews with professionals engaged in significant cutting-edge interpretation projects. Finally, it sets out the ethical and political responsibilities of institutions and professionals engaged in art interpretation. Exploring the theoretical and practical dimensions of art interpretation in accessible language, this book covers: The construction of art by museums and galleries, in the form of collections, displays, exhibition and discourse; The historical and political dimensions of art interpretation; The functioning of narrative, categories and chronologies in art displays; Practices, discourses and problems surrounding the interpretation of historical and contemporary art; Visitor experiences and questions of authorship and accessibility; The role of exhibition texts, new interpretive technologies and live interpretation in art museum and gallery contexts. Thoroughly researched with immediately practical applications, Interpreting Art in Museums and Galleries will inform the practices of art curators and those studying the subject.
| Author | : Anne Nellis Richter |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 345 |
| Release | : 2024-06-27 |
| Genre | : Art |
| ISBN | : 1350372765 |
In 1806, the Marquess and Marchioness of Stafford opened a gallery at Cleveland House, London, to display their internationally-renowned collection of Old Master paintings to the public. A ticket to the gallery's Wednesday afternoon openings was a sought-after prize, granting access to the collection and the house's dazzling interior in the company of artists, celebrities, and Britain's elite. This book explores the gallery's interior through the lens of its abundant material culture, including paintings in gilded frames, furniture, silver oil lamps, flower arrangements, and the numerous printed catalogues and guidebooks that made the gallery visible to those who might never cross its threshold. Through detailed analysis of these objects and a wide range of other visual, material, textual and archival sources, the book presents the gallery at Cleveland House as a methodological case study on how the display of art in the 19th century was shaped by notions about public and private space, domesticity, and the role art galleries played in the formation of national culture. In doing so, the book also explains how and why magnificent private galleries and the artworks and objects they contained gripped the public imagination during a critical period of political and cultural transformation during and after the Napoleonic Wars. Combining historical, cultural and material analysis, the book will make essential reading for researchers in British art in the Regency period, museum studies, collecting studies, social history, and the histories of interior decoration and design in the 18th and 19th centuries.
| Author | : Suzanne MacLeod |
| Publisher | : Routledge |
| Total Pages | : 431 |
| Release | : 2018-06-18 |
| Genre | : Architecture |
| ISBN | : 1351370367 |
The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.
| Author | : Andrea Glauser |
| Publisher | : Springer Nature |
| Total Pages | : 435 |
| Release | : 2020-06-15 |
| Genre | : Social Science |
| ISBN | : 3030390136 |
This edited collection offers an in-depth analysis of the complex and changing relationship between the arts and their markets. Highly relevant to almost any sociological exploration of the arts, this interaction has long been approached and studied. However, rapid and far-reaching economic changes have recently occurred. Through a number of new empirical case studies across multiple artistic, historic and geographical settings, this volume illuminates the developments of various art markets, and their sociological analyses. The contributions include chapters on artistic recognition and exclusion, integration and self-representation in the art market, sociocultural changes, the role of the gallery owner, and collectives, rankings, and constraints across the cultural industries. Drawing on research from Japan, Switzerland, France, Italy, China, the US, UK, and more, this rich and global perspective challenges current debates surrounding art and markets, and will be an important reference point for scholars and students across the sociology of arts, cultural sociology and culture economy.
| Author | : J. F. Merritt |
| Publisher | : Manchester University Press |
| Total Pages | : 393 |
| Release | : 2018-09-30 |
| Genre | : History |
| ISBN | : 1526130513 |
Early modern Westminster is familiar as the location of the Royal Court at Whitehall, parliament, the law courts and the emerging West End, yet it has never been studied in its own right. This book is the first study to provide an integrated picture of the town during this crucial period in its history. It reveals the often problematic relations between the diverse groups of people who constituted local society – the Court, the aristocracy, the Abbey, the middling sort and the poor – and the competing visions of Westminster’s identity which their presence engendered. Different chapters study the impact of the Reformation and of the building of Whitehall Palace; the problem of poverty and the politics of communal responsibility; the character and significance of the increasing gentry presence in the town; the nature and ideology of local governing elites; the struggles over the emerging townscape; and the changing religious culture of the area, including the problematic role of the post-Reformation Abbey. A comprehensive study of one of the most populous and influential towns in early modern England, this book covers the entire period from the Reformation to the Civil War. It will make fascinating reading for historians of English society, literature and religion in this period, as well as enthusiasts of London’s rich history.
| Author | : Suzanne MacLeod |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2013-04-12 |
| Genre | : Social Science |
| ISBN | : 113405355X |
Recent decades have witnessed an explosion of museum building around the world and the subsequent publication of multiple texts dedicated to the subject. Museum Architecture: A new biography focuses on the stories we tell of museum buildings in order to explore the nature of museum architecture and the problems of architectural history when applied to the museum and gallery. Starting from a discussion of the key issues in contemporary museum design, the book explores the role of architectural history in the prioritisation of specific stories of museum building and museum architects and the exclusion of other actors from the history of museum making. These omissions have contemporary relevance and impact directly on the ways in which the physical structures of museums are shaped. Theoretically, the book places a particular emphasis on the work of Pierre Bourdieu and Henri Lefebvre in order to establish an understanding of buildings as social relations; the outcome of complex human interactions and relationships. The book utilises a micro history, an in-depth case study of the ‘National Gallery of the North’, the Walker Art Gallery in Liverpool, to expose the myriad ways in which museum architecture is made. Coupled with this detailed exploration is an emphasis on contemporary museum design which utilises the understanding of the social realities of museum making to explore ideas for a socially sustainable museum architecture fit for the twenty-first century.
