The Sheik A Novel
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Author | : Edith Maude Hull |
Publisher | : Lightyear Press |
Total Pages | : 326 |
Release | : 1921 |
Genre | : Fiction |
ISBN | : |
Diana Mayo is young, beautiful, wealthy--and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the
Author | : Victoria Vane |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2013-09-06 |
Genre | : British |
ISBN | : 9781492169956 |
"Pride and passion vie for supremacy in this steamy retelling of E.M. Hull's romance classic"--Page 4 of cover
Author | : Brian R. Solomon |
Publisher | : |
Total Pages | : 400 |
Release | : 2022-04-12 |
Genre | : Biography & Autobiography |
ISBN | : 9781770415805 |
For a half-century, the Sheik terrorized fans and foes, becoming wrestling's most feared villain. Yet away from the ring, Ed Farhat was a veteran, family-man and businessman whose real life was shrouded in mystery. For the first time, Blood and Fire tells the whole story.
Author | : Susan Mallery |
Publisher | : Harlequin |
Total Pages | : 174 |
Release | : 2018-01-15 |
Genre | : Fiction |
ISBN | : 1488088853 |
A fan favorite from #1 New York Times bestselling author Susan Mallery, originally published as The Sheik and the Bride Who Said No in 2005. Including the incredibly handsome crown prince himself. There’s no denying that Murat is a man of mystery, power and many talents. But for a husband, Daphne Snowden wants more. Sure, “future queen” sounds lovely, but she wants someone who sees her as more than a woman to bear the next heir to the throne—someone who loves her. Still, there’s not only unfinished business between them, but burning desire. And though time has changed Murat, it hasn’t erased her interest in the only man she’s ever loved.
Author | : Connie Mason |
Publisher | : |
Total Pages | : 504 |
Release | : 2003 |
Genre | : Fiction |
ISBN | : 9780786252497 |
Princess Zara had been raised a warrior, always at her father's side in battle against the Arabs who had stolen their land. So when she's taken prisoner by Sheik Jamal Abd Thabbit during a raid, she was determined not to succumb to his wishes--a more difficult task than she would have ever believed. Copyright © Libri GmbH. All rights reserved.
Author | : Susan Mallery |
Publisher | : Silhouette |
Total Pages | : 227 |
Release | : 2007-08-01 |
Genre | : Fiction |
ISBN | : 142680492X |
The wedding of my dreams was only days away...until I discovered my fianc? had a nasty habit of unfaithfulness. So to mend my wounded pride, I turned to the most eligible man I knew: my boss, Prince Rafiq of Lucia-Serrat! Although the dashingly handsome prince had enticed dozens of women, I had just one thing in my mind when I proposed becoming Rafiq's mistress: revenge on the man who'd humiliated me before. It was easier than I'd expected to go from Rafiq's chaste secretary to his lustful lover. What I didn't expect was to fall head over heels for a man who could give me anything I wanted, except his heart....
Author | : Edith Maude Hull |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 132 |
Release | : 2018-01-05 |
Genre | : |
ISBN | : 9781983571176 |
The Sheik is a 1919 novel by Edith Maude Hull, an English novelist of the early twentieth century. It was the first of a series of novels she wrote with desert settings that set off a major revival of the "desert romance" genre of romantic fiction. It was a huge best-seller and the most popular of her books, and it served as the basis for the film of the same name starring Rudolph Valentino in the title role.The novel opens in a hotel in the Algerian city of Biskra. A dance is being held, hosted by a young woman named Diana Mayo and her brother, Sir Aubrey Mayo. It transpires that Diana is planning to leave on a month-long trip into the desert, taking no one with her but an Arab guide. Nobody thinks this is a sensible idea, and Lady Conway-a real person who appears in the book as a minor character-disapprovingly attributes Diana's adventurous plan to her "scandalous" upbringing. Diana's mother had died giving birth to her and her father had killed himself from grief, with the result that Diana grew up tomboyish, with a freedom that at the time was normally only allowed to boys. Before Diana leaves on her journey, her independent character is further established when she refuses a proposal of marriage, explaining that she doesn't know what love is and doesn't want to know. Once she begins travelling in the desert, it is not long before she is kidnapped by the eponymous Sheik, Ahmed Ben Hassan. It turns out her guide had been bribed. Ahmed takes Diana to his tent and rapes her, an event that happens off stage, between the second and third chapters. Diana spends a few months as Ahmed's captive, being raped regularly and brooding on her hatred for him and her self-loathing. Eventually, she is allowed increasing liberty and starts going riding with Ahmed's valet, Gaston. One day, she manages to escape Gaston on one of these rides and gallops away. She is quickly recaptured by Ahmed, however, and as they are riding back to camp, she is overcome by the sudden realisation that she is in love with him. She knows she can say nothing of this, as Ahmed-who claims to find love dull-will send her away if he learns of her love.
Author | : Elizabeth Warnock Fernea |
Publisher | : Anchor |
Total Pages | : 370 |
Release | : 1995-10-01 |
Genre | : Social Science |
ISBN | : 0385014856 |
A delightful account of one woman's two-year stay in a tiny rural village in Iraq, where she assumed the dress and sheltered life of a harem woman. "A most enjoyable book abouut [Muslim women]—simple, dignified, human, colorful, sad and humble as the life they lead." —Muhsin Mahdi, Jewett Professor of Arabic Literature, Harvard Unversity. A wonderful, well-written, and vastly informative ethnographic study that offers a unique insight into a part of the Midddle Eastern life seldom seen by the West.
Author | : Nicola Italia |
Publisher | : |
Total Pages | : 322 |
Release | : 2014-02-11 |
Genre | : Kidnapping victims |
ISBN | : 9781495920035 |
Katharine Fairfax is a high bred lady who enjoys a privileged life as the youngest daughter of Lord Fairfax. But when she rebuffs an older man's insulting proposition of becoming his mistress the man decides to exact a most frightening revenge. Katharine is kidnapped from her comfortable home and family in England and taken to Arabia where she is sold to a powerful sheik. Sheik Mohammed Aksam Al Sabid is captivated by Katharine from the first moment she is brought into his audience chambers by two Arab pirates. He pays an outrageous sum for her and intends the white woman to join his harem. But Katharine demands to return home. When the sheik denies this request - a clash of wills begins. While each struggle with their emotions, Katharine falls under the Arab's spell in a world of sand and heat. Mohammed is equally bewitched and decides that he will have no other woman but Katharine and ultimately disbands his harem to start a new life with her. But there is someone within the sheik's palace who does not want Katharine as Mohammed's wife and will stop at nothing to tear the two apart.
Author | : Hsu-Ming Teo |
Publisher | : University of Texas Press |
Total Pages | : 355 |
Release | : 2012-11-15 |
Genre | : Literary Criticism |
ISBN | : 0292739389 |
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.