The Seeming and the Seen

The Seeming and the Seen
Author: Beverly Maeder
Publisher: Peter Lang
Total Pages: 380
Release: 2006
Genre: Art
ISBN: 9783039109975

Taking their cue from the polymorphous relationship between word and image, the essays of this book explore how different media translate the world of phenomena into aesthetic, intellectual or sensual experience. They embrace the media of poetry, fiction, drama, engraving, painting, photography, film and advertising posters ranging from the early modern to the postmodern periods. At the heart of the volume lie essays on works that characteristically perform intriguing interactions between the verbal and visual modes. They discuss the manifold ways in which artists as different as William Blake or Gertrude Stein, Diane Arbus or Stanley Kubrick heighten the tension between the linguistic and the seen. Taken both individually and collectively, this volume's contributions illuminate the problematics of how readers and spectators/lookers transform verbal and visual representation into worlds of seeming.

Seeing Trees

Seeing Trees
Author: Nancy Ross Hugo
Publisher: Timber Press
Total Pages: 244
Release: 2011-08-09
Genre: Nature
ISBN: 1604693665

Have you ever looked at a tree? That may sound like a silly question, but there is so much more to notice about a tree than first meets the eye. "Seeing Trees" celebrates seldom-seen but easily observable tree traits and invites you to watch trees with

Seeing Like a State

Seeing Like a State
Author: James C. Scott
Publisher: Yale University Press
Total Pages: 462
Release: 2020-03-17
Genre: Political Science
ISBN: 0300252986

“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University

Believing Is Seeing

Believing Is Seeing
Author: Errol Morris
Publisher: Penguin
Total Pages: 338
Release: 2014-05-27
Genre: Photography
ISBN: 0143124250

Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.

Seeing

Seeing
Author: José Saramago
Publisher: Random House
Total Pages: 322
Release: 2013-09-20
Genre: Fiction
ISBN: 1448128099

Despite the heavy rain, the officer at Polling Station 14 finds it odd that by midday on National Election day, only a handful of voters have turned out. Puzzlement swiftly escalates to shock when the final count reveals seventy per cent of the votes are blank. National law decrees the election should be repeated but the result is even worse. The authorities, seized with panic, decamp from the capital and declare a state of emergency. When apathy and disillusionment renders an entire democratic system useless what happens next?

Seeing Degree Zero

Seeing Degree Zero
Author: Bishop Ryan Bishop
Publisher: Edinburgh University Press
Total Pages: 556
Release: 2019-05-03
Genre: Art
ISBN: 1474431445

In the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes' 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors' ongoing collaboration with artist and writer Victor Burgin. The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin's long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, 'Belledonne' and 'Prairie', which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.

The Seeming End of Hope

The Seeming End of Hope
Author: Charles Kisembo
Publisher: Strategic Book Publishing & Rights Agency
Total Pages: 92
Release: 2023-02-25
Genre: Fiction
ISBN: 1682358097

Political upheaval in Munuka degenerates into a gruesome insurgency between the People’s Revolutionary Army (PRA) and the government forces. The loss of lives and countless attempts on the lives of survivors define the daring novel, The Seeming End of Hope. Some things in life are hard to imagine. None of the survivors of this conflict ever imagined that victory would come their way. The story intertwines life and death in a balance where the emphasis is more on the side of death, hence the title of the book.

Seeing Differently

Seeing Differently
Author: Amelia Jones
Publisher: Routledge
Total Pages: 340
Release: 2013-06-19
Genre: Art
ISBN: 1136509267

Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are "beyond" or "post-" identity. In challenging this latter claim, Seeing Differently critically examines how and why we "identify" works of art with an expressive subjectivity, noting the impossibility of claiming we are "post-identity" given the persistence of beliefs in art discourse and broader visual culture about who the subject "is," and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a "queer feminist durational" process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both "art" and "interpreter," potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture.