The Second International Print Makers Exhibition
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Report of the Proceedings of the Second International Congress of Orientalists Held in London, 1874
Author | : |
Publisher | : |
Total Pages | : 80 |
Release | : 1874 |
Genre | : International Congress of Orientalists |
ISBN | : |
The Expedition of Humphry Clinker (Second International Student Edition) (Norton Critical Editions)
Author | : Tobias Smollett |
Publisher | : W. W. Norton & Company |
Total Pages | : 411 |
Release | : 2016-04-04 |
Genre | : Literary Criticism |
ISBN | : 0393614727 |
This revised Norton Critical Edition restores the original full title to the 1771 epistolary and picaresque novel. In choosing supporting materials, Evan Gottlieb emphasizes the growing recognition of Smollett as both a major British author and a central player in eighteenth-century London’s vibrant publishing world. In his last and finest novel, Tobias Smollett uses multiple letter writers to create a very funny and nearly kaleidoscopic vision of life in mid eighteenth-century Britain. As his protagonists travel about the countryside on their quest to restore patriarch Matthew Bramble’s health, they unwittingly succeed in uniting Britain across boundaries of nation, class, religion, and gender. The text of this Norton Critical Edition is again based on the first edition of 1771. It is accompanied by explanatory footnotes, illustrations by Thomas Rowlandson for the 1793 edition, and a map by Charles Scavey. A new “Backgrounds and Contexts” section includes selections from Smollett’s popular early poetry as well as important later nonfiction writing on history and the novel and the Anglo-Scottish Union, among others. “Criticism” is divided into two sections and presents the most important reviews and scholarly assessments of The Expedition of Humphry Clinker. “Early Reviews and Criticism” collects four major reviews from 1771 along with Sir Walter Scott’s 1821 preface to the novel. “Contemporary Criticism” focuses on recent scholarship, with its emphasis on Smollett’s connection and relevance to topics of critical interest, including nationalism, colonialism, the history of the novel, gender studies, and the histories of religion and medicine. Contributors include Eric Rothstein, John Zomchick, Robert Mayer, Charlotte Sussman, David Weed, Evan Gottlieb, Tara Ghoshal Wallace, Misty G. Anderson, and Annika Mann. A chronology of Smollett’s life and work and a selected bibliography are also included.
Minnesota Prints and Printmakers, 1900-1945
Author | : Robert Crump |
Publisher | : Minnesota Historical Society |
Total Pages | : 220 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780873516358 |
A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.
North American Prints, 1913-1947
Author | : David Tatham |
Publisher | : Syracuse University Press |
Total Pages | : 230 |
Release | : 2006-06-23 |
Genre | : Art |
ISBN | : 9780815630715 |
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.