The Sculpture And Drawings Of Elie Nadelman 1882 1946
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The Sculpture and Drawings of Elie Nadelman, 1882-1946
Author | : Elie Nadelman |
Publisher | : |
Total Pages | : 134 |
Release | : 1975 |
Genre | : 1882-1946 --exhibitions |
ISBN | : |
American Modern: Hopper to O'Keeffe
Author | : Esther Adler |
Publisher | : The Museum of Modern Art |
Total Pages | : 145 |
Release | : 2013-08-11 |
Genre | : Art |
ISBN | : 087070852X |
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Modern Life
Author | : Edward Hopper |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Art, American |
ISBN | : 9783777434018 |
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Abelardo Morell
Author | : Brett Abbott |
Publisher | : |
Total Pages | : 188 |
Release | : 2013 |
Genre | : Art |
ISBN | : |
This title offers a look at the work of photographer Abelardo Morell.
Making it Modern
Author | : Margaret K. Hofer |
Publisher | : Giles |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Antiques & Collectibles |
ISBN | : 9781907804298 |
A major contribution to the study and understanding of American and European folk art.
Four Americans in Paris
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 186 |
Release | : 1970 |
Genre | : Americans |
ISBN | : |
If
Author | : Christopher Benfey |
Publisher | : Penguin |
Total Pages | : 258 |
Release | : 2019-07-09 |
Genre | : Biography & Autobiography |
ISBN | : 0735221448 |
A New York Times Notable Book of 2019 A unique exploration of the life and work of Rudyard Kipling in Gilded Age America, from a celebrated scholar of American literature At the turn of the twentieth century, Rudyard Kipling towered over not just English literature but the entire literary world. At the height of his fame in 1907, he was awarded the Nobel Prize for Literature, becoming its youngest winner. His influence on major figures—including Freud and William James—was pervasive and profound. But in recent decades Kipling’s reputation has suffered a strange eclipse. Though his body of work still looms large, and his monumental poem “If—” is quoted and referenced by politicians, athletes, and ordinary readers alike, his unabashed imperialist views have come under increased scrutiny. In If, scholar Christopher Benfey brings this fascinating and complex writer to life and, for the first time, gives full attention to Kipling's intense engagement with the United States—a rarely discussed but critical piece of evidence in our understanding of this man and his enduring legacy. Benfey traces the writer’s deep involvement with America over one crucial decade, from 1889 to 1899, when he lived for four years in Brattleboro, Vermont, and sought deliberately to turn himself into a specifically American writer. It was his most prodigious and creative period, as well as his happiest, during which he wrote The Jungle Book and Captains Courageous. Had a family dispute not forced his departure, Kipling almost certainly would have stayed. Leaving was the hardest thing he ever had to do, Kipling said. “There are only two places in the world where I want to live,” he lamented, “Bombay and Brattleboro. And I can’t live in either.” In this fresh examination of Kipling, Benfey hangs a provocative “what if” over Kipling’s American years and maps the imprint Kipling left on his adopted country as well as the imprint the country left on him. If proves there is relevance and magnificence to be found in Kipling’s work.