The Sculpting Book
Download The Sculpting Book full books in PDF, epub, and Kindle. Read online free The Sculpting Book ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Edouard Lanteri |
Publisher | : Courier Corporation |
Total Pages | : 497 |
Release | : 2012-08-02 |
Genre | : Art |
ISBN | : 0486132366 |
Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.
Author | : Élisabeth Bonvalot |
Publisher | : Schiffer Publishing |
Total Pages | : 144 |
Release | : 2019-11-28 |
Genre | : Art |
ISBN | : 9780764358579 |
This guide shows you step by step how to sculpt realistic figures, from face to feet, through 10 projects. Professional sculptor and instructor Elizabeth Bonvalot provides the guidance and tips needed to--with time and practice!--reach realism with your sculpted figures. Begin with the fundamentals, such as the types and properties of clays, the materials and tools, four base techniques, and topics such as roughing out, adding clay, detailing, engobe, firing, and patinas. The first five lessons teach the elements of figure sculpting, focusing your attention on heads, faces, hands, feet, and the body. The next five projects offer a sequence for effective skills building as you create a bas-relief portrait, an animal, a standing nude, a bust, and a lifesize figure. This comprehensive approach is perfect for people who love clay and have a can-do attitude, even with limited formal art class experience.
Author | : Philippe Faraut |
Publisher | : Pcf Studios |
Total Pages | : 214 |
Release | : 2004-01-01 |
Genre | : Head in art |
ISBN | : 9780975506509 |
Step-by-step techniques for modeling the portrait in clay, firing meethods and mold making.
Author | : Philippe Faraut |
Publisher | : |
Total Pages | : 230 |
Release | : 2013-06-01 |
Genre | : Figure sculpting |
ISBN | : 9780975506585 |
Author | : 3dtotal Publishing |
Publisher | : Beginner's Guide |
Total Pages | : 0 |
Release | : 2017-04-04 |
Genre | : Figure sculpture |
ISBN | : 9781909414402 |
Beginner's Guide to Sculpting Characters in Clay is a comprehensive guide to traditional sculpting tools, materials and techniques for beginners.
Author | : Peter Rubino |
Publisher | : Watson-Guptill |
Total Pages | : 194 |
Release | : 2010-04-20 |
Genre | : Art |
ISBN | : 0823099245 |
A comprehensive guide for sculptors looking to recreate the human body using clay, from the author of The Portrait in Clay In Sculpting the Figure in Clay, acclaimed portrait bust sculptor Peter Rubio teaches a master class in the essentials of figurative sculpture. In this intensive, all-inclusive guide, he introduces students to a natural, straightforward geometry that will help them become masters at forming figures of clay. Rubino’s unique approach utilizes a geometric system consisting of blocks, simple shapes, and guidelines that instruct students in a new and instinctive sculptural style, With these easy-to-follow instructions and informative concepts, students will see figures as the basic shapes beneath the form as well as learn vital approaches such as BLT: Bend, Lean, and Turn, to create evocative expression, and the Three Ps: Position, Proportion, and Plans, for accurate representation. Other topics include: • The Fundamentals of the Clay Torso • Observing the Model • Essential Materials and Tools • Sculpting the Female Torso from the Live Model • Sculpting the Reclining Figure from the Live Model • Sculpting the Hand, Foot, and Lower Arm • Plus Many Photographic Reference Poses for Continued Study This unparalleled resource is the definitive guide to figurative sculpture.
Author | : Edouard Lanteri |
Publisher | : Courier Corporation |
Total Pages | : 351 |
Release | : 2012-11-01 |
Genre | : Art |
ISBN | : 0486138291 |
"A joy to read, as well as a constant reference library. Thoroughly inspiring." — Workbench The republication of this highly valuable text by Edouard Lanteri, a renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him "my dear master, my dear friend"), makes it possible for serious students to gain the requisite skills needed for figurative sculpture and to bridge the gap between artistic concept and figurative realization. Modelling and Sculpting Animals, together with its companion piece Modelling and Sculpting the Human Figure, is the classic treatise on the techniques of figurative sculpture. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere. In this reasonably priced volume, devoted almost entirely to the modelling of animals, Lanteri offers thorough step-by-step instruction for the figurative sculptor. Beginning with a description of the historical symbolism of animals in different cultures, the author then proceeds to give meticulous anatomy for the horse, lion, and bull. Rules of motion, measurements of construction, erecting the framework, tools, materials, and other pertinent aspects of animal sculpture are covered in detail. The final section presents a comprehensive exposition of the methods of casting in plaster, including how to mix the plaster, applying successive layers and irons, opening the mold, soaping and oiling, chipping off the mold, and special precautions. A profusion of illustrations — over 200 photographs, drawings, and diagrams — clearly demonstrate every principle and method the author describes. 64 full-page photographic plates, 139 drawings and diagrams.
Author | : Dorothy M. Kosinski |
Publisher | : Yale University Press |
Total Pages | : 332 |
Release | : 2001-01-01 |
Genre | : Art |
ISBN | : 0300089929 |
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.
Author | : Muhammad Umar Faruque |
Publisher | : University of Michigan Press |
Total Pages | : 329 |
Release | : 2021-08-17 |
Genre | : Social Science |
ISBN | : 0472132628 |
Sculpting the Self addresses “what it means to be human” in a secular, post-Enlightenment world by exploring notions of self and subjectivity in Islamic and non-Islamic philosophical and mystical thought. Alongside detailed analyses of three major Islamic thinkers (Mullā Ṣadrā, Shāh Walī Allāh, and Muhammad Iqbal), this study also situates their writings on selfhood within the wider constellation of related discussions in late modern and contemporary thought, engaging the seminal theoretical insights on the self by William James, Jean-Paul Sartre, and Michel Foucault. This allows the book to develop its inquiry within a spectrum theory of selfhood, incorporating bio-physiological, socio-cultural, and ethico-spiritual modes of discourse and meaning-construction. Weaving together insights from several disciplines such as religious studies, philosophy, anthropology, critical theory, and neuroscience, and arguing against views that narrowly restrict the self to a set of cognitive functions and abilities, this study proposes a multidimensional account of the self that offers new options for addressing central issues in the contemporary world, including spirituality, human flourishing, and meaning in life. This is the first book-length treatment of selfhood in Islamic thought that draws on a wealth of primary source texts in Arabic, Persian, Urdu, Greek, and other languages. Muhammad U. Faruque’s interdisciplinary approach makes a significant contribution to the growing field of cross-cultural dialogue, as it opens up the way for engaging premodern and modern Islamic sources from a contemporary perspective by going beyond the exegesis of historical materials. He initiates a critical conversation between new insights into human nature as developed in neuroscience and modern philosophical literature and millennia-old Islamic perspectives on the self, consciousness, and human flourishing as developed in Islamic philosophical, mystical, and literary traditions.
Author | : Philippe Faraut |
Publisher | : |
Total Pages | : 239 |
Release | : 2018 |
Genre | : Figure sculpture |
ISBN | : 9780997581614 |
Volume 2 of this series addresses issues that arise after the fundamental skills of modeling anatomy have been grasped. Written for the 3D artist, whether digital or traditional, techniques for applying gesture and drapery to enhance and bring life to sculptures of the human form are discussed referencing more than 100 of Philippe Faraut's sculptures. In addition, step-by-step demonstrations including topics such as modeling stylized body types and multi-figure sculptures are shown through the use of over 600 photographs. Further Features include: . The illusion of translucent fabric. . Examples of the anatomy of folds. . Exercises for modeling clothing & leather. . Methods for creating armatures. . Techniques to improve speed. . Hollowing techniques for complex figures.