The Satirical Element in the American Novel
Author | : Ernest Jackson Hall |
Publisher | : |
Total Pages | : 116 |
Release | : 1922 |
Genre | : American fiction |
ISBN | : |
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Author | : Ernest Jackson Hall |
Publisher | : |
Total Pages | : 116 |
Release | : 1922 |
Genre | : American fiction |
ISBN | : |
Author | : Ernest Jackson Hall |
Publisher | : |
Total Pages | : 89 |
Release | : 1972 |
Genre | : American fiction |
ISBN | : 9780879680336 |
Discusses the use of satire by American novelists in terms of works dealing with American themes.
Author | : Ernest J. Hall |
Publisher | : |
Total Pages | : 89 |
Release | : 2013-03-01 |
Genre | : |
ISBN | : 9780781266369 |
Bonded Leather binding
Author | : James S. Leonard |
Publisher | : Duke University Press |
Total Pages | : 292 |
Release | : 1992 |
Genre | : History |
ISBN | : 9780822311744 |
Ranging from the laudatory to the openly hostile, 15 essays by prominent African American scholars and critics examine the novel's racist elements and assess the degree to which Twain's ironies succeed or fail to turn those elements into a satirical attack on racism. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Norman Foerster |
Publisher | : |
Total Pages | : 298 |
Release | : 1928 |
Genre | : American literature |
ISBN | : |
Author | : Olena Boylu |
Publisher | : Logos Verlag Berlin GmbH |
Total Pages | : 136 |
Release | : 2022-11-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 3832555560 |
What is the role of the historical and political novel in our lives? Is it just a story from the past, or does it shape our historical consciousness? Can we rely on the information within this type of fiction? According to many historicists, we cannot. However, we can also question numerous ideologically shaped history books that look more like fiction than scientific sources. Hence, historically and politically loaded fiction has an equal chance in the formational process of our historical consciousness. Besides, through satire and humor, which a scientist omits in a history book, a novelist manages to affect its reader on a different scale and leave a deeper trace. As E.,L. Doctorow once stated, ``The historian tells you what happened. The novelist will tell you what it felt like.'' Hence, this study analyzes several significant concepts such as historiography, historical consciousness, power, its elements, and the way it operates; traces major characteristics of historical and political fiction, and determines the role of satire within them. Eventually, through the analysis of several prominent contemporary novels, it provides vivid examples of all the concepts that have been discussed.
Author | : Darryl Dickson-Carr |
Publisher | : University of Missouri Press |
Total Pages | : 244 |
Release | : 2001 |
Genre | : Humor |
ISBN | : 0826263747 |
"Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African-American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire." --Book Jacket.
Author | : Nathan Waddell |
Publisher | : Cambridge University Press |
Total Pages | : 311 |
Release | : 2020-10 |
Genre | : Literary Collections |
ISBN | : 1108841090 |
The Cambridge Companion to Nineteen Eighty-Four is aimed at undergraduates, postgraduates, and academics. Situating the novel in multiple frameworks, including contextual considerations and literary histories, the book asks new questions about the novel's significance in an age in which authoritarianism finds itself freshly empowered.
Author | : Brian Stableford |
Publisher | : Scarecrow Press |
Total Pages | : 568 |
Release | : 2009-08-13 |
Genre | : Literary Criticism |
ISBN | : 0810863456 |
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.